Daughters

My daughters

are my light

they are my day

my daughters

of two lights

that light my way

so very different

in every way

yet much the same

as night turns day

so much my truth

so much that’s right

one pained

but full of light

one old of soul

who seeks what might

one feels

what all should feel

one finds

what finds unreal

so proud

for each diverse

so strong

so much it hurts

I wonder

every day

what life

will bring their way

so proud

of what we made

so proud

of what they say

so deep

is what they feel

such truth

so fucking real

I thank

the skies above

for daughters

made from love

for who

they will become

for lights

they’re destined from

for all

they are right now

for all

they will bestow

my daughters

are my light

who bring me

to full sight

who make my life

seem right

who summon dawn

from my dark nights

whom I love

with all my might

for being all

and all

that’s right.

Perfumed Skies

The only time I recall the desert air coming alive

with sweet, earthy fragrances

was in the aftermath of the overdue monsoons

Truly giving and glorious

and something to be relished

with each softened step

across the terminally brutal terrain

but much to my annual dismay

far too fleeting

leaving me needing

So it comes as a welcome surprise

that my pointy nose has reawakened

to a constant wealth of otherworldly aromas

here in the heel between two seas

here in our small, Italian town

where the houses touch

and voices travel

and vegetable gardens vastly outnumber shops

where hearth fires still burn well into spring

to warm the dark, old interiors

and cook the day’s big meal

scenting the air with homey fragrances

and happy thoughts

Strolling down narrow streets

and country lanes

flanked by fertile patchworks

green, yellow and red

purple, blue and white

past tidy ranks of olive trees

holding hidden bounties

past plentiful citrus trees

burdened by their unpicked generosity

bursting yellow

passing ancient grapevines wrapped around rickety trellises

hovering over well-tended courtyards

and fields where wildflowers grow uninterrupted

filling the breezes with sweet, syrupy perfumes

we find ourselves continuously smiling

and stopping

to suck in the air

Tired by my years

but grateful to be here

where farmers leave respectful wild patches

in otherwise tilled fields

and still farm things by hand

by heart

by instinct

It’s good to watch the tomato seedlings grow

in their straight as arrows rows

Close witness to nature’s abundance

in the careful care of each small farm

Growing taller, wider, stronger

day by day

just steps from field to market to table

to our sated bellies

and our simple, quiet lives

beneath these perfumed skies.

The Battle

i daily mourn

the friendships lost

in finding myself

by pulling away

when i lacked strength

to face each day

when i felt sick

with each new dawn

where love was lost

and lines were drawn

when i felt too much

in feeling neglected

when much had been taken

but never respected

i wielded a sword

and cut through the pain

with swift mighty strikes

again and again

and with each blow

i severed ties

which bound me to

a weighty life

of trying to do

what i thought was expected

of living in fear of being rejected

of balancing egos

including my own

of building a house

where all felt at home

but when i had finished

and my battle was won

where once stood an army

i now saw was none

grateful for those

who stayed strong in the fray

whose love was a shield

which i raised everyday

but now that i’ve triumphed

within and without

the death blows have filled me

with guilt

and with doubt

that some of my victims

might just have been saved

if i hadn’t been armed

with such sadness and rage

but here i must stand

in the wake of it all

in the place i have come

in the peace and the still

wondering

whether some dead might still rise

wondering

if i could – or should –

seek a reprise

worried

that if i hold out a new hand

backwards i’ll tumble

and backwards i’ll land

or if seeking new ties

after cutting the old

the old friends i seek

will prove bitter and cold

so here i will lay

in the dark before dawn

in the still of the night

in the dark of my thoughts

all weapons now stowed

for i have no more fight

i will lie in my bed

i will look for the light

trusting that time

might just show me the way

trusting myself to have faith everyday

that the battle hard fought

had its reason and marrow

that the pain and the death

helped me reach for tomorrow

Troubled Beauty

Born in a storm in early spring
a troubled sign
for the trouble life would bring
mother and father too young to understand
life there
and beyond
their native heartland
but it would reach them
teach them
with lessons far spreading
soon shedding the ties
and tearing their lives
in half

one to the corps to build bridges and roads
one, with two girls, to the far western coast.
unaided
mind troubled
before long, problems doubled
and life on the streets was soon home
a mom and two girls
all alone
while families turned their steely eyes
on this sad little trio
struggling to survive.

scenes etched in a young mind forever
and who could really blame her.

too much time had passed
a year in an orphanage was next
then her father’s family finally came
to take the girls back home again
leaving their mom to fend for herself
all taken
foresaken
to stumble alone
ever shaken.

as each day passed her beauty grew
though young and naive
this she knew
and would brandish it
like a weapon
even when it turned on her
stirring nasty men with their nasty intentions.

her beauty without
would inspire within
a will to escape the land of her kin
so she left.
at sixteen years she packed a bag
boarded a train
refashioned her name
and set sights on the Windy City
where she could pretend to be someone else
where the pain and the who of the young girl’s past
might get lost in the crowds of the city.
little did she know
it would haunt her to and fro
for the scars were deep and gritty.

yet she molded herself
into someone else
aloof,
high-minded,
and driven.
her beauty soon led to some success
with misgivings deliberately hidden
behind high fashion clothes
fancy new cars
and a smile that was ever beguiling
while the child within
fists always clenched
was always
always
fighting.

ever frightened to lose all she gained
for loss and fear were well ingrained
she never felt true satisfaction.
yet her beauty grew more mesmerizing
and her heart was ever trying
and her mind was ever reeling
ever learning
ever seeing
the world in such a special way
making people love her
though she kept them distant
day after day
after day
after day.

in a life that was filled with choices
there were so many dark, disturbed voices
which often spoke louder than others.
trust was a stranger
she questioned all angles
and often found solace in shallow rewards
in monied, depthless people
whom she deemed her equals
but those people were simply cowards
hiding in their golden towers
holding their lives above all
eager to see others fall
and she fell.

fell for a dreamer.
fell for a schemer.
fell for the trappings –
broken promises in shiny wrappings.
for a man she could never truly trust.
for a man who put her love below lust.
and the more that was taken
the stronger her obsession
with things that looked good on the surface
but offered no healing
no purpose.

five children she saw as her greatest success
she preened them and nurtured
the way she thought best
but the nest was so fragile
built of gossamer twigs
perched on flimsy branches
rocked by changing winds.
protecting illusions with stubborn pretention
and guarding the nest with utter resentment
she hid behind conceit
doing what she deemed was right
high walls built on fiction
with ever-present friction
and behind them we thrived
at least for a time
for troubled beauty was our teacher
often hard to truly reach her
the less I understood
the more I tried.
there, though not always present
our beautiful, troubled guide
ignoring the unquiet ghosts
shunning the unresolved pain
always running from her beginnings

and clenching her fists to the end.

Grief

It cut through the cool, quiet afternoon

with such intense clarity

that both the dogs and I stopped in our tracks

to look in the direction from where it came.

A woman’s voice

loud

low

anguished

cried out from a big house

down a small street

at the edge of town.

I knew almost instantly

it was not a cry for help

because I had rattled my own walls very recently

with similar sounds

when news of my mother’s death reached me

and I was forced to face it alone

thousands of miles from what once was home.

Instinctively I wanted to move toward her sorrow

offer comfort

offer company

but I knew such new pain

needed to be tempered with solitude

tears

time to process

and purge.

I looked up and down the streets

for someone

anyone

who might have heard her wails

and shared my heartache

as helpless witness

to such profound sadness.

But no one was about

just the dogs and me

and I suddenly felt intrusive

and newly stricken by my recent loss,

so on we moved

each step ushering its own fresh tears

coming stronger and stronger

as the sounds of her fierce despair

faded into the distance.

Her pain

is now entwined with mine

two unacquainted mourners

ever connected in our losses

in our sorrows.

Each time I pass her street

and recall her suffering

I feel her presence

(though a stranger to mine)

and am trusting time

has eased her pain

her tears

the grief.

Sleep

Sleep evades me

sleep can’t save me

toss and turns me

makes me taut

choices made

outcomes shade

any happiness I’ve saught

life has a way

on too many days

of kicking me to the ground

ever impatient

tired of waiting

for all i think I’ve earned

not seeing clearly

what to hold most dearly

is the life already found

but here’s the thing

what nightime brings

is darkness full of doubts

did my impatience

invite trepidation

which attends me all night long

sleep evades me

sleep won’t save me

from this recurring haunt

that my willful, skillful selfness

forces herculean lessons

yet leaves me lonely, feeling helpless

for this false and mean obsession

needing things a certain way

will beat me up day after day

and tear my tender heart in two

keeping me further from the truth

but i keep trying

no more lying

that I’m understanding all

one year older

no more closer

to making the unfettered call

second-guessing

always messing

with the good of status quo

ever searching

ever lurching

toward the things I do not know

sleep evades me

sleep won’t save me

from the choices that I make

so I’ll write it

best not to fight it

take the give

and give the take

Tick

tick

tick

tick

time stands still and I feel sick

tick

tick

tock

will this waiting ever stop

tears

tears

tears

months of realizing fears

so much

on my

own

never felt so all alone

minutes

hours

days

in an unaccustomed place

words

ways

when

can my life begin again

high

low

lone

toughest time I’ve ever known

green

yellow

blue

trying hard to learn things new

thought this all would be a breeze

but it’s brought me to my knees

there’s a lesson to be found

but for now it’s not around

just this feeling of confinement

set adrift with no alignment

it’s just me here when I wake

dogs don’t count ‘cause they can’t speak

I know the end

is in my sight

it’s days away

so hold on tight

take a walk

release self-pity

parla italiano

explore the city

know the clock

continues to click

just be patient

tick

tick

tick

Voices

Such strange, new sounds

that play upon my ears

replacing feral voices

I’d listened to for years

the barking of Coyotes

as they finally made their kill

Horned Owls hoot-hoot-hooting

from a tree just down the hill

Gambel’s Quails whose numbers

cheeped and chittered from the scrub

a conspiracy of Ravens

as they swooped from up above

now it’s mostly voices

of my fellow human beings

such an odd array of noises

and emotions that they bring

voices raised in anger

voices raised in song

cracking voices of the aged

lilting voices of the young

mothers calling children home

neighbors spreading tattle

cafe crowds who raise a cheer

when the local team does battle

men with big loudspeakers

on the roofs of their old cars

pitching their promotions

which I find a bit bizarre

church bells which routinely chime

but never seem to tell the time

motor bikes and beeping horns

barking dogs of every form

those that whistle, those who cry

new voices heard from far and nigh

I often sit and contemplate

this sound-filled world I hear

I find in it some comfort

yet I find it in my fears

of days ahead with noises

most of the peopled kind

when my solace in the past

was saught in nature’s hushed divine

where when I walked I often heard

just footsteps and the wind

now when I walk down ancient streets

I’m forced out from within

adding to the daily noise

that fills the town with sound

greeting my new neighbors

and adapting all around

praying for my writer’s voice

amidst the village chatter

hoping that the noise without

will spur the words that matter

The Stray

He wanders about

determined

to let the whole town know

he’s there

with his loud, mournful cry

both in the dark

and in the daylight

sounding like a wind-up siren

winding down –

low

and slow –

amplified by narrow lanes

and tall, stone walls.

A sorrowful aria

of life on the streets

in this southern village

where the streets

are a cat’s life.

The white of his orange and white fur

is grey

and his face shows scars

from fighting for his place

and food the townfolk leave

in front of markets and homes

on rooftops and walls.

Earning such keep

keeping rodents at bay

among the many ruins.

Among the decay.

Belonging to none

except the pitch black feline

he’s permitted to mount

and nap near

neath parked cars in the piazza.

When I hear his cry

I sigh

and want to take him in.

But his feral ways

would not find their place

indoors

or in my arms

from which he bolts

when we meet on the roof

and in the streets.

But now and then

when our eyes meet

he lingers

and calls out

to let me know

he sees me as well.

In the Shadows

In the shadows is where you’ll find me

bind me

remind me

of who I am

in the darkness is where you’ll hear me

fear me

wear me

like a heavy cloak of black

all connected

never protected

from the errors I have made

alone and quiet

tears won’t hide it

but I’ll cry them anyway

in a life of always trying

always judging my own ways

I see the shadows lengthen

while my strength they take away

but in between the darkness

I seek light and silhouettes

of what I’ve been

and where to go

outlined by past regrets

ever changing

ever raging

ever set within my mind

always seeking

always dreaming

always trying to be kind

the shadows cast a figure

I don’t like to recognize

when the figure

dim and brooding

casts its dark upon my eyes

I try to keep them moving

toward the light found up ahead

stretching forward

looking awkward

hoping truth lies there instead

and when the light begins to fade

and shadows disappear

I hide within the black of night

I languish in the fear

of one day looking out

to watch my shadow disappear

The Forgotten Man

rusty and neglected

among the thorns

and tall, wild grass

stands the marker of a man

long since passed

a sorrowful reminder

of all life that comes and goes

of the life some might remember

and soon no one will know

no one to tend the marker

none to remember the man

no one to even notice

the monument at hand

I pass it nearly everyday

and wonder who he was

to warrant such an epitaph

to earn such a tribute of love

and then to be forgotten

at a corner where no one stops

in front of an ugly chain link fence

midst trash and weeds and rocks

decomposing a little more each day

like a body in a grave

none to recall the forgotten man

was he good

was he loving

was he brave

what would he think

of his sad, unkempt shrine

and what would I say

if this pillar was mine

such things are for the living

such things not meant to stand

such tokens of such fleeting days

won’t remember the forgotten man

Alone

I always saw myself as an independent soul

always things to do

always somewhere to go

always geared to discover

new people and new places

always eager to see the world

and all its different faces

now once again I find myself

somewhere new and strange

but this time I’m without my love

without my very best friend

and it’s hard

a challenge to be on my own

a problematic time

to have to be alone with me

and the fragility of my mind

but difficult paths are meant to be

are meant to help us grow

so somewhere I must find my strength

and seek what I must know

and know that soon I’ll have my love

back here where he belongs

back in the arms that long for him

back in this home of ours

back to being one of two

but stronger for the time

when being alone meant being with me

and loving the me that is mine

Town Life

when all is dark

and the clouds open up

and the winds begin to blow

the streets of my little town empty of life

at least the life I’ve known

but then I sit and listen

to another force take form

rising from rooftops

rising from the storm

rising from the cobblestones

and unlatched, metal gates

the town which seems devoid of life

begins to animate

the metal caps on old smokestacks

sing their clattering songs

the shutters and blinds of vacant homes

prompt spirits of their own

a battered, old cat in search of food

wails a sorrowful tune

the ebb and flow of the rain and the wind

beget a mournful mood

the gutters gush down ancient walls

the puddles turn to pools

incited by the raindrops

and lamplights burning true

shadows of towering trees

dance like ghosts in the gusts

shaking their limbs in a ghoulish jig

fevered and frantic and rushed

yet as the clouds go on their way

and pools disappear down the drains

the soul of the town is hushed again

by the calamity

by the humanity

by the dawn of another day

Morning Walk

I grumble when I rise

in this new routine I find

of having to leash the dogs

and head outside.

No more opening doors

having always been free to explore

and do their business

without any help of mine.

So on the leashes go

before the coffee brews

and out into the narrow streets

now home.

Smoke from chimneys hovers low

the smell of it

lifts spirits below

while pleasant thoughts soon rise

with the early sun.

And on we wend

through the aged, shadowed alleys

past tiny cars and crumbling walls

by well-fed, feral cats and barking dogs

who hear our jingly approach

and let it be known to all.

Life behind the shutters

has begun to stir

and the sounds of life within

all heard

dissuade me from feeling too alone

while my husband wraps things up

where once was home.

Passing walls of gathered stone

and garden patches in verdant rows

the dogs seek out every, single smell

while continually adding their own.

Happy to be lost in the ancient grid

of unworked fields and olive trees

of derelict lots

and well-tended hearths

I have little worry

of my place on earth

and finding our way back

to anticipated treats

to coffee

and to home.

Click. Clack.

Click.

Clack.

Each step he takes

with a cane in both hands

to steady his gait.

He can hardly see.

Doesn’t hear too well.

Yet several times a day

he’s determined to go.

Clicking and clacking

on his measured pilgrimage.

No matter where

but curious

where the old man heads.

Can’t help but admire

that he just goes.

Click.

Clack.

Determined and slow.

Circling the piazza,

he rests at the cafe,

where he sits with his friends

for much of the day.

And then

Click.

Clack.

he shuffles to his door.

But a couple hours later

Click.

Clack.

He totters off once more.

The Whistler

Well before the sun appears

in the dark

in the dew

in the quiet of pre-dawn

I hear a man whistling

a happy tune

as it echoes off the ancient walls.

Who whistles,

I think as I lay in bed,

at such a time of day?

But the happy song

he whistles that morn

blows my question away.

I smile and listen as he makes his way

from bin to bin to bin,

marvelling at his utter joy

for the simple job he’s in.

If only all of us could feel

the happy this fellow seems

each morning that he puckers his lips

and starts his day with a tune.

The Shoe

he stood there

at the side of the road

tapping his toes

waiting

for something to happen

something to change

someone to come

frustrating

but you can’t just stand

at the edge of the street

tapping your feet

hesitating

at the side of the road

with no where to go

with nothing to do

fading

either cross and move on

or turn back home

cause it’s easier there in the shadows

but he couldn’t decide

so he stood there and sighed

waiting and waiting and waiting

until all that remained

at the side of the road

was a worn out, old shoe

decaying

standing alone

beaten down by a life

of nothing but procrastinating

shadows

will you see my shadow in the grass when i’m gone

will it move and stretch in the mid-day’s sun

will it disappear in the shrouds of the junipers’ limbs

will you see it in the changing light of all that’s been

will you hear my words in the strong, spring gusts

or catch remnants of my footsteps in the Arizona dust

will the love i tried to nurture here go unfed

will the times i felt i failed you ever leave my head

will the moments that i gave so freely of my heart

be a warm, welcome memory, or lost within the dark

of selfish wants of worthless things

which made us forget the bounty love brings

i will look for your shadow in the change that lies ahead

i will listen for your laughter and will think of you my friend

and if you see my shadow roaming through the neighborhood

i hope you smile and recollect that all that was, was good

This House

This house

now weighs heavy on my heart

where once was light

we nurtured from the dark;

where when we moved ourselves

within these walls,

neighbors turned to friends

and friends turned all.

Where varied folk

met on this dusty road

and found a kinship

worth a weight in gold.

But years have passed

and seeds have scattered

and once things did,

but now don’t matter.

Cause when the world

was forced to shift,

what was once,

no longer fit.

And as the view

began to change

and i unchained

the new within,

these walls –

this world –

became a cage

guarded by a new found rage

of my own making.

And it started me thinking.

Now new worlds lie in wait.

My love and I

can feel the weight

lifting

and roots

shifting.

And this,

our beautiful home,

our past,

lovingly

and finally,

releasing.

Within Close Range: Flying

I dream of flying.

Lifting off the edge of the bluff

and rising quickly

toward the fat, lazy clouds

hovering over the great, grey lake.

Circling the nearby harbor

where scattered sailboats bob,

I swoop and dive

like the swallows nearby,

but seek out more familiar forms

hidden back among the trees,

just far enough

from the crumbling bluff

to put Dad’s mind at ease.

To the glowing kitchen window

and the figure of Mom

in her pink, plaid apron.

Ever regal.

Ever busy

in her blue and yellow kitchen.

I hover there,

in the cool lake air,

listening to the happy clinks and clanks

of pots and plates.

And try to imagine what’s cooking

by what’s wafting through the windows.

Until a strong breeze

lifts the aroma

and me

back over the lake.

Past the sunken, old pier

where giant carp spawn

year after year.

Past the rocky harbor walls

standing hard against the waves.

Until the house

and the cottage

and the beach

disappear,

and I begin to really soar

over endless stretches

of dark and deep.

Unhappy to find my bed

and solid ground

beneath me when I wake.

Within Close Range – Florida Days: the teen years

Driving from the airport

to a new winter retreat –

a 20 story high-rise in Pompano Beach –

it’s clear things aren’t as they have been.

Gone are the Mid-Century neighborhoods

with small, tidy bungalows

and pastel-colored apartment complexes.

Gone are the small, neat streets

crammed with big, American cars

and the quiet, inland canals

with their 90 degree curves.

Modern high-rises now loom along the coast,

casting long shadows over these old ghosts.

Smothered by “The Strip”,

a popular stretch of beach –

and the only way to their new place,-

Nonna and Papa are forced to face

nubile, bikini-clad, beer drinking youth

balanced precariously between child and adult

unkempt,

half-naked –

all god-forsaken.

But Gina and I crave this uncharted world,

which we’re slowly cruising past

in the back seat of a tightly sealed Cadillac,

filled with the sounds of Perry Como

and the smell of Jean Nate.

The closer we get to Nonnie and Papa’s,

the older the demographics begin to slant,

until beers and bikinis are soon replaced

by beer bellies and Platex bras.

The upside to the new zip code

is a bigger abode –

and a separate door to the outside world –

or at least to a corridor,

and an unused stairwell.

To Marlboro Lights

and poorly rolled joints,

and late night escapades with girls from New York.

Gone are our grandparents’ halcyon days

of minding their ways.

These are the carefree days of youth.

Of baby oil and B-52s.

Getting stoned in the sauna.

Drinking beers on the beach.

Somehow convincing Nonnie

to hand us the keys.

Of cranking up the radio

and rolling down the windows

to inhale the salty air

and the sweet smell

of being newly licensed.

Of boys on the beach noticing us

and Nonnie –

from high above –

noticing them, noticing us.

These are the Florida days

of pushing boundaries,

especially ones so poorly guarded.

Well past our very strict curfew.

Nonna is waiting and bleak.

She’s worked herself into such a state,

she’s lifted off her bunioned feet.

She cross-examines,

reprimands,

and threatens to send us home;

then leads us in to Papa

in the unlit living room,

Leaden and pacing.

My heart is breaking.

When all is said –

which isn’t much –

he turns his back

and sends us to bed.

The first thing we see in the morning

taped prominently to the fridge

is a newspaper clip with a giant headline,

“Girls Found Charred on Beach”,

and Nonnie,

with her back to us.

Sighing and tsk-ing,

but not saying anything.

Until behind closed bedroom doors,

on an all-day call with her sister, Rose,

we can hear her tell of all her woes;

heralded, at times, in a pitch so high,

dogs throughout the high-rise begin to cry.

This leads to quieter Florida days,

of shorter visits

and solo stays.

Now more observer than the observed;

studying Nonnie and Papa

in their Florida world.

In their well-aged routine of marital malaise.

Wondering if I know what a happy marriage is?

Hours of watching old ladies by the pool;

with their sun hats and cigarettes

and bad romance books;

their games of Canasta,

and over-tanned skin…

wondering if any

were ever really young?

When Papa leaves to tend to the store,

it’s hours of Gin Rummy,

and little more.

Alone with Nonnie,

playing round after round

on the windy, high-rise balcony,

sixteen floors from the ground.

Where 8-track cassettes

of Liberace and Lawrence Welk

teach me tolerance,

and the importance of a wickedly good game face.

Happy to see the rainy skies.

Happy to stay indoors

and in our nightgowns.

The condo is especially quiet.

No washing machine

or television

reminding us of other things.

Other lives.

No dinner out

or big meal in.

We barely move.

Rarely talk.

Occasionally, Nonnie disappears,

returning with something powdery and sweet

or cheesy and crusty

and hot from the oven.

Such deliciously quiet moments

of simply doing nothing.

Oh these my Florida days.

Within Close Range: Florida Days – the early years

It’s a small, but airy, two bedroom

built at the corner of an inland canal;

brightly decorated in yellows, greens, blues and whites,

and perpetually shaded from the Sunshine State.

A peculiar land of tropical scents

and strikingly unfamiliar sights.

Far removed from the only place I know at night,

home.

Put to bed too early,

I lie in the sitting room-turned-my-room,

tossing and turning on the lumpy sofa-bed

for what seems like hours and hours on end.

Listening intensely to the sounds of apartment living

made especially audible by the glass-vented door

opening onto the curved building’s exterior hall.

My slatted portals to an unknown world.

To the sounds of the apartment people

returning from the pool,

the shops,

the grocers,

dinner out.

Of doorbells ringing

and little feet skipping,

and hugs and kisses

and friendly greetings.

Of moist, briny winds

carrying the scents

of jasmine and orange blossoms,

and parking lot asphalt.

And the ladies’ perfumes

as they stroll past my door.

The echo of laughter in the nearby stairwell,

and their happy words

which disappear

with the sudden click of a heavy car door.

Murmurs from the living room TV

add to this strange symphony,

with familiar sounds

and flickering lights

that seep through the bottom of the door,

casting short, cryptic shadows

on the thickly carpeted,

recently vacuumed floor.

Comforting is the knowledge

that Papa is in the room next door.

Feet up,

arms folded high across his belly,

and a large RC Cola at his side.

Grinning at Clem Kadiddlehopper,

or growling at the Chicago Bears.

When Papa finally turns the television off

I lie in the still and unfamiliar dark.

The inland water’s slow, buoyant motion,

lulls me into a deep and scented slumber.

until the morn.

When I linger on the lumpy mattress

and listen to the apartment people

begin their days.

Wooed by the sounds of others stirring,

I stretch toward kitchen utensils clanking

and the smells of breakfast cooking

on the other side of the wall.

Oh these, my Florida days.

Of sand slipping away beneath my tiny feet,

and seashell hunts as the sun dips low;

of Nonnie’s curled and bunioned toes

and skinny, seagull legs

dipping into the foamy waves,

but never past her knees.

These early days of sunset walks

along a stretch of beach

that leads to a lighthouse

and a creaky, tottering wharf

where Papa likes to take a walk.

And I like to walk with him.

Where fishing boats have funny names

and a tiny gift shop,

in a weather-beaten shanty,

sells orange gum-balls

packed in little, wooden crates.

Which Papa buys for his little, Pie-Face.

Of bright, green lizards

skittering across pastel walls,

and pats on the head

by terrycloth clad men

playing cards in the shades of umbrellas.

Where suntanned women

with the giant bosoms

and ever-blooming swim caps

wade in the shallow end,

with big, dentured smiles

for the little one

visiting Lenore.

Oh these, my Florida days.

Within Close Range: Candied Abandon

Something scrumptious always simmering

in an old enamel pot.

Looks to have cooked a million meals

one hopes will never stop.

But as delectable to me as these savory delights,

Nonna and Papa’s home is a sweet-tooth paradise.

A candy-coated, chocolate-covered, fantasyland,

with countless confectionaries ever at hand.

Coffee candy, toffee bits.

Circus peanuts, caramel nips.

Cookie tins with crescents that melt on my tongue,

leaving powdered-sugar fingerprints wherever I’ve gone.

In nightstands, TV stands, and cabinets, wall-to-wall;

in boxes, and pockets, and purses in the hall.

I scan all the shelves for a glimmer of color

through crystal candy dishes in a glass-front cupboard.

On a table right next to the velvety green couch,

I find a lidded coffer that has gone untouched.

Chasing my greedy reflection over the mirrored table top,

I see no misgivings, as I reach for the box.

Those would come later,

when at the dinner table,

Nonna pressed me to eat,

but I simply wasn’t able.

Which is simply

not

done.

Within Close Range: Dinner at the Celanos’

Dinner means waiting.

It means setting the table

with placemats and napkins,

and neatly set silver,

pitchers of water

and plates for your salad;

and waiting and waiting,

as smells from the kitchen,

from sizzling pans and simmering pots,

waft through the house

like intoxicating fog.

Making it hard to concentrate

on anything but the the clock,

and the driveway,

where we turn our attentions

every few minutes,

hoping for headlights.

Stomachs gurgling.

Tempers shortening.

Dad finally showing

and ever so slowly…

shedding his suit.

Un-harried.

Unhurried

to get the meal going.

Though children are moaning.

Haven’t eaten in minutes.

But dinner begins

when Dad’s ready to sit.

And no sooner.

Within Close Range: The Double Date

Home from college,

my dance card empty,

Jean has ignored me

and arranged a double date.

Making my way toward the kitchen

to re-hydrate my bone-dry jitters,

I pass Dad in the den.

He’s sitting in the swivel chair,

with his back to the windows,

pretending he’s reading.

He’s also pretending not to see me.

Isn’t happy about this evening.

With boys ever at the heels of Mia and Chris,

he takes frequent comfort in my constant datelessness.

But really, is the The Garden Journal so utterly absorbing

that my noisy, high-heeled entrance, he’s utterly ignoring?

Not Dad.

Can’t suppress eye roll.

And what about Mom?

Still hovering in the kitchen,

without a purpose in sight.

Both acting like this was my very first date.

Not exactly soothing.

Just need to keep moving.

A difficult task in absurdly high heels

which already feel like burning coals.

Through my water glass,

I watch Dad rotate right

to face the new, oncoming lights

bouncing off the dimly lit walls.

A swivel slowly left,

he’s observing Jean and our dates.

The doorbell’s ringing,

but Dad’s not budging.

Instead, he’s whirled right back around

(that book might as well be upside down).

Can’t suppress eye roll.

I take a deep breath and open the door.

Jean’s smile is enormous.

I look to the floor –

I know she’s trying.

But there’s something she’s hiding –

like he being just about as happy as I am.

Reaching out a limp, wet hand

(What’s this poor guy’s name again?),

I hear swiveling.

Dad’s up and coming.

Then… passing,

without so much as a greeting.

(Eye roll mentally happening.)

And why is he stopping,

simulating a search for something?

Empty-handed, he’s returning.

I can almost hear the growling.

Keeping his fixed glare –

swiveling like the chair –

on both the boys,

until he quietly disappears.

I push my companions out the door,

hoping the night will hide my humiliation

and breath new life into this double date situation.

But I’m not counting on it,

and neither is Dad,

who’s peeking through the curtains,

shaking his head as he calls to the kitchen,

“She won’t be marrying THAT one.”

Can’t suppress eye roll.

Dad

The doctor’s last count was seven.

Each stroke leaving in its wake

a little less Dad.

Less motivation.

Less vision.

Less presence.

Then he lost his license.

So Dad just sat.

Eventually losing sight

of all that made him tick.

Gave him purpose.

He was good at.

I watched the frustration

when things weren’t clicking

in his once playful eyes,

in his quick and clever mind,

and quietly mourned

the lengthening shadow

that would smother such strong light;

turning weaknesses upon himself,

and others.

The shadow strengthened,

as the once powerful figure

could no longer focus.

Spent the days crying.

The nights wandering.

His underpants,

soiling.

Conversations were now repetitions,

driven by a series of questions

he’d ask again and again

and again.

Always about family,

living and dead.

No steering away

from this endless thread.

But it’s all that remained

as he struggled for thoughts.

For words.

For himself.

The bygone body, swaggering and bold,

began to weaken,

and wither,

and fold

from all those years of sitting.

Doing hours and hours of nothing.

While cherished faces,

and times and places,

steadily stepped into the dark.

Rare became the instants

during my brief, long-distance visits,

when I saw that certain twinkle in his eyes.

When he was pleased,

about to be silly –

or incredibly Dad.

But then

alas

it would pass

and entered this man, instead.

The only thing constant

was his wheezy, cartoon laughter

which he easily summoned

to the great relief of everyone

hovering uncomfortably in his small, sad room

scattered with pictures of loved ones –

now mostly strangers.

Rarest was hearing the voice of his past,

which sang in my ear

when he used my pet name.

Summoned forth in fugitive instants.

Clear and compelling.

Making me unexpectedly ache,

and anxious

to hear Dad speak again.

But Dad never did.

Yet in that flash,

in his strong, familiar voice,

he was my beacon,

my banker

my mentor,

my tormentor,

My father.

And everything felt right.

Then it didn’t.

And I cursed myself

for not plucking from the ether

that all-too-brief moment

to stuff deep within my pockets.

and help me remember

his long and strong hugs

of immeasurable comfort.

His powerful presence.

His stubborn dreaming.

His cocky, foolish, bridge-burning scheming.

The maestro of his successes

and Master of his failures.

But grateful for the moments

we spoke about nothing

and I apologized for everything.

Though he wouldn’t remember anything.

But love is in the giving.

In the times he heard,

I love you.

So, I told him different stories

about faraway lives,

and in between the questions

and his uncontrolled emotions,

I‘d try to fill the ether

with soon forgotten memories.

With love and laughter.

And strong hugs

of immeasurable comfort.

Within Close Range: Curfew

Every mile or so,

I glance to the clock.

Hoping time will stop.

Or that it’s not really five o’clock.

The final mile along the road,

I roll down the windows to air out the smell.

The woodland creatures are beginning to shift,

so once in the driveway, I turn the lights off

and roll slowly along, with the engine hushed.

Safe inside, it’s straight to the fridge.

Grabbing cold pasta, I start up to bed.

But a light from the den stops me instead.

And before I can step a tip to a toe,

Dad rumbles from the den,

strong and low.

And I have nowhere else to go.

Perched on his favorite, swivel chair,

he’s flanked by portraits of ungrateful heirs.

Grumbling at the empty driveway

and disappearing night,

he’s been swiveling there for hours

without a child in sight.

Staring at my bloodshot eyes,

he asks if I know the hour,

and things aren’t looking good

for this early morning flower.

“What could you be doing

until five in the morning?”

All at once, the truth pours forth

without a single warning.

I tell Dad how the day was spent

cooking with some friends,

then going to a drive-in

for a zombie marathon;

about the beautiful night

and the shoreline fire,

and the remarkable moonlight

as we waded in the water.

Baffled by my sudden truths,

Dad takes a moment to recompute.

“I’m just waiting for your sister.”

(as the final plot twister)

were the next

and last

words from his mouth.

Equally confounded,

I leave the scene ungrounded.

Looking from an upstairs window,

just above where Dad keeps vigil,

I see the dawn beginning to dance,

and know, poor Mia,

doesn’t stand

a

chance.

Within Close Range: Chief – in three parts

Part One:

Chief is an ornery Appaloosa,

short and fat,

with black spots on the rump of his dirty, white coat.

And the devil in his eyes.

Of little training and no past consequences,

he’s a 9th birthday present from Dad –

whose childhood pets were porcelain cats;

and mostly Mom,

a self-proclaimed Missouri farm girl,

with a steely, stubborn confidence over competence.

From the other side of the pasture fence,

she urges me to remount:

“Make him know who’s boss!”

I struggle to my feet

and limp toward the answer

now grazing on prairie grass and wildflowers.

In between greedy mouthfuls,

Chief raises his wild, blue eyes,

beneath poorly cut bangs –

which I do myself.

(No wonder he’s ornery.)

He’s quietly watching my pained approach

and just as I get within a few feet,

with a flick of his tail, he’s off –

bucking and snorting as he goes.

Mom’s words are unrecognizable

from the far end of the field.

But the tone is clear.

So I move toward my spotted nemesis,

expecting him to bolt at any moment.

But this time, he lets me mount.

It’s all too easy,

a voice inside warns.

But Mom’s is louder.

Barely settled in the saddle,

Chief lifts his head and pins his fuzzy ears

flat against his thick skull.

Grabbing the reins and the horn,

I know what’s coming.

Somehow still in the saddle at the canter,

annoys my little, four-hoofed devil,

who swerves from his path toward a cluster of pines.

Two, in particular.

Which stand a pony’s width apart.

I close my eyes and hold on tight.

Like yarn through an embroidery needle,

Chief threads us between the pines.

Scraped from their stirrups,

my little legs bounce off of the pony’s big rear-end

as we leave the trees for pasture

and gallop toward Mom;

who’s still lobbing impractical words over the fence.

I feel my grasp on the saddle-horn weaken,

as my resolve that I’ll soon be tasting earth,

grows.

And I let go.

Part Two:

Mom thinks a pal might keep Chief calmer.

So early one spring, in comes Billy Gold:

a blue ribbon, well-trained, Palomino,

which we trailered behind the wagon

from his Missouri home.

Chief dislikes the new arrival immediately.

I think he’s dreamy

with his white/blonde mane and ginger coat,

still winter thick and warm to the touch.

Feeding him a carrot,

his hot breath and fuzzy lips

tickle the palm of my cold, red hand.

Mark and Mia remain on the fence.

Watching.

Still unsure of whether Billy Gold –

like Chief –

is tarnished.

In my thickly lined hood,

tied tight against the cold, lake winds,

I don’t understand their warnings

until far too late.

Chief’s powerful teeth clamp down.

The pain in my butt is searing.

I’m howling.

Billy Gold bolts.

But Chief just stands there.

A nose length’s away.

Staring.

As I hop around the half-frozen earth,

swearing.

And rubbing the area already swelling.

My siblings’ shocked silence explodes into laughter,

followed by a closely contested race to the house

to see who’ll be the first to blather.

Meanwhile, a purple-red welt,

banded by marks of Chief’s big, front teeth,

grows and throbs with each step toward the house

where Mom greets me with an ice pack

and an ungoverned smile.

Part Three:

When Chief isn’t trying to shed us,

or eat us,

he’s on the lam.

Devilishly clever.

Expected and regular.

The phone rings.

Mom cringes.

Apologizes.

Then sounds the alarm.

Steering the station wagon straight toward town.

We found him in a graveyard once,

a foggy morning, one fall.

Striking terror in the old caretaker

who thought he’d seen it all.

Until galloping across the graves,

he saw a ghostly, pony-sized sight.

Bad bangs bouncing in the soupy light.

Pursued closely by a tall, beautiful, blonde

in flowing, full length, lime-green chiffon.

His hands still trembling

when we waved from the road,

as we slowly crept toward home

with our pony in tow.

But much of the time, Chief’s antics are close

and off I dash with grain and a rope;

tracking my pony’s sod-ripping route

through the blue-blood, buttoned-up neighborhood,

across disapproving neighbors’ pristine lawns.

From behind their glass houses,

shaking heads frown.

One rainy, spring day, while chasing the brat,

he stopped his bucking and turned in his tracks

to face me.

He pinned his ears, which put me on my guard.

Then that damn pony started to charge!

I was quite sure we were going to collide

When a voice –

loud and fed up –

called from inside.

I dropped the bucket of grain.

I dropped the pony’s halter.

I gathered all my courage.

My universe was itching to alter.

Setting my feet and standing my ground,

I watched him close the gap.

And just as he was an arm’s length away…

I gave him a great, big

SLAP

at the tip of his long, white snout.

Suddenly, all Chief’s piss and vinegar

done

run

OUT!

With a half-hearted snort,

he lowered his poorly banged head,

turning his devilish focus

on the grain bucket instead.

And with noses aligned,

we lingered toward home,

understanding more of each other

than we had ever known.

~from “Within Close Range: short stories of an American childhood”

@dogearedstories.com

Within Close Range: Bullies

Because our home’s so far away,

I’m the first picked up by the bus each day

and the very first stop after school –

which makes every student on our route

sit forty minutes more each afternoon

and me, an unwelcome sight.

Full of hormones and hate,

those in last few rows of the long, yellow bus

moan and groan

as soon as I climb on,

making me nervously skitter to the nearest seat

where I crouch and hide and wait.

The hardcore insults come later

and louder

cloaked in the anonymity of the rumbling and motion

of our rolling prison.

Deaf to what he hears,

the bus driver just stares ahead

and goes where he’s told.

United by the same neighborhood,

in the opposite direction,

they snarl and nip at the back of my neck –

piercing my thin skin.

It’s us versus them,

in every nasty word.

But the “them” they think I am

is absolutely absurd.

When their rabid, backseat words

have more than their usual bite,

I step from the bus

and race to the woods,

searching for a way to shake the hurt

in the thick, dim patches of unpeopled forest.

I disappear among the ember-colored leaves

which cap the many trees of Shoreacres

before the heavy freeze

steals the color from the land.

And there, I simply am.

Where I step to the sound of my breathing,

the movement of the clouds,

and to the busy hush of forest life about,

reminding me to go about my own;

and to heal my wounds

with the comforts of home.

Within Close Range: At the Edge of the Bluff

It’s an early spring day in the heartland.

Anemic, damp and miserable.

Clumps of stubborn snow and ice,

grey and grimy,

still dot the sidewalks and lawns.

Faces look pale and anxious for sun.

After the usual sermon of incense and absolution,

followed by stacks of pancakes and sausages,

we know something is up

when Dad drives past our neighborhood,

further and further from home.

by unfamiliar faces and unfamiliar towns,

until backseat boredom’s about to grow horns.

Passing a tiny town,

and a solid white, storybook farm,

Dad finally slows and signals a turn.

“Shoreacres Country Club, Members Only.”,

reads the uninviting sign.

Swallowed by the dark of the woods,

the wide, low wagon drifts silently down the road,

flanked by a small, trickling brook,

winding past towering trees

and long stretches of green.

Everything is covered in a fine, frigid gloom,

including another set of pretty, white buildings

silent and still on this dreary afternoon.

Passing a faded, old, green water tower,

headless and frightening in the fog,

our destination is finally divulged:

a new home.

I sink further into the wagon’s rear seat,

where the unfriendly neighborhood disappears

and I can see nothing but the thick, dark clouds.

The silence is broken only by the sound of gravel

crunching beneath the wheels of the wagon,

now weighted with disappointment.

We twist down a long driveway and stop.

So inching my way back up,

I survey at the house.

It’s dark and sullen.

Like the day.

And my mood.

Dad says, “We’ll just take a peek.”

But even I know what that means.

So, like prisoners into an exercise yard,

we file from the car,

and stand in an unhappy cluster in front of the house –

which isn’t yellow –

like ours.

Which has no sign of neighbors,

a school,

the Good Humor Man,

or a new treehouse –

like ours.

We’re coaxed to a long row of windows

which look through the cold, empty rooms,

and beyond,

where lies a huge expanse of lawn.

And water.

Racing to the rear of the house,

we stand the edge of the bluff,

looking out over the grand, Great Lake

right there at our toes.

The Windy City silhouette, 40 miles south.

Excitement now erupts for this strange, new place.

This decades-long breeder of unsupervised fun.

First beers.

First cigarettes

And, of course, first bongs.

Secret rendezvous for teenage loves.

Havens for fainthearted runaways

who soon long for home just a few feet away.

Follies of youth are such glorious days.

Until this world begins to erode.

To implode.

And all begin to scatter.

But, oh, what fertile earth it was

living life in the woods at the edge of the bluff.

Within Close Range: Clogs

Lake Forest High School’s West Campus

is a giant, brick and cinder block monstrosity,

designed with all the charm and comforts

of a state penitentiary.

Sterile,

uninviting,

uninspiring,

practically windowless, colorless,

and completely humorless.

Its warden roams the cinder block dungeons

in his plaid polyester sports coat,

smelling of cigarettes and body odor;

wielding his insignificant power

with more brawn than brain.

I’ve done everything I can to steer clear.

But best laid plans…

Still mocking an outdated documentary

on health, hygiene, and the hazards of smoking;

featuring mildly graphic surgery footage,

phony teens in dungarees,

and from a hole cut in his larynx,

a smiling man blowing smoke rings,

I start down the stairs to my next class

but never see past the very first step

because the clog on my right foot has chosen to go ahead –

getting only as far as the arch, instead –

landing my half-clogged foot on the step’s metal edge.

I plunge toward a stair-ful of surprised friends

and new enemies.

Twisting and hurtling through the innocent

and unsuspecting.

Coming down hard on my back.

With the grim, fluorescent lighting above

and the cold, cement floor below,

I am returned to the moment by the moans

of the stunned and wounded getting to their feet.

I attempt to do the same,

but am gently pushed back to the cold concrete.

“You can’t move.”

“I’m fine,” I sigh in response,

attempting to sit up again.

“No,” says our teacher,

as she pushes me back to the ground

(a little more firmly this time).

“I mean, I can’t let you move until the principal gets here.”

“I’M FINE!” explodes off the cinder block walls.

Faces grimace.

The class is soon sent on their way,

while like a one-shoed idiot, there I lay…

waiting…

imagining how the news of my nose dive

is already spreading.

Sprinting unnecessarily up the flight of stairs;

a figure is soon looming over me on the landing –

an oppressive cloud of Aqua Velva and brown plaid.

And now I’m truly wishing I was dead.

Finally ensuring my captors

There’ll be no need for an ambulance,

to lawyer up

– or even help up –

and hobble away,

bruised and humiliated.

Less than two weeks later,

fate becomes a hater –

as I tumble down another set of steps.

People are beginning to wonder.

Including the school nurse,

who meets me at the office door,

shaking her head.

Scrutinizing my footwear.

She hates clogs.

Thinks they should all be put in a big pile

and burned.

Just wait til she catches sight of my new Dr. Scholl’s.

Within Close Range: short stories of an American childhood – Annie, Annie, are you all right?

Everyone is anxious to be outside when spring comes to the Midwest.

And even though patches of mud-colored snow and ice still mar the school grounds, all I can see is sun and green because I’m sporting a new pair of white, Calvin Klein jeans, and red leather, Dr. Scholl’s sandals.

Making half-hearted attempts to throw a Frisbee to each other during lunch break, Jean, Megan and I are just happy to be breathing fresh air daily denied us in the newly constructed prison we call high school.

This semester, we’re in health class together being taught the basics of CPR. To help us, we have “Annie”, a training manikin in a spiffy red track suit, who inspires far more sexual asides than careers in the health care industry.

The first thing we’re taught when approaching the polyester-clad casualty is to ask:

“Annie, Annie, are you all right?”, while gentle shaking her shoulders; and if this fails to get the proper response – which it inevitably did – then it was time for cardiopulmonary resuscitation.

I think.

I haven’t really been paying attention.

None of us have.

So things don’t bode well when chasing the disk in my new, wooden, single-strap, Dr. School’s sandals, they hydroplane on the slippery, spring surface, sending me skimming across the old ice and new grass, into a cold, muddy puddle.

Slamming me hard against the half-frozen earth.

Searching for the wind knocked out of me, I bolt upright to see Jean and Megan racing my way. First to my arrive, Megan kneels by my side, and shaking me vigorously, asks:

“Annie, Annie, are you all right?!”

Then falls into a fit of laughter.

Jean isn’t laughing.

Grabbing me from behind with the strength of an Amazon, she lifts me off the ground and thrusts with all her might at my abdomen.

I don’t know whether to laugh, vomit, or pass out, but manage to signal, “That’s NOT it!”

and for Jean to release her hold.

Exhausted and humiliated, I slip to the ground – grateful to be alive but wishing I was dead.

Arm in arm, in the full day’s sun, we walk across the sparse spring lawn, revealing my grassy, mud-stained ass and “big girl” undies – now exposed – thanks to that lethal combination of white pants and puddles.

When Mrs. Waldeck, the School nurse, looks up from her desk,

it’s hard to tell whether her expression is anger, aggravation, or pity.

It certainly isn’t surprise.

Mumbling something about pinochle as a proper past time and a big bonfire for burning all clogs and sandals, she leads me to the back room where I can wash up; then offers the unsatisfactory suggestion that I slip on my gym shorts for the remainder of the day.

My face says it all, so she hands me the phone and suggests I call home.

Mom, as is the norm, is nowhere to be found.

Apparently, the day’s humiliation is far from over.

And this Annie is feeling anything but all right.

Within Close Range: Anita

Anita was one of those agile girls

whose limber and daring I envied.

Her front flips and back flips,

backbends and full splits.

I couldn’t even cartwheel.

I did a competent somersault,

but it garnered little praise.

So, I spent a good deal of time

just laying in the grass.

Observing.

Awed by long, lanky, bendy bodies –

especially Anita’s –

twisting, turning, and taking flight.

Wondering why and how

she could do such things so skillfully,

when those skills so skillfully eluded me.

Or was it the passion to try?

But Anita’s dexterity

defied the norms of stretchability

because Anita added double-jointed

to her impressive athletic ability.

She’d often demonstrate her loose-jointed trait

by bending her willowy hand the wrong way;

masterfully mis-shaping her long, freckled arm,

as if made of soft, moist, modeling clay.

She could do the same with her shoulders and knees

until her bowed silhouette looked strange indeed:

a favorite umbrella blown inside out

by a rib-bending gust in a strong, spring shower.

Illogical and ludicrous.

Almost cartoonish.

Watching her move I felt ever defeated,

disjointed,

dysfunctional.

A dyed-in-the-wool, tried and failed tumbler.

Forever to watch from the shade of a tree,

where I marveled at my elastic friend,

who could bend,

and bend,

and bend,

and bend.

Within Close Range: an evening with officer gildemeister

Been sitting here for hours,

finding haunted, frightened faces

in the station floor’s contours.

Don’t know whether to be relieved

that the next person I see,

isn’t Dad.

But I was simply standing there

when someone gave me my first beer.

Just before all hell broke loose

in the parking lot of St. Mary’s Church and School.

Everyone saw the squad car.

Everyone but me –

and the boy who got busted with a bong –

but even he’s now free.

The scene’s a constant loop in my head:

beers flying,

friends fleeing,

voices shouting,

me freezing.

Blinded by flashing.

Too late to fling it.

Too late for dashing.

Why did I leave that stupid dance?

I just went to see the band.

Hoping to spark the lead guitar’s flame,

but the flame from a first crush never came.

“Is there someone else I can call?”

I can think of one name, that’s all.

“They have to be adults,” he sneers.

“Dr. and Mrs.” I mumble.

Of course, he knows the teenage sons.

and thinks they’re nothing but trouble.

Dirty, hippy, smartass punks

with long hair and ripped jeans;

thundering laughs and motorbikes,

and EVERYTHING that he dislikes.

At last, a fast-moving figure,

in a tousled wig of blonde,

darts through the doors

with a generous smile

to face the big man with the gun.

A lady of very small stature

she is nearly eclipsed by his size.

“Are you going to tell her why you’re here?”

she looks up to the man and she smiles,

“She doesn’t have to tell me a thing.”

was all she had to say,

stunning the big, little, speechless man

bringing joy to my miserable day.

I suppress the urge to hug her.

But she’ll get a tearful later.

And I’ll be forever grateful

to Inga, my saviour.

Within Close Range: Albert

Albert has scared the shit out of dozens of people over the years.

He’s been an integral part of our family since Mom first brought him home from a golf trip to Pebble Beach, California, in the mid-seventies.

Ever since then, Albert just hung around.

Year after year, after year, after year.

He’s originally from London, but he’s classic Scottish from the top of his thick, tousled hair to his argyle socks.

Always in Glen Plaid and corduroy.

He’s of average height, a gray-haired gentleman, with a full beard – both of which hint of their ginger youth.

In the pocket of his kinsmen’s plaid jacket, for as long as we’ve known him, Albert’s always carried his pipe. Right beside this, he used to keep a battered, old tin of Prince Albert (his namesake) tobacco. He still has his pipe, but years ago, some sibling borrowed the rusty, bright red tin – likely to store their weed- and never returned it to the old man.

Albert never said a word.

But that didn’t surprise anyone.

Even though he’s always surprising someone.

So still and silent.

You might find him sitting in the sun porch staring out at the lake, or lying beneath the covers in one of the boys’ twin beds. He might be in the front seat of a car one morning, or on one of the chaises lounging under the stars, one night.

His familiar, nonetheless frightening figure would linger in the shadows as I snuck through the house after curfew.

But Albert never tattled.

It simply isn’t in him.

He’s very predictable, but never who some guesses he is: an uncle, a grandfather, an unsocial neighbor?

An ever-present family sentinel.

His light blue eyes fixed on the room. Out the window. On you.

Never blinking.

As we speak, he’s probably sitting in the basement of Mia’s house, where he continues to startle guests just looking to use the exercise equipment.

A bit unnerving, but dependably docile… and flexible. Even after years of being forced into the most unflattering positions for the sole entertainment of ourselves and others.

Creepy, I know.

But what can we do? He was so amusing for decades and even though he hasn’t done much since the last kid left the house, he’s simply part of the family.

Certainly worth the $200 Mom paid for Albert before the store manager lifted him out of the pro shop window, packed him in a box, and shipped him home.

The Train

Staring at the corner of his small, shaded, shared room which smells of disinfectant, death and old wool, all that’s left of Jake’s life stands on the shelf before him: dusty, unframed photos (faded images of lost faces, youth and health) on a teetering pile of once comforting books, earmarked and yellowed, barely held together by their cracked and broken bindings.

Lifting them from their place would reveal a thick outline of their long neglect.

The books are now just painful reminders of his last stroke and the words are un-consoling strangers among the unclear images that come, and mostly go, of what’s come and all but gone in Jake’s long, lonely life of merely living long.

Yet there’s something on that meager shelf the old man will treasure forever.

It came to him one summer from his only uncle, Joe, a large, quiet man with the strength of a bull, who worked his whole life in the northern logging camps bringing down trees and building other men’s wealth.

Their meeting was brief (but the moment still strong) in a desperate childhood filled with hunger and want.

He’d come down from the highland forests the summer Jake turned six.

The air was stifling – thick – as was Joe’s large frame filling the door of the derelict cabin where the boy and his mom scratched out their living mending shirts, washing laundry, running errands.

Whatever work to be found up and down the great, green mountain.

The unexpected visit surprised Jake’s mom, who hadn’t seen her brother since they were young; sent off as soon as they could earn a living on their own.

She embraced the waist of the burly, bearded man, who returned the hug with one, massive, tree-trunk-of-an-arm, then turning to his only nephew with a wide, toothy grin, Joe revealed his hidden arm where two objects lay in his giant, calloused palm.

With fingers big as branches, using bits of paper, bark and wire, the woodsman had turned simple scraps he’d found around the camp into a logging train, with a smokestack engine coupled to a car fully loaded with tiny, timbered logs tied up with string.

“Ain’t much.”

But it was absolutely everything.

Sitting at the large, well-worn work table together, Jake’s uncle and mother searched for words to close the gap of so many years; while the boy rested his chin against his sinewy, tanned arms crossed atop the hard-scrubbed pine.

Staring eye-level at the train.

Hesitant to touch it for fear it would, like a fidgety spirit, fade away.

Or worse – break in his young, but hardened hands.

Just studying it – knowing it was his – was more than enough for the boy.

The brief visit would be the first and last time he would see his Uncle Joe, whose large, lumberjack’s frame had barely left the shadow of the shack before the grind of what would be Jake’s life had begun again.

Having that train in his sight each day – the one made just for him a lifetime away – made even the strangest places left behind and those ahead, endurable.

And Jake feel fairly human.

The Wind and the Woods

The highland winds howl through the valley,
rattling the windows of our house on the hill,
shaking and bending the world at their will,
as the Midwestern in me braces for a storm.

Intense and unforgiving. Possibly spinning.
I feel my body – tense and taut –
preparing for the worst with each swollen gust.
But this is just spring in the southwest.

Pacing through the house, anxious to move,
or for everything to stop,
the dogs and I head out for our walk.
Prepared for a fight against the wind’s tough talk.

Outside I find more bark than bite
the winds are strong, but warmed by the high desert’s light
Layers are shed as we head to where the pronghorn graze
and the sweeping winds blow songs across the tall grass.

Downwind of us and warned,
the herd has up and gone,
prompting me to turn against the unrelenting gusts
and start the journey home again.

Past fuzzy Cholla and Prickly Pear lurking in the grass,
nipping at the paws of distracted dogs
drunk with newly moistened worlds in their noses.
Noses lifting and twirling with the breezes.

But oh the smells, rebirthed by frugal spring rains;
appearing and disappearing, for the cloudless air is always shifting,
enlivening everything, including my spirits,
with its transient sweetness.

Wandering up the hill toward home into the dark of the grey-green pines,
a Great Horned Owl lifts off a nearby branch.
One grand flap of her powerful wings, and then, a silent shadow
moving up the hill to a low limbed Juniper, heavy with slate blue berries.

I follow quietly, passing the fallen remains of a pine long dead,
which looks like an old skeleton without a head.
Hidden in the shadows of the boughs, the owl waits.
Only taking flight again when she is in my sight.

It’s then I start to wonder, who’s taking more delight
in this hide and seek game in the wind and the woods.

I can feel her watching us move up the hill.
And in the still, our eyes finally meet, albeit brief,
before she spreads her broad, stealth wings
and disappears above the trees and tailings of an old pit mine.

We hear a raucous raven at the top of the tree
where I hoped the Great Horned Owl would be.
But the owl is already on the go, into the blow, and out of sight.
Though I very much doubt we’re out of hers.

Unleashing the dogs as home comes in view
Nellie’s off in a flash on her reptile pursuit.
Zigging and zagging, but never succeeding.
(I think she’s just teasing.)

I shout her name, but it’s squandered in the gusts.
so I lose myself in the wind’s white-noise
and pressing my self against its hilltop strength,
find my peace and place in it again.

The Girl in the Red Velvet Hat

I saw a girl in a red velvet hat with feathers to one side.
Meeting her eyes, I smiled.
She grinned, but shyly turned her gaze.
So I studied her young silhouette
and thought of long past days.
Of ladies in fabulous hats and fitted suits,
with cigarettes and smart comebacks
for men in Fedoras, white shirts and ties
who secretly longed for the sassy, young ladies
in red, velvet hats with feathers to one side.

Coyote

We surprise a small, skinny coyote

as the dogs and I appear from the wash

not far from where she’s also rising from a small ravine.

She sees us first

and tries to make a slow, low retreat

into the scrub oak and pine,

when I see her

and stop.

Holding tight to the leashes

I quietly greet the startled creature

who, instead of fleeing, pauses as well.

The dogs, now aware, wrench my arms,

but I hold on,

smiling silently at the brazen thing almost within reach,

yet standing so still.

And there, we all stare.

Hoping to suggest it best we all part,

I turn from our convergence

and the coyote agrees,

moving away, but in a similar direction.

She pauses for a final look between a gap in the growth,

as if to remember our constrained and quiet trio,

before her shabby, honey-colored hide

slinks over the next ridge

and disappears.

And the dogs and I,

ignoring my instinct to go home,

turn left instead.

The Gift Inside

The tuk-tuk spins around the corner of the centuries-old church, just missing a mother standing in the middle of the busy road, trying to get her miserable-looking teenagers to stand within spitting distance of each other, their father, and the stain-glassed building they walked three tension-laced miles to see.

Maria doesn’t flinch.

Her long, brown hair sails behind her as the little, red tuk-tuk jerks momentarily left, then hugs the turn and hums up the narrow street to a shady spot below a gnarly, old tree growing through a courtyard wall.

Daily spirited by the desire to pay off the money she borrowed to buy the three-wheeler she’d been driving for someone else long enough, Maria is out looking for fares each morning as soon as the day’s first voices rise to her third floor window from the narrow streets, cramped with crumbling, pastel-colored buildings.

And in a couple of hours, eager tourists.

“Such a hard worker,” the old ladies on the streets call to her each morning from different stoops and stories, where they hang their gossip and their laundry, and look to the cloudy skies with defiance.

“Such a lovely girl,” they laugh and shout down the narrow streets, good and loud, so Maria (already around the block) can still hear, “but too much putt-puttering and not any kissing!”

Setting off a chain reaction of neighboring howls coming from behind damp sheets and dangling undergarments.

Even the young men from the neighborhood stop what they were doing to watch her pass, as she doggedly criss-crosses the city in her shiny, red tuk-tuk.

And if they catch her eye and she smiles their way…

But Maria just sees her city.

And curious faces – of all shapes and sizes – in her tuk-tuk’s rear view mirror, swaying and smiling at each twist and turn, as she putt-putters up and down the city’s rolling hills; laying bare the love of her birthplace, with its pocked and weathered walls and bustling river banks.

The city’s recent reawakening fills Maria with such joy that she wears her smile like her old, lace-up sneakers – daily and for the same reason – from the moment she uncovers her bright red partner, until the deep dark of a new day drags weary sightseers indoors to rest their blistered feet, and Maria up the stairs.

Each exhausted, but eager for the morning.

Quieting in the wake of the high season, the young guide with the easy smile, decides to linger longer than usual in the shade of the churchyard tree and the stillness of the dead end.

Taking a rag from below her seat, she circles her tuk-tuk.

Inspecting.

Polishing.

Proud of it – and herself.

But the tuk-tuk already sparkles in the filtered light of the autumn tree. So, she puts the rag beneath her seat and reaches into a striped, canvas bag next to it, lifting out an oval box with thick metal molding, pointed and curved, and crownlike.

Sitting with her feet on the dashboard and the box on her knees, Maria carefully examines it – the cold of its molding and warmth of its wood; its tiny lock, with its tiny key hanging from a string tied to the handle.

Which, as she’d promised on the day she received it, still hadn’t been used in the lock.

Nuno, the young man Maria knew from the bodega around the corner from where she parked the tuk-tuk, surprised her with it one day, coming out from behind the wide, low wooden counter.

She had never seen the dark-haired, dark-eyed, somber young man anywhere but behind the cash register, and he hadn’t spoken a word to her in two years, just a smile-less nod each day he handed her change.

His dark eyes looking straight into hers, but his face still and unrevealing, he walked straight at her with what looked like a small treasure chest in his hands.

The box she now held in her hands.

He thrust the it toward Maria with great urgency, causing her to stumble back and nearly topple a tower of tourist magnets. With barely a moment to right herself, Nuno was unapologetically upon her, with the box still clutched in his outstretched arms.

“I made this for you,” his words tumbled out.

Maria had just found her balance, when his words made her knees give way.

Bracing herself, she searched for something to say.

“That’s very sweet, Nuno, but I couldn’t take such a treasure from you.”

As she said it, the young clerk’s face dropped, as did his arms holding the handmade gift.

Maria lunged forward to save it from hitting the old, stone floor – catching the box by its thick, wire handle, finally leaning against the well-worn counter, finding her only comfort in its steadfast timbers.

“I’m so sorry, Nuno,” she smiled as she held the box up and began to admire its strength, warmth, uniqueness. “It is a lovely box, but why would you make me such a thing?”

“The gift is not the box,” he said, surprising Maria again. “The gift is inside.”

Maria turned the handsome, oval box.

If it held something inside, she said smiling and embarrassed as she gently shook it near her ear, it felt rather light.

“You’re teasing me,” she giggled, feeling her cheeks turned red.

“I promise,” Nuno insisted with such gravity that Maria’s heart jumped, “I am doing no such thing.”

Setting the gift on the counter, Maria reached for the key and slipped it into the tiny lock, but before she turned it, she found Nuno’s hand gently, but firmly, on top of hers.

“Please promise me you won’t open it… not yet.”

Maria removed her hands from his and looking into the eyes of the serious, young shopkeeper (even though the promise and its many unanswered questions made her uneasy), she accepted the gift.

Picking the box back up, she briefly hugged it to her chest with the promise, and thanked him.

“You’ll let me know when it’s time?” she smiled, as she turned toward the stain-glassed shop door, glowing red and blue in the waning sun.

“You’ll know,” replied Nuno, meeting her eyes for a moment, then disappearing to the back of the shop, behind the large wall of warped shelves, thick with as many layers of paint as the generations who piled them high with boxes of goods not paid for with promises.

Lost in thoughts of this very recent event, Maria didn’t notice the elderly American couple until they were at her side, holding hands and umbrellas, with tired feet and hopeful smiles below ever darkening skies.

Putting Nuno’s gift into its bag and grabbing her plastic-coated maps, the tuk-tuk is soon trailing behind the city tram, rattling along well-trodden tracks, passing wondrous, worn buildings covered in ceramics, still bold and bright and remarkable.

Uneasy thoughts of Nuno and his gift are replaced with the familiar smells and sights of her beloved city, its bustling centers filled with buses and tour guides and taxis, and tourists wanting to see it all in two and a half days.

Its ancient walls built upon ancient layers, held upright and together by scaffolding, hope and netting.

Like the graffiti cast over the city.

Powerful and profoundly beautiful.

Angry, ugly and rueful.

Telltale scars of its 20th century life.

Yet her city survives.

Battered, but proud.

Heart beating strong.

Maria senses it around every corner, in the stacks of salted cod on the shelves and fresh meats hanging from the windows; in the terraced, cobbled steps heavy with the scent of citrus trees; where residents sip dark amber wine and listen for the Fado singers to begin.

She hears it in the sounds of children laughing and screaming from the school’s rooftop garden and sees it in the dark, narrow shops piled high with dusty, unwanted goods; where crumpled, old shopkeepers (long past keeping shop), hover at the entrance, searching more for conversation than customers.

Parked in front of one of these old stores, Maria waits while the American couple explores the ruins of a Roman arena. Her thoughts again wander back to the box, to Nuno, and her promise – all of which had begun to weigh on her.

People in the neighborhood had even taken notice.

“She hasn’t smiled since she got that box from Nuno,” they’d whisper down the alleys as she slowly puttered past, wearing a distracted look like a pair of sunglasses.

“What has he done to our happy girl,” they’d moan like the start of a sad folk song. “He must let her see what’s in the box before it drives her mad.”

And that’s just how Maria was beginning to feel.

Each time she lifted it from its canvas bag to examine it and question it – which she did again and again and again – the box felt heavier.

And the heavier it got, the more compelled she was to carry it with her.

Before long, Maria could be seen toting the burden down the long, narrow stairs and alleys, straining and frowning, but keeping her promise of keeping it locked, until one day the box became almost too heavy for even her faithful, old, three-wheeled friend to carry up and down the hills of her treasured city.

She could take it no longer, and leaving the onerous box and the American couple in the tuk-tuk, she stomps toward Nuno’s shop, practicing aloud all of the questions that had been troubling her nights and her days.

Nuno sees her enter the shop out of the corner of his eye as he helps a young boy count his change to buy the very last pastry of the day. Only when the boy is out the door with a mouthful of custard and the tart half-eaten, does the young storeowner look toward Maria and nod.

“You must come and take your gift back,” she says loudly and abruptly.

The young man stands frozen and silent behind the counter.

“Please, Nuno,” she begs with tears already falling from her tired eyes, “It does not belong to me.”

The young man stares at her until she begins to question her decision.

Without a word, Nuno walks out of the store, passing so close to Maria she can smell his disappointment.

But not looking at her.

Maria follows him out onto the cobbled street, jogging to keep up with his long, determined strides.

Approaching the shiny, red tuk-tuk, riding even lower with the weight of its mysterious gift, Nuno searches for the familiar canvas bag and reaches inside, hesitating far too long before lifting the box out.

His head sunk low.

“Inside is my everything,” he groans and shakes, as he strains to lift his cumbersome gift.

Maria wants to reach out, but she can already feel the lightness the further away Nuno and the locked box get.

It’s days before she can drive past Nuno’s shop and is shocked to see the shudders on its windows and a sale sign hanging from the stained glass door.

Maria brings the tuk-tuk to a sudden stop in front of the shop and jumps out, looking both ways for nosy neighbors before peaking through a small pane of clear glass on the door.

Everything is gone.

The once, well-tended floors are now littered with newspaper and the shelves are barren and beaten. Maria’s eyes quickly find the only thing that remains – the box – sitting in the middle of the low, wooden counter at the back of the shop.

Maria’s insides twinge.

The box is closed, but the lock has been opened and is still latched, though its tiny key is no where to be seen.

She leans her head heavily against the door and sighs.

Reaching for the handle, but stops herself as soon as her fingers touch the cold brass.Stuffing her hands in the pockets of her jeans, Maria turns away from the shop with a sad smile, climbs into her shiny, red tuk-tuk, and put-putters away.

Winged Chatter

I try to find a new way to wander across the rolling hills of scrub and pine and stretches of grass each time the dogs and I go walking

So every day, I get to see familiar things in a different sort of way.

Sometimes this leads to new treasures like old, sun-bleached bones for my growing bone collection,

a newly dug den with earth so freshly excavated it’s still moist and brown;

an ancient juniper at the top of a ridge, rounded like a giant, perfect mushroom cap, where generations of cattle resting and rubbing in its shade, helped make its flat-bottomed, fairytale shape.

But mostly, it’s not knowing where the dogs and I are going,

except out

to explore this small patch of hilly land near home

where Mingus Mountain rises behind Chino Valley to the east, Table Top Mesa and Granite Mountain command the views to the south,

and scattered homes along long, dirt roads in the near distance remind us we’re never alone.

As does the jackrabbit springing from shrub to shrub, with its skyscraper ears that quickly disappear,

and a flock of quails lifting noisily from an impenetrable cluster of Apache Plume, in near perpetual bloom, at the side of the wash.

Which, like my path, is always changing.

Crumbling.

Reshaping.

Exposing tunnels dug below the surface

(that look like sunken eyes, sunk deep in deep, dark sockets);

and hardened roots of Pinyon pines clutching eroding walls,

refusing to fall,

to succumb to the changes.

Green clinging on so few branches.

Yet clinging.

And fruiting

and feeding the creatures who live in the washes and brushes and hollowed out trees;

in the boulders and burrows and fields, where me and the dogs keep wandering, because every day it keeps changing.

Each bloom.

Each moon.

Each orbital click.

While the dogs keep on sniffing and sniffing and sniffing, and finding their own unique way, which these days is through a grassy stretch of fleeting monsoon green that tickles my knees and their noses.

Past Prickly Pears with their thorny pads, crowned with green, pink and purple fruit, growing darker and bigger and bolder and sweeter.

Across the grass where the air is fair and the land is electric with tiny, winged voices that buzz here and there.

Humming strange, chatty words in my ear.

While modest patches of yellow, white, orange and purple wildflowers barely boast that they’re there.

But they are.

And so are we.

Blossoming.

Buzzing.

Changing.

Within Close Range: Betsy’s Dad’s Den

Each time I lit the candle gifted me, a rich, earthy fragrance brought forward hazy memories.

Vague images which came briefly into view and then vanished amid so many forgotten days.

I’d light the candle and back they’d come.

Out of focus, but strong.

One day, with the faint but familiar fragrance still in the air, still teasing my will-menopause-ever-end-addled mind, I reached for the candle and turned it over, hoping the label would reveal something – anything – that might re-animate these mislaid memories.

There was my answer.

Pipe tobacco.

And Mr. Gould’s suddenly den came into focus.

Tucked in the corner of the Gould’s old, grey-green, two chimney, Colonial, which sat a short block from the edge of Lake Michigan.

You could find it by heading straight east down Scranton Avenue, the main street of Lake Bluff’s hardly-a-downtown business district.

The old house sat in a quiet spot amid tree-filled lots and winding ravines and looked as if it had been there almost as long as the trees which towered over it.

Stepping into the Gould’s house was like stepping out from the Way Back Machine with Mr. Peabody.

Everything – from its old plaster and uneven, wood floors, to its cozy nooks and small, sunlit rooms filled with old things – incited my imagination.

And oh, the kitchen – old bricks and beams – always smelling of fresh-baked bread.

Betsy and I would cut thick slices off a golden brown loaf cooling on the tall counter and sink our teeth into the still warm, chewy insides that hinted of honey and butter and left our fingers powdered with flour.

And my stomach hungry for more.

With the final crusts stuffed into our mouths, we’d climb the steep, narrow, crooked flight of stairs to Betsy’s room, straight ahead.

Two rooms, really. One being her bedroom, the other a small, summer, sleeping porch with northwest walls of old, paned windows; where generations of restless sleepers sought lake breezes during the dependably hot and humid Midwest summer nights.

Cots and cotton nightgowns. 

Late summer sun and the strident thrum of crickets. 

Another time still haunted the corners of this room.

Before the piles of fabric, patterns, and sewing stuff cluttered the small, bright space at the corner of the Gould’s old, grey-green, two chimney, Colonial near the lake.

We’d spread out across Betsy’s high bed and talk dreamily about our four favorite men: John, Paul, George and Ringo. Spinning their albums until daylight left and my ride home appeared at the front door.

The rest of the upstairs was a mystery to me, being two-thirds occupied by teen brothers, whose rare appearances and even rarer visits to Betsy’s room usually lasted briefly and annoyed her thoroughly.

It simply scared the shit out of me.

On occasion, when Betsy sought out her dad during my visits, we’d wander back down the creaky, old stairs, through the dark front entry hall (which no one ever seemed to enter) to the only place I ever recall seeing Betsy’s dad.

His den.

With a timid rap on the solid, old door, we’d hear his gentle voice give permission to enter this space.

His special place.

His sanctuary.

And it was here, as the door opened and I entered behind my best friend, that the smell of sweet and spicy, earthy and smoky, became a part of me.

As did the sight of Mr. Gould at his desk.

Smoking his pipe.

Sweatered, like the perfect professor.

Ever engaging his hands and his mind.

Creating. 

Drawing. 

Building dreams.

And ships in bottles.

Magnificent, masted vessels of extraordinary detail. Masterfully and meticulously constructed, painted and engineered within ridiculously constrained confines.

When finished, each ship would join the miniature armada that floated on a sea of books on wooden shelves, near paneled walls, and paned windows with mustard drapes; above a glass-topped coffee table filled with shells and sticky sand from spilled milks.

Each night (Betsy would tell me), without fail, her dad would close those long, mustard-colored curtains overlooking Scranton Avenue and sit at his desk to busy his hands and block out the world.

Yet each and every time a car drove past, she found it most mysterious that her dad would stop what he was doing, draw the drapes back – just enough to watch the car pass – and then close them again and return to his task.

And his deliciously fragrant pipe.

And his secret snacks – Pepsi and Fritos – hidden beneath his desk.

And there he’d stay, hour after hour, day after day, year after year, making beautiful things for make-believe worlds.

I could have sat in there for hours exploring the books, the shelves, the bottles, and the mind of a quiet, creative man.

All of which were out of reach.

Yet now reach out.

Calling me back to the old, grey-green, two-chimney, Colonial on Scranton Avenue.

To Betsy’s dad’s den.

To his ships and his pipe.

And the sweet aroma.

To fresh baked bread.

And lazy afternoons.

With best friends.

One Square Mile

We’d been in Prescott several months

before I felt quite brave enough

to wander a mile of state trust land

neighboring our windy, new hillside home.

Raised in the Midwest, it was like another world

harsh and barren – and continuously warned

of giant spiders and big mountain cats,

poisonous snakes and thieving rats.

Instead, I learned of high dessert ways,

where life and death are on display.

In each cow for slaughter in the shade of a pine;

in the shy, white blossoms of the desert moon vine;

which shun the sun all summer long,

closing their beauty to everyone.

Then as the gentle night unfolds,

so does each petal, bright and bold.

And fleeting.

In every piece of a recent kill,

neatly picked clean from above and below,

until nothing remains but an armful of bones

to bleach and decay in the perennial sun.

Each time I’ve wandered this rolling terrain,

it has begged more questions and felt more sane;

and given me moments I’ll relive again

with a broad, happy smile for all that’s been.

Of days making circles within this wild square,

with the weight of the world or nary a care;

the moment the dogs and I walked up a hill,

where a herd of pronghorn stood scattered and still.

Two dozen, or so, at rest and at play.

Not bothered enough to run away.

Even as the dogs whined and pulled at their leashes,

they just raised their heads, and I stood speechless.

With earthy colors of white, black and wheat,

small groups spread out, but young close to teat.

Watching us.

Watching them.

Feeling the ache of the dogs in my arms,

and wanting to keep all present from harm,

I called for calm and aimed for home,

turning my pack from the wondrous tableau.

We hadn’t gone far when I felt the ground shake.

The once placid herd was now wide awake.

The dogs were frantic. Nearly pulled off my feet.

I turned to see the herd and me just about to meet.

Digging in heels and holding on tight,

I stared to the eyes of the leader in sight.

With the herd right behind, and us just ahead,

it was up to this doe as to how this would end.

At the very last moment, the doe darted right,

followed close by her clan, who were now in full flight.

The spray from her hooves shot into my gape,

as we watched the herd and our narrow escape.

Just the other side of a short, fat tree

the pronghorn passed just feet away.

Turning with the herd, thus turning their keeper,

the dogs spun me round, so I dug my heels deeper.

But instead of the group going forward and gone,

the leader turned back from where they had come!

A dust cloud of pronghorns surrounded all sides.

Dogs yanking and whining and losing their minds.

All I can think is, “Keep anchored! Hang tight!”

And that no one was going to concede this wild sight.

For how could I make someone truly believe

that I was in the middle of a pronghorn stampede?

When the final white butt disappeared in the dust,

leaving us trembling, I laughed – as you must.

“Holy shit!”, I screamed out, again and again,

as I looked for my breath and steadied my friends.

We climbed the last hills of this special square mile,

to our tame, little world, where we’d rest a while

and dream of dust clouds.

the anne show

Welcome to the anne show

Welcome one and all

come and watch her rise,

or come to watch her fall?

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

She spins just like a moving top

round and round and round

but never does this spinning mass

seem to leave the ground.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

The other tops beneath the tent

try hard to follow her spin

never quite understanding

the spin that Anne is in.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

Watch her twist and bounce about

within the center ring

ricocheting off the foot high walls

again and again and again.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

The thrills and chills aren’t present

but she’ll take you on a ride

dizzy from all that spinning in place

you’ll laugh until she’s cried.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

The tickets are cheap but not easy

the seats are always front row

but know that when Anne starts spinning

there’ll be no place to go.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

Building up momentum

for nearly sixty years

this spinning top wants no more hands

to keep it spinning here.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

But folks just keep her turning

even though the act is done

‘cause that’s the show they paid to see

until it’s time to move on.

No matter what your reason

come see the greatest show

that anyone who knows our Anne

will ever surely know.

So get your tickets while you can

all eyes on Anne at center ring

the greatest show’s about to start

don’t mind the state you see her in.

Have a seat!

Sit right down!

Anne’s about to spin right round

here she comes and there she goes

spotlight racing to and fro

almost breaching the wall ahead

stopped by the Circus Ringleader instead.

Toppled and tired Anne sits in the dark

refusing to spin one more spin

this stage is far too small she cries

I feel so trapped within.

She begs to the leader open the ring

and let this old top go

together she vows as she takes his hand

we’ll put on the greatest of shows.

No matter what your reason

come join the greatest show

that anyone who knows our Anne

will ever surely know.

remember the good times

remember the good times

is all that you wrote

the words i read got stuck in my throat

remember the good times?

when were those?

for I’ve looked as far as my memory goes.

i’ve tried and i’ve tried to find these grand days

but i’m coming up empty

‘cause you’re just one-act plays

of selfish, greedy, immoral plots

never getting what you want

and that’s a lot

remember the good times?

i wish i could

i wish there was something in you I find good

but you’ve lived your life of self-serving deeds

of stealing what you want,

but never need,

of talents gone wasted

cause you’re a damn fool

disappointed the world

hasn’t fawned and drooled

that they haven’t come knocking

to give you the key

that won’t ever come

and won’t set you free

disappointment feeds on asking so much

when you’ve done so little to earn life’s trust

here’s what i’ll remember

and i beg you to, as well

i love you and I truly hope

you give life better stories to tell.

not dead yet

each morning i cry til there’s nothing left

mourning a life that’s not yet dead

heaving up tears til my body shakes

empty of giving and desperate to take

time with my love and time with myself

time in the world and time on the shelf

time to write and time to sleep

with long, sweet dreams I wake to seek

with quiet days and peaceful nights

and ever some adventure in our sights

but death so often takes its time

so i must stop this silly crying

and keep my focus on what’s ahead

and live each day the best i can

for even on empty, my heart remains full

for I know as one fades, the other will fill.

The Wind and the Owl

When the central highland winds howl through the valley and rattle the windows of our house on the hill, shaking and bending the juniper and pinion trees I see beyond the shuddering panes, my body and mind still brace for the only thing that comes of such blustery warnings to the Midwestern me.

The menacing advance of a fearsome storm.

Intense and unforgiving.

I feel my body – tense and taut – bracing for the worst with each swollen

Pacing through the house.

Anxious for it to stop.

Or me to move.

So my dogs and I head out for our walk, prepared for a fight against tempests and cold and I’m ever surprised to find the winds far more kind than I imagined.

Mellowed by the sun’s abiding strength.

Layers are shed at the start of our walk and the warm, constant breezes now push me, Frank and Nellie to the chapparal below, where I know the sweeping winds will blow much gentler music across the tall grass. And at my back, urge me forward toward to the far fence line where the pronghorn often graze.

But downwind today, well warned of our arrival, they’re likely to have scattered; prompting me to turn against the wind and start a circuitous loop back home.

Toward the scrub oak and junipers.

Shelter and shade.

And the shadowy scent of Mountain Lilac blossoming profusely in the wake of generous winter rains.

The gentle fragrance of this rugged bush, appears and disappears with the shifting winds, lifting my spirits with each sweet return, as I wander up and down the hills with my two, most joyful companions.

The world in their noses turned into the breezes.

Close to home, I see a Great Horned Owl take to the air just a few feet ahead.

I hear one, grand flap of his wings. And then nothing.

A familiar shadow among the neighborhood trees, I track his flight and see him perch again in a pine, up the hill and up ahead, and I follow with glee.

Silently.

Deliberately.

From tree to tree.

Hidden among the dark, green boughs of an old, domed Juniper, heavy with pollen, the owl waits. But just as we near, off he goes, higher up the hill and closer to home, past the scattered remains of a long dead tree which lay like a skeleton, gray and sunbleached, exactly where it fell.

Pursuing him again to yet another tree, it’s as if the owl is hunting me. For, there, in a clearing of branches, the great hunter sits.

Quietly watching us move up the hill.

Allowing me the perfect view of this very perfect predator.

Staring still, my eyes meet his, until he decides we’ve come close enough.

And that is that.

He spreads his wings and disappears, without a sound, among the pinion near the old pit mine.

I try to reconnect at a fourth tree ahead, but instead, meet a noisy grackle balanced at the top of the tree where I hoped the Great Horned Owl would be. But he has already continued on his way, up the hill, over a fenceline, and out of my sight.

Certain we’re not out of his, I scan the trees on the hill in vain.

Unleashing the dogs, Nellie’s off in a dash in her fruitless pursuit of chasing small reptile.

Zigging and zagging, but never succeeding.

I think she’s just teasing.

My call for her cuts through the wind and the white-noised silence.

Unsettling me.

Until the music of the wild winds in the scrub oaks and the pines, in the final footsteps home, help me find my peace and place again.

My Friend

My beautiful friend,

with the beautiful smile.


Weighted by fear.


Flattened with worry.


Seeking happiness,

without finding your own.


Keep it simple.


Keep it clear.


Take a long, deep breath.


Then another and another.


Take hold of that which gives you power.


That powers your passion.


That fills you with fire.


Be fearless.


You’ll soon find the you

that smiles more than once in a while,


and made you my beautiful friend,

with the beautiful smile.

Float

Let me float

in the warmth

and the dark

and the quiet.

Let my weariness subside.

Let me float

away the aches

away the worry

away the want.

Let weightless be my guide.

Let me sink

in the drink

of nothing to do but float.

Let me breathe

long and deep

gotta hold that strong, clear note.

Just keep still

feel the pain

release its grip

on aging limbs.

Fill my chest

with long, slow breaths

letting go and letting in.

Watch the sun

begin to rise

casting red upon the skies.

And as the red seeps into orange

find peace and calm

in the water’s warmth.

From orange to yellow

paler than butter

let myself BE in the pillowy color.

And as the yellow lightens to blue

and the plug is pulled

and the gravity, new.

Take the weight.

Feel the cold.

Face the day.

Be brave.

Be bold.

And keep afloat.

I’m fine.

I’m fine.

That’s what you want to hear.

I’m fine.

I’ll say it loud and clear.

I’m fine.

It’s easier this way.

I’m fine.

Pretending everyday.

I’m fine.

It’s normal to wake in tears.

I’m fine.

Haven’t had a break in years.

I’m fine.

Trying to find that level ground.

I’m fine.

Wondering who I hope will stick around.

I’m fine.

Cause that’s the me you want to see.

I’m fine.

But she’s the she I no longer care to be.

I’m fine.

Losing something which never was.

I’m fine.

Just keep going, cause that’s what one does.

I’m fine.

Trying each day to set things right.

I’m fine.

But waking most days too tired to fight.

I’m fine.

Wondering if death came before dawn.

I’m fine.

And if Mom is alive, how to stay kind.

I’m fine.

Cause every day it’s just the same.

I’m fine.

The same recording on endless play.

I’m fine.

While the rest of the world gets on with its day.

I’m fine.

As hair by hair, my years now show.

As lines overtake my burrowed brow.

As my strength builds, then suddenly goes.

As the walls of my home begin to close.

As each day’s remnants turns to dust.

As I do each day what I know I must.

I’m fine.

I’m fine.

I’m fine.

too bad

you wouldn’t lift my broken heart above your selfish wants

so sad

my anguished words swatted at like tiny, pesky gnats

so sad

the years i gave my all to thee

so glad

extending branches of our tree

so glad

but when my give had given up

so bad

broken and tired i sought your love

so sad

each member of my precious clan

too bad

took the next exit out of town

too sad

leaving this trio to figure it out

not mad

not sad

some times still bad

but glad of the love that’s stuck around

an ode to jim

raise that crucifix nice and high

plant it in your neighbor’s eye

hold that bible in both hands

smack with it your fellow man

twist each word to stoke your fears

of Muslims, Blacks, Liberals, Queers

live your life a real shit

a few short prayers and that is it.

forgiven for your evil thoughts

forgiven for your selfish wants

forgiven for the love you scorned

forgiven for the pain you’ve born

surround yourself with frightened sheep

you are who you are by the company you keep

say your prayers each day and night

your dark deeds still won’t find the light

by sitting in pews and mumbling prayers

searching for peace through all the thick layers

of wrongful acts and shallow words

of broken promises at each turn

sanctimonious and self-loathing

in your dark yet depthless world.

Flies

down in the lean-to,

swatting at flies.

annoying little fuckers,

always at my horses’ eyes.

but that’s flies.

in nothing but shit

they feed and they breed.

pesky and pitiless

and bulging with greed.

never enough

is just one pile of shit,

of biting at ankles

and doing their bit.

they eat at the skin

of the gentle and strong,

who stand there and stomp

and never do harm.

but that’s flies.

appearing in swarms.

one purpose in mind:

feed and breed

off the peaceful and kind.

make wounds fester.

make eyes ooze.

plant eggs in more shit

til the air is abuzz.

such nasty little insects

i relish in killing,

and sending them on

to find light – for those willing.

but my hope is not great

for the pests just keep coming

with their selfish, rotting deeds

and their ceaseless biting and buzzing.

but that’s flies.

so the horses will stomp.

the pests will keep biting.

and i’ll do my best to protect

and keep fighting,

those nasty

fucking

flies.

Death, the Kingbird, and I

Death rapped on our window at dawn

so I leapt from bed and out the door

to shoo it away.

But there, below the window,

in the morning shade of the Mulberry tree

a Western Kingbird lay.

Damn it, I cried aloud to death,

I’ve tried to keep you at bay.

How many window decals do I need

to keep them all away?

You silly thing, I said to the bird,

and scooped to pick her up.

Stunned and afraid

she fluttered her wings,

flipping helplessly in the dust.

With soothing words, i tried again.

cupping hands around my little friend.

Who showed little life.

Who looked near the end.

But I was not interested in welcoming death,

so finding a box and trying my best,

I set the bird down in a soft, cotton nest.

A gentle stroke upon her head

and down her narrow bill.

Her wide, black eyes, now closed.

Her gray and yellow feathers, still.

Death, I see, is stopping by.

So I leave the Kingbird,

– and this mourning scene –

to have a good, long cry.

For the bird,

For the world.

For me.

For death hovers over this house.

It simply can’t be helped

with a 90 year old mother about.

Although uninvited, it came for a visit.

Not much to be done

except to face it.

I returned to the box

with the poor, little bird.

And, once again, I cursed aloud.

Reaching down for one final stroke,

suddenly the Kingbird woke,

and flew in a flash

to a neighboring tree,

leaving me

and death

behind today.

The Eyes

You won’t see my eyes

across this divide

that widens

and deepens

each day.

My gaze is turned

downward

into the rift

where much that was

has slipped away.

Into the dark 

of misaimed deeds

selfish wants

always needs.

Not convenient

if I bleed.

So pardon me 

if our eyes don’t meet

the steps are precarious

below these feet.

I need my focus

on footing strong

on solid ground,

and grounded ones.

I know what lurks

behind those eyes

who make believe

with all those lies

that everything will be okay

and once again I’ll

look your way.

But keep your eyes

upon your path

of weblike turns

and sticky tracks.

And let me keep 

my tired eyes

focused ahead

where my truth lies.

The Water Jug

There once sat a giant water jug in the corner of the plaza

of a tiny, wind-beaten, anywhere town.

The brown and green mottled jar

well over two meters in height

had been there for as long as anyone could remember;

and no matter the day, time, year, or generation,

the jug was always filled with water,

ever fresh and cool within its thick, clay walls.

A clean, wooden sipping ladle, soft to hold and handle,

tied to a braided rope of gem-colored ribbons,

always hung about the shiny brass spigot

found one-third the way up the vessel, at a height for all to reach.

Below this, sat a large stone trough,

which caught each precious drop,

and where all the town’s creatures came to sit and sip.

No one ever dared lay claim to be the one who filled the giant jar,

for all knew that to keep it thus, meant miles of travel

and toting to and from the nearest well.

“Such a blessing, indeed,” they would remark to each other as they drew from the tap,

“to have such a friend – or friends – as these!”

Some curious folk tried, here and there, to lift the jug

to see if its source was, perhaps, not a person, but a spring, or pipe.

But the jug wouldn’t budge.

And, once more, attentions would turn elsewhere –

away from the shiny, earthen jar that watered their gardens and helped make their broth;

cleansed and nourished them.

Its mysterious origin would fever the imaginations of the town’s newcomers,

but soon they too, would, without much thought,

take from its bounty as one takes a breath.

The years passed.

The town got bigger.

And the jug continued to give… as best it could.

No one noticed when the braided silk ribbon holding the ladle frayed and finally fell,

splitting the old, weatherbeaten, wood scoop in two.

The faded, unravelling rope blew away with the winds,

and the ladle pieces were soon buried in the dirt kicked up by another,

and another, and another at the spigot.

So it should come as no surprise that no one noticed the first crack –

a hairline near the top, by the lid (now missing its knob).

Or the second, at its base in the back.

And how could anyone have known

without ever lifting the high, heavy lid – long devoid of its handle –

that the jug was now only able to half-way fill?

More years passed and more people came to settle near

and depend upon the water jug in the corner of the old plaza,

not paying much mind that the spigot was getting harder to turn

and the water came in troubled spurts.

Because came it did,.

So, on they went with their lives.

While the cracks in the vessel grew long, and dark, and moist.

One afternoon, an elder from the town

(a sweet and gentle fellow with a crooked grin and wicked humor),

sat upon the old stone trough, scratching a scraggly, stray dog behind its ears,

filling his modest kettle,

when he felt a drop on his head.

He looked hopefully to the sky, but saw not a cloud,

when down came another.

Wiping the tear-sized drip from his eye, he stood atop the trough for a closer look

and there he discovered the crack,

now beginning to seep.

His old heart raced, as he began a thorough examination of the giant earthen jug,

soon discovering,

much to his own surprise,

not only dangerous weaknesses everywhere;

but its sad state of neglect.

“What has happened to thee, Old Friend?” sighed the elder

as he grabbed his kettle and turned toward home,

laden with dark thoughts of how the town would fare without it.

Early the next morning, as the sky began to brag,

the old man was already at the water jug with his bucket, trowel, and cement.

After mixing a small batch, he began the patchwork at the bottom,

and worked his way up.

At first, no one in the town took much notice,

but the old man didn’t mind. He was enjoying the work.

He felt useful, helpful – important for the first time in years.

But his work came to a halt as he struggled for some time

to reach some of the biggest cracks at the top of the great jug.

“May I?” a tall lady with bright blue hair finally asked,

setting down her cats, and picking up the trowel.

Before long, other folk began to gather at the water jug in the corner of the old town plaza,

bringing brushes and brass polish, flower pots and benches

– even a new knob for its lid.

It was when the lid was lifted for repair by two of the town’s strongest,

that the water was discovered to be a scant distance from dropping below the spigot,

instantly turning the spontaneous, happy gathering into a very different moment.

Folks began pointing fingers at each other for taking more than their share.

Everyone finding blame everywhere but home.

All the while,

the elder, who sat carving on the giant, bent trunk of an enormous Cottonwood tree,

remained silent…

until he wasn’t anymore.

“It seems to me,” he said a little louder each time,

until by the forth, fed up, he filled his old lungs and croaked

“IT SEEMS TO ME!…”

Someone in the crowd finally noticed and a slow hush came over the townsfolk.

“It seems to me,” repeated the elder, as he very slowly and deliberately closed his knife,

took up the newly carved ladle, shoved it in his pocket, and shuffled toward the jar,

“that each and every one of us has benefitted from what this precious jug has given.”

Nary a sole could disagree, but what could they do?

What control had they over its mysterious bounty?

“Each of us has to give,” said the old man sternly, “for this vessel needs filling.

Give what you can, if only a drop.

Give what you must, for the cracking to stop.

Give what you will for the water to rise.

For the jug to replenish.

For the jar to provide.”

But the townsfolk felt they had done quite enough

with the mending and flowers, and paint, and stuff,

so off they went, back to their shops and their homes and their lives,

having convinced themselves that the jug would continue to supply their needs.

The next morning, the town’s Postmaster went to the jar

to soak her stamp sponge

and turned the handle of the spigot to find not a single…

droplet…

dropped.

She turned the handle harder.

Still nothing.

She got down on her hands and knees

and crouching under the old, brass faucet, stuck her long, thin finger up the pipe

with the hopes of dislodging the obvious offender.

The scene couldn’t help but attract attention from the folks going about their business in the plaza,

and in just a few minutes a small crowd was once again gathered at the giant water jug.

The Postmaster rose with what dignity she could,

and without bothering to wipe the dirt from her hands or knees,

said to the many familiar faces before her, “It has nothing left to give.”

The crowd refused to believe her

and grabbing the nearest ladder, the two same strongest, once again climbed to its top,

removed its lid,

and looked within.

There was water.

The crowd collectively exhaled.

“But only at the very bottom of the jug!” heralded the powerful duo from above.

Panic began simmering.

The greedy began plotting.

And the air became electrified with fear.

Now the elder,

who had been calmly watching the scene from the very same spot as the day before,

shuffled toward the center of the crowd, which quieted quickly.

“Give what you can, if only a drop,”

he repeated from the day before.

“Give what you must, for the cracking to stop.

Give what you will, for the water to rise.

For the jug to replenish.

For the jar to provide.”

“Go to your homes and go to your hearts,”

he said looking into each and every set of eyes that would meet his gaze.

“Fill your cups, your buckets, your glasses, your tubs.

For it’s time to give back to this watering jug.”

The crowd hesitated at first,

scratching their heads,

milling about,

kicking at the dirt and the dust,

causing a small group nearby to begin coughing.

Seeing his mother having more and more trouble breathing, a young man ran to the jug,

and with no thought but of that very moment,

cupped his hand and turned the spigot.

The crowd moved toward the jar with a great thirst.

But,

as the Postmaster had stated previously,

the water jug had nothing left to give.

Coughing gave way to sighs amid silence.

“Give what you can,”

whispered the elder as he wandered through the crowd,

placing his hands gently upon the shoulders of his friends, neighbors and kin,

“if only a drop.

Give what you must, for the cracking to stop.

Give what you will, for the water to rise.

For the jug to replenish.

For the jar to provide.”

And with that the crowd scattered about,

then slowly filtering back

– some with only thimblefuls –

others with great, overflowing basins and bowls.

While still others disappeared from the town completely.

One by one,

each offering was poured into the old, patched jug,

eventually filling it to its brim.

With the heavy lid placed back on top, the remaining townsfolk watched silently

as the elder pulled from his pocket the beautiful new ladle he had carved.

Stepping to the shiny, brass spigot, the old man’s crooked fingers turned the handle with ease.

and he filled the large, wooden scoop with water.

Turning to the crowd with a grand and crooked grin,

he took a refreshing gulp

the passed it to the person closest him,

and on it went.

As the ladle, soft to handle and hold,

was passed to young and old,

rich and poor,

newcomers and natives,

it continued to fill with cool, clear water

for the next and the next and the next.

Until all in the town had sipped from it and then,

without a word,

quietly returned to their homes.

Now one would have thought the story ended here.

That the townspeople had learned their lesson

and the water jug would be tended to from then on.

But folks, like the elder, passed away,

or moved on,

and newcomers settled in around the great, brown and green mottled water jug

in the corner of the old plaza,

having never heard the cautionary tale.

And those who were there,

as most tend to do,

forgot.

So the cracks reappeared

and the water level dropped.

Until one kind soul felt a teardrop on their head,

and looked up.

Done is Done

Away they go,

one by one.

Change is change.

Done is done.

Years go by.

Wrinkles arrive.

Needs and wants

don’t always jibe.

Some folk never get enough.

Give too little.

Troubled trust.

Throw that bond

right under the bus.

Time no longer shelters “us”.

Those who once

were all as one.

Away they go.

And done

is done.

The Bone Cupboard

Old bones

Ever-covered in newly spun webs

sit within the rusting, grey shelves

of an old postal station

in a corner of the courtyard.

Below each cupboard

traces of organized, synchronized routes

still show

where news of kin and other stuff

was carried to folks now dust to dust.

Sun-bleached bones

of brilliant white,

smooth to the touch,

feathery light,

mark passages of the All But Forgotten

among those to fall

and follow.

Aged antlers of young stag,

shed in endless play

on the windy hillside of pine and scrub,

now rest within.

Pronged and proud

and pleasant to hold.

As is the pronghorn’s horn,

still warm,

when I picked it from a field

of slow-greening grasslands

where the dogs and I roam.

Unlike the skin on the skull

of an old coyote

found curled and alone,

having died on its own,

beside a wash not far from home.

Quietly undetected

and un-ravaged,

by its rather savage setting

… until I came along.

Too big for its shelves,

the spine of an elk

sits on top

with a trove of skulls and bones

needing time to succumb

to the days and the sun.

To the wind and the grit

and the unrelenting clock,

turning sinew and muscles and hide

to naught.

So all that’s left

are skulls and teeth,

ribs and hooves,

a monstrous skeleton

and nature’s great good.

Of lives being lived.

And friends being lost.

Of all of us food

and bones to be tossed

inside the rusty, fading shelves

of the cupboard in a corner of the courtyard.

My Ignorance Exposed

Each day I am enlightened 

My ignorance exposed

to the calculated evil

of ensuring one race triumphed

Riding high and unchecked

on the backs of the enslaved

Pushed to the ground, again and again

Generation after generation 

All carried out by weak, little men

petrified some might be better than them.

Such shame.

Such lies.

How did and do they sleep at night?

Wake up.

Learn the truth.

Hear their stories.

Give them voice.

Scream it out.

Black

Lives

Matter.

Head in the Sand

Of the same womb, but worlds apart.

How in the world did all of this start?

Lend me an ear and I’ll try to explain

why, sadly, all we now share is a name.

That choked by bad choices

you continue to make

in a life that seems filled with less give and more take.

And each time that things don’t work out as you planned

deeper your burrow down the bible – 

your sand.

You say you know its words from begot-ing to end,

but do you understand them,

my brother,

my one-time friend?

Although it’s not my cup of tea,

I get the love they feel for Thee.

What I wonder is what the prophet would say

about the choice you make day after day

to drink that poison,

sip by sip,

handed out by a moron in an ill-fitting suit.

But sip it you do

and little by little

it takes from me what I’d known since I was little.

Lost to false idols and fearing the day

you’ll put those you love-or so you say-

in the middle of the dangerous road, 

Harms Way.

Why?

Do you not see the truth?

Is your ego that frail?

Is it too uncouth?

Please… help me understand.

Or is that poison too near at hand?

Too easy a reach,

such low-hanging fruit,

nurtured by the fear of whatever’s not you.

Is that your testament?

Is that what it teaches?

Never put to practice what, I’m told, the bible preaches?

I’ll stick my to religion –

that of being kind,

of looking after all I meet

with body, heart and mind.

I wish I could halt this destructive path you lead,

knock that toxin from your hand –

show you how you can be free.

But if the love for your mother and Jesus can’t, 

you’ll never

truly

be.

In Full Color

the black and white lives

on the silver screen

without the black

lives lived from a shallow perspective

turning generations into just that

black and white

without the black

without the truth

whitewashed

and repulsive

it’s hard for me to watch

what once used to bring me joy

now makes me sad

and fucking angry

about all the stories I’ve missed

all I’ve been denied

by the systematic oppression

of others telling their tales

fuck you

to all who’ve denied me

these stories

these histories

these tragedies

these beautiful colors

that make the tapestry

real

beautiful

real

you don’t control me anymore

you don’t – you won’t – silence me

against your fucking ignorance

a new story is on the horizon

And it’s in full color

The Glass Table

I am like the long, low table sitting before me.

Created from a friend’s never-found-a-purpose glass

and my yard sale table frame without a top.

Reflecting every very little mark of a long, zig-zagging history.

Every touch,

every scratch.

Sometimes heavy with clutter.

Now and again, shiny and clear.

When at its best, a reflection of all surrounding beauty.

All people loved.

Fit to carry heavy loads atop strong legs

and a thick top.

Sturdy, but not unbreakable.

Begrimed and imperfect.

Ever transparent.

Sharp at the corners, but well-padded.

Gathering about the few and the many.

Offering a place to rest weary feet.

To eat.

Where cats and dogs lying right beneath, see all.

And can be seen

below the reflection of the sun’s light

and the home’s inner glow.

Made one from two separate goals.

By giving.

By chance.

Unconnected lives, finally connecting.

Creating the perfect fit of form and function.

With daily smudges expected.

Full Moon at Midnight

Already abed,

bundled and warm,

having abandoned the day,

Kurt joins me beneath the covers.

The full moon against the newly fallen snow

is casting a silvery glow through the bedroom window

and I marvel aloud at its intensity.

“Do you want to take a walk?” my husband asks.

To which I immediately answer, “No.”

Then after a moment’s thought:

“Well, yes… but no.”

After all, it’s midnight

and I was, or so I thought, in for the night.

But the moon is so very bright

and the snow so new.

So pearly white.

How could I not want to go into the night?

So we climb from our bed and into our clothes.

Kurt pours some brandy

and we call for the dogs,

already waiting, wagging wildly at the door,

fired up by the unexpected late night stroll.

Out in the courtyard, the wet black branches of the Mulberry tree, 

heavy with white,

bow toward the earth.

The full moon’s light casts the old tree’s shadow

across the ground and onto the courtyard walls

like a giant snowflake,

pitch and perfect in its silhouetted detail.

With the dogs well ahead, winding this way and that,

Kurt and I slowly follow our looping nature path

now hidden beneath inches of snow,

but glistening and recognizable in the full moon’s unrelenting glow.

The air is still and silent

except for our muffled footsteps 

and the clinking of the dogs’ collars

as they zig-zag to and fro;

noses iced from sniffing deep into the newly fallen snow,

creating crazed trails across the pristine powder.

The midnight scene is awash in a silvery light,

dimmed only briefly by a single, sweeping cloud 

passing over the full moon’s light.

Orion and surrounding stars struggle to be seen;

and a dense fog hovers over Chino Valley below

giving the lights of the small Arizona town a warm, dim glow.

The neighborhood is sleeping –

except, perhaps, for our friends down the hill, 

whose dim back porch light tells that maybe they, too,

are awake and bathing in the marvel of the midnight moon.

Up the hill and down through the wash we walk,

stopping every so often to sip brandy, 

now warming our insides,

and to marvel at the brilliance of the snow-laden pinions and junipers

against the incandescent sky.

Beneath their heavy canopies further up the hill, 

the mule deer, young and old, lay quiet and still.

Sheltered from the night and its unusual intruders.

But I know they’re there.

I see the peace in my husband’s eyes

which warms me better than brandy

and makes me smile under the moonlit sky.

I want to share the moment with the world –

to shout and rouse the neighbors to the scene;

while also greedy to keep it just Kurt, the dogs, and me.

Ahead in the corral are the well-lit horses 

who whinny at our approach,

thinking our late night stroll might mean an extra flake,

only to receive a few pats on the neck 

and a kiss on each nose.

And then on we go.

Through the bright.

And the white.

So wonderful to be out with my love on this radiant night.

Indulging in the silent, luminous scene;

while the fog glides over Granite Mountain

and the cold air feels kind against my cheeks.

Sorry in the knowledge that the moment is so brief.

By the time we’re back in our small, warm bed,

waiting for Nelly who caught some scent and fled,

the moon’s bright glow begins to dull in the fast moving fog. 

And our eyelids become heavy. 

And the moment is gone. 

But the memory is strong.

So happy my husband asked me on a snowy walk at midnight 

under the full moon’s brilliant, magical light.

The Light of Day

The following short story was inspired by the hauntingly beautiful winter scene pictured. I found this small, 4 x 6, unsigned, pen and ink on paper at a barn sale in Wisconsin many years ago. It remains one of my very favorite pieces. 

Katie keeps the meager fire burning in the small cottage at the edge of the woods, watching her mother twist and turn. Hearing her quietly moan.

Looking around the cabin, she’s desperate for something to do – some way to be useful. But all’s been done in the last two days since the contractions began. So all there is to do is be there when her mother calls, and wait.

Motionless at the kitchen window, she watches the rising sun slowly define the intricate silhouettes of the barren trees behind the barn.

What will the new light bring?

But she’s exhausted and the light is dim. Wiping away the frost and the fog with the apron she’s been wringing in her small hands, Katie watches her father through the kitchen window as he prepares the wagon to fetch the midwife from town. Hitching the horses in the pale light of the lantern, she marvels at his ease and compassion. Patting each of theirs rumps and their necks, and rubbing their broad, long noses, he gently rouses his team to their unexpected task.

Clouds of breath rise from their nostrils and disappear into the cold and still of the mid-winter’s morning as he moves swiftly around the massive beasts, laying the harness as he has hunderds of times before. With bridles slung over each shoulder, he warms both metal bits beneath his thick coat before putting it in their mouths; and for his daily thoughtfulness, each horse lowers his high, heavy head toward him when he holds out their bridle.

Katie smiles.

Until another moan comes from behind and she’s at the side of the bed before the contraction ends and her mom can see again. Gently wiping her brow with the apron, she squeezes tight when her mother grabs hold of her hand and clutches it to her chest.

Smiling again when her mother turns toward her.

Opening her eyes to her daughter, no pain can blur the struggle she sees in her young heart and old hands. She wants to hold her, to hug her tight and tell her everything will be well, but another bolt of pain seizes her thoughts and intents, and she releases her daughter’s hand, clutching the bedsheets instead.

Twice the dawn has come and gone and still the little one is all turned around and stubborn to leave. But I’m stubborn too, she repeats as she squeezes. And the midwife will be here soon.

Pacing the room, Katie hears a horse whinny and looks through the glass and the ice to see the foggy figure of her father climb to his seat, lift his collar against the cold, and call to his team. Running out the door to the edge of the yard, she watches her father disappear into the expanding light.

The horses’ hooves and wagon wheels crush the thin, icy layer that’s formed on top of yesterday’s heavy, wet snowfall, and the sounds of the departing wagon cut through the silence, the winter and the morning, like a tear in the universe.

His universe.

His happy home.

“Click-click,” he urges his horses, while urging himself to peace; to steady his breathing and steady their pace.

All will be fine. She’s a strong woman. Far stronger than me.

“And what would she say of this mood beyond hope?” he calls to his team, resting his eyes on the road up ahead, as the dim and grey of the dawning, winter day becomes brighter and whiter with the strengthening light.

Within Close Range: Within Close Range

It’s early spring and still outnumbered are the days of thawing, when the sun shines through the nearly impermeable grey just long enough to make the corral thick and pliable for the heavily-coated ponies to imprint the half-frozen peaks of ice and manure.  

With little inclination to be out of doors, Mia, Mark, Jim and I, along with cousins Mary, Gina and Bill, are all hanging out in the kid’s room upstairs, twitching and giggling and getting riled by Jim, the regular instigator of such behavior. 

But this time, instead of hanging around to help control the chaos, Jim leaves, leaving his younger siblings and cousins to deal with the consequences – the most important of which is that Mark is wound-up and dangerously near the one thing in the room Jim should have taken with him: his Benjamin Air Rifle.

Jim got the rifle for Christmas and had been target practicing with it that morning. Dad doesn’t like the idea of the eight-pump, .177 caliber pellet gun, but Mom’s Missouri farm roots makes her believe that it’s every boy’s initiation into manhood.

In Jim’s defense, he never shoots at living things – mostly targets, trees and tin cans. However, he does get an enormous amount of satisfaction turning its site on siblings for the sheer satisfaction of watching faces contort; which is likely where Mark got the idea.

Picking up the air rifle, he aims it across the room at Gina, sitting on the sofa. Each of us demands he put the weapon down, but Mark already has that look in his eyes which tells us he’s stopped listening, and before anyone can say another word, Mark presses the trigger and discharges what he thinks is air through an empty chamber.

Gina, already curled into a defensive ball, is hit. The lead pellet rips through her jeans and grazes the skin on the back of her left thigh, already bruising when we gather around to inspect the wound.

Everyone – including Mark – is stunned and silent.

Gina’s eyes grow wide and wild.

“You little fucker! You shot me!”

We all look to Mark for an explanation, but he’s off – like his shot – out of the room, down the back stairs, and out the door.

Having returned to the scene at the sound of Gina’s scream, it takes mere moments for Jim to form an angry mob to go in search of the lone shooter, now taking refuge somewhere in the damp, barren woods surrounding our house. We follow the leader around the backyard and back woods, looking for a spark of tell-tale color among the sullen, gray tree trunks. 

Then something turns… Jim’s allegiance. In an instant, we’re all in his sights and half-heartedly running for our lives. Finding a safe spot from his line of vision, I’m watching from the barn stalls when Jim spots Mark weaving through the trees and across the frozen patches of slippery leaves in the back circle by the cottage. 

He’s trying to make a break for the large stretch of trees just across the driveway. From there, it’s certain he can outmaneuver Jim through the woods to safety. The problem is the twenty foot stretch of open pavement.

But spring is in the air and Mark is feeling a little wild.

We all are.

Jim gives the rifle an extra pump and takes aim at the small figure now bounding across the asphalt. In one very lucky shot… he hits his target, and like a plastic carnival duck floating atop a painted carnival pond, Mark is knocked flat. 

Jim insists it was meant to be a “warning” shot.

As all games are officially over at the first sign of blood, Mark limps toward the house where he pulls down his sock to reveal the day’s second wound on the back of his ankle. Mom’s soon on the scene, shaking her head, calloused by the long history of Jim’s overzealous rough-housing; when Mark ends up with stitches and bruises and we end up with a friendly visit from social services. 

Ordering him into the kitchen (with everyone following close behind), she cleans and examines the wound and declares the pellet must have skimmed the surface of his skin (just like Gina’s had, but we felt best not to mention).

Satisfied with Mom’s answer, the hunter and all those hunted walk – and limp – away.

_______

Forty years later, having just had x-rays taken for an orthopedic shoe insert, Mark’s doctor enters the room and hangs the film on the light box, and with a strange look on his face, points to a light spot behind Mark’s left ankle.

“This is a metal object,” he says, “… and it looks like a bullet.”

Both Mark and the doctor stare at the very clear, small, rounded object appearing on the screen. 

“No, that can’t be right,” Mark insists. “There must be a glitch on your x-ray machine.”

But the doctor assures Mark that the object is no glitch.

“Do you happen to know how it got there?” the doctor asks, now looking a little sideways at his patient.

Mark stares at the small metal object imbedded in his achilles tendon and suddenly it all comes flooding back to him. 

Before leaving the parking lot of the doctor’s office, he sent this out to remind us all of a childhood within close range.

Within Close Range: Wisdom Teeth, or The Heart of Darkness

I’m still lying back in the dentist’s chair when I open my eyes. It’s hard to lift my heavy lids, even harder trying to wake from a syrupy haze.

The first clear thing I see are my wisdom teeth – all four – on a pad of cotton laying on my miserably undeveloped chest. 

A smiling nurse takes hold of my forearm and gently guides me off the reclining chair and onto my feet. Legs buckling, a second nurse appears, and with each as a crutch, we wind our way through doorways, down hallways and into the waiting room. 

To Mom. 

The sight of her makes me smile, which makes it hurt, and makes me cry out; making patients sitting patiently, jump in their waiting room seats and glare at me. 

Stare at me. 

Aghast.

Seeing exactly what they don’t want to see.

I couldn’t care less. I just want to sit. 

But Mom and the nurse keep me moving forward toward the exit door.

______

Nothing looks sweeter than the car where, for the first time in years, Mom has to buckle me in. Her steely, blue eyes filled with fuss and concern, and a little horror. But the haze hasn’t lifted and I’m happily floating in it… and out the car window, toward the warm, autumn sun.

And Mom’s taking me home.

With a heavy hand, I lower the window and turn to face the breezes. I smell hot pavement and mid-day traffic and hear the sounds of a motorbike approaching from behind. As the biker passes, his helmeted head looks my way, so I smile in response, leaning heavily against the car door. 

He swerves – suddenly – and passes, quickly. 

Seeing such a knee-jerk reaction makes me fumble for the visor’s mirror, where I find a reflection like B-Science-Fiction: swollen cheeks, a misshapen face, and by the looks of the dry and wet tracks trailing down both sides of my chin, I’ve been drooling. A lot. My lips are also cracked and bloody – as if stranded for weeks in the desert – and it appears as if they’ve been pulled apart by some horrible dental device which has left indentations still visible on my face.

I’m the goddamn monster’s bride. 

But the care is lost in thoughts of home and Mom and Dad’s blue, velvet sofa, with dogs at my feet, a box of tissue at my side, and a channel changer near at hand – which is where Mom leaves me with a kiss on the forehead and errands on her mind, one of which includes filling a prescription for pain medicine for when the strong stuff wears off.

Propped up with pillows, covered with a quilt and a Labrador, the cloud is beginning to clear from my brain, and although my jaws are sore, I’m relishing a day away from school.

The clock in the living room chimes the eleventh hour and I have nothing but a whole day of sleeping and watching television ahead.

Piece of cake.

_______

It’s been two hours since Mom left. The meds have warn off, the haze has lifted, and everything is very, very clear. The pain – which began as a dull ache in my jaws has turned into something hot and angry. 

And my mood, gruesome. 

Dark thoughts come to mind on the crest of each unmedicated, tear-filled minute. 

“Where is she?” I moan as our Labrador, Heather, lets me squeeze tighter.

But the throbbing grows stronger and the darkness grows darker, and my groans are too much even for Heather, who squirms from my grasp and slinks away, tail between her legs.

_______

The chimes of the clock reminds me that Mom’s been gone for three hours and it feels as if my head will explode.

I now consider mother, my captor and tormentor.

And the blue velvet sofa, my prison of pain, where I dig my way deeper into its darkness and despair.

_______

In the fourth hour since Mom abandoned me, Jim and Mark approach my body beneath the blanket. Jim attempts a taunt, but when I slither from the covers and hiss, “Where’ssssss Mom?”, my gloom and sullen glare frightens even Jim.

He gently, but firmly, grabs Mark’s shoulder and they retreat from the brooding scene…

Misery is my only acceptable companion this afternoon. And we’re inseparable. Wretched and contemptible.

_______

The damn clock mocks me again, making it the fifth hour since our return and still no sign of Mom.

Shrouded in the pain and the darkness, still hidden beneath the blankets, my breath, my mood, and the TV, are disagreeable and inconsolable, and my thoughts, matricidal.

“How could she have forgotten about me?” I hiss into the drool-drenched pillow, unable to think of anything beyond the pain and this painful disappointment. 

_______

As the seventh hour tolls and the sky grows dim, the sound of Mom’s approaching footsteps – which should signal the end of my suffering – instead fills me with rage. 

Seething in my blanketed underworld, hurtful words I’ve practiced for hours stand ready at the tip of my tongue. 

I can hear the crinkle of the white, paper bag from the pharmacy and Mom whispering, “Annie”. Both sounds try to pull me from the darkness, but I remain hidden.

“Where have you been!?” is all that squeaks out. 

I don’t really listen to her answer. I just take the bitter pill, turn over and wait for the pain to subside.

Within Close Range: Whiplash Willie

Barely able to see over the dashboard of the ample sedan, toes stretching to reach the pedals, Nonnie is an Italian force on four wheels navigating the gridlock of suburban Chicago.

Her style is unique – driving with more emotion than convention,

more conversation than paying attention – usually resulting in last-minute lane changes and unpredictable turns, and me sliding (pre-seatbelt laws) from one side of the Cadillac’s bountiful back seat to the other.

When the story she’s spinning is a doozy and Nonnie gets roused – which it usually is, and she usually does – up goes her pitch and its volume, and down goes her tiny, bunion-ed foot on the gas pedal, causing the great, lumbering beast of a car (and all its passengers) to lurch forward.

To compensate for accelerating while accentuating, Nonnie then braces herself against the massive steering wheel and brakes!

Throwing her progeny back against the pristine upholstery.

Repeating this action with each grand inflection.

It’s how she got the nickname, Whiplash Willie.

And why, when I see her begin an earful of a tale to whomever called “Dibs on the front seat!” first, I know what’s coming…

We all do…

Buckling up, I pray the story is short.

And my neck is strong.

Within Close Range: Uncle John’s Burgundy Velvet Tuxedo Jacket

Uncle John has a burgundy, velvet tuxedo jacket. For decades, he’s worn it to every black tie event, and Aunt Ar makes sure there are plenty.

Atop a sea of black and white convention, the tall, dark man moves quietly in his curious, velvet burgundy.

Well-heeled and headstrong, he ever insists, as long as the jacket fits – it fits.

Unswayed by the loud public statement his offbeat fashion statement makes for such a guarded, taciturn, conventional man.

Within Close Range: Tubular Bells

Built on a slope, at the end of a cul du sac, down a short, steep drive, everything about the holiday rental house feels dark, narrow, sunken, and really, really hairy.

The owners of the house on the outskirts of Snowmass, Colorado own several Huskies – or rather, several Huskies own this house as can be gathered by the Husky-related photos, ribbons, paintings and pillows. The neighbors next door also have one of these intrepid snow dogs, who sits on the frozen earth at the end of a chain by their front door, all day and all night. Quietly watching us come and go.

Everything about the rental house feels well-loved and lived-in – if not a little too; an ingenious plan (or a happy accident) to be staying where messes and mishaps can be easily forgiven. Easily hidden. With little worry of expensive damage or extensive injury.

So, determined to enjoy at least some of the family vacation (without the whole damn family), Mom and Dad make plans for dinner out, leaving the five of us with several pizza delivery menus, cash, and a warning to be on our best behavior.

By the time dinner is being noisily digested and discharged in a particularly fierce burping and farting duel between Jim and Mark, we’re already restless, as the explorable world around us shrinks to the cluttered rooms and narrow corridors of someone else’s life.

Someone who doesn’t like T.V.

That’s how Jim discovers the stereo.

Leaving him happily crouched over stacks of albums, Chris, Mia and I decide to get ready for bed before playing cards. Looking for a corner of the shared bedroom where spying eyes can’t see me in my undies, I find a spot between the window and bed where I shiver and squiggle into my nightgown.

A mournful howl just outside the window gives my goose-pimples, goose-pimples.

Peeking around the curtain and rubbing away enough frost on the glass, I see the Husky next door baying in the shadows of the bright moon. Receiving no reply to his woeful song. I linger at the window, hoping to hear an answer to his haunting moonlight serenade, but instead, hear strange noises from within.

Jim is up to something… We all sense it.

But before Chris, Mia and I even have a chance to express our shared concerns, the entire house goes completely dark.

Crap.

The Husky howls again, filling the pitch bllack room with his sorrowful song.

“Don’t be an idiot, Jim,” Chris shouts through the closed and now locked bedroom door into the dark and unknown. “Turn the lights back on!”

No reply.

There’s a tap on the door, but we say nothing.

There’s another tap.

Mark whispers meekly from the other side, “Come on you guys… Let me in…”

Now Mark has been Jim’s loyal minion many times in the past, so opening that door might very well mean an ambush. But Mark is a lousy liar – and an even lousier actor –  and his frightened pleas are a little too real. We feel our way, en masse, to the door, open it only slightly, and grabbing Mark’s skinny arm in the dark, Chris yanks the youngest through.

Rubbing his manhandled limb, he pleads innocence as we pepper him with questions, soon convincing us that he has no idea where Jim is, or what he’s up to.

Before long, we have our answer. From out of the pitch black, the familiar rise and fall of notes on a piano can be heard coming from the living room. The haunting song is “Tubular Bells”, better known as the theme music for, “The Exorcist”; a simple series of horrifically hypnotic notes currently sending shivers up millions of theater-going spines.

Even for those not old enough to see Linda Blair’s head spin, the tales of the movie’s shocking scenes (and cursed actors) have been playground fodder for months and it’s clear that Jim is committed to scaring the shit out of us, spending nearly an hour trying to figure out the house’s electrical panel so he could turn all the lights off, but leave the stereo playing.

Truly committed… or perhaps, should be.

As the terror-inspiring piano solo repeats for the umpteenth time, we feel trapped, defenseless, directionless. The longer we stay holed up behind a locked bedroom door, the longer Jim has to think of more ways to scare us.

It’s decided. We have to head into the dark. Face the music.

Find Jim, or he’ll find us.

Chris quietly unlocks the bedroom door and opens it a crack to see what she can see – which is nothing. She opens it a little wider. Still more black.

Tubular Bells is now flooding the bedroom.

He’s out there, somewhere.

Without ceremony, we shove Mark out the door first. As my eyes adjust to the dark, I watch his small, shirtless frame stall in the center of the hallway, not knowing which way to turn.

“Do you see anything?” Chris whispers.

If Mark replies, none of us hear it over the musical crescendo. He swivels right – as if he’s heard or seen something – and begins to head down the hallway toward the other bedrooms – away from all known exits. We feel obliged to follow, but as soon as the three of us step into the hall and turn toward Mark, a dark, moonlit, figure growls and lunges toward our tiny, hapless human sacrifice from a hallway storage closet half-way down.

All I see before pushing through Chris and Mia in a frenzied retreat is Mark’s body suddenly stiffen and spring a foot off the ground before collapsing into a heap on the hairy carpeting in the center of the dark, narrow hall.

Leaving Mark in the dark to fend for himself, Chris, Mia and I slam and lock the bedroom door.

Moments later, all goes quiet…

… too damn quiet.

We crack open the door to see what’s become of Mark, but he’s nowhere to be seen. His defection to the other side is neither unexpected, nor unwarranted. And very unsettling.

In the still, dark bedroom of the still, dark house, all I can hear is Chris and Mia breathing, and the Husky howling, long and sorrowfully.

Within Close Range: This Mile of Road

I love the final miles to our back door. The everyday sights of tree-lined neighborhoods, sleepy main streets, and stretches of flat fields and crisp, white barns silhouetted against waning sunlight.

After a successful fight for window rights, I’ve rolled mine all the way down, ignoring the moans of siblings wishing to remain buried in the stuffy confines of the car. Sticking my head as far out as I can, searching the darkening skies for the first star of the night, I inhale summer – long and hard – accepting the occasional collision with a bug on its own nocturnal journey.

Sheridan Road (which extends north all the way from Chicago) is the final stretch from Lake Bluff to home, straight and scarcely inhabited – except for the occasional sighting of the reflective, red eyes of wildlife at its edge hoping to survive fields and forests, cars and trains, on their way to wherever.

Alongside Sheridan Road, for much of the way, runs the Northwestern Railroad. Its green and yellow cars, faded and familiar, appear beside us long after its piercing horn signaled its approach. I race the train, stepping on an imaginary gas pedal on the candy wrapper-riddled floor. Pressing harder and harder, as if my desire will make Dad drive faster and finally beat the northbound beast.

But the train rolls past our station wagon and all I can do with the same, old loss is gaze into the windows of the passenger cars; into the yellow-tinged lights where, returning from leave, the white-capped sailors of Great Lakes Naval Base lean heavily against the worn, green leather seats and dingy glass. Their lonely figures the last thing I see before Dad signals right and I close my eyes for the final mile to our front door.

There is comfort in this blind ritual; in the knowledge that I know this mile of road so well that the sight of it is secondary to the feel of its curves, the sounds of its inhabitants, the smells of fresh cut fairways, and a giant of a freshwater lake.

Unlike the miles behind us, we travel more leisurely along Shoreacres Road. Breathing easier and rejoicing in nature. In the great, silent custodians – the Maples, Oaks and Elms – which stand over nearly every inch of it; shading us from the summer sun like a vast, green awning and warming us with their blazing, dazzling, daring reds, yellows and oranges in the autumn. Come winter, tree-lined comfort turns to forest mischief when laden branches drop dense clumps of snow on our hoods and on our heads, surprising us and swamping us as we pass below.

The first curve is less than a quarter of a mile along, and drifts sharply to the left, as it begins to follow a tiny, twisting creek, where moonlit nights make the water dance and daylight hours invite Mallards to its mossy banks.

Each fall, just before the curve and the creek, an old Black Walnut tree drops heaps of its brown-green nuts onto the road, which explode beneath the wheels of the wagon as a call to local wildlife who delight in the meat of the thick-shelled nuts and a seasonal signal of that first turn.

Up ahead, I can see in my mind where the road abandons the tiny creek and veers ninety degrees to the right, toward much greater waters. We call this part of the road, “The Straight-Away” because it’s the longest, lineal stretch in the mile journey, inspiring newly licensed teenagers to ignore speed bumps.

Sticking my head even further out the car window as we head down this long strip of cracked and well-worn pavement, I envision the great expanse of manicured green to my left, the tangled woods to my right, and just ahead, at the end of The Straight-Away, the exact spot where lake Michigan demonstrates its greatness by influencing the weather around its shores in a sudden shift from the warm, near-stifling humidity of a Midwest summer night, to a sudden, clammy chill – like leaving the glow of a campfire. Even sleepy siblings will reach a hand out the nearest window to feel it. Because feeling it, is feeling home.

At the end of the Straight-Away, Dad will turn left and we’ll soon pass the old, white clubhouse standing at the edge of the bluff on the right. I imagine it ’s covered in fog and dimly lit by the street lamps lining its long, unapproachable entrance.

Just past the clubhouse, the wagon gently turns left, bringing us past a faded, old, foamy green water-tower that stands at the entrance of our neighborhood. A sad sentry – rusted and outdated, and destined for demolition – its large, steel legs, are our gateway to high jinks in the forests and on the footbridges of the golf course just beyond.

An expansive, white, Georgian house is next on the left; with three, enormous, old pines nearly hiding its existence. Planted long ago in a very neat row, they dominate even the grand, columned entrance. Each pine is a story higher than the two-story house: shadowy and green and fabulously fragrant after a spring shower; while giant villains in the fog, and enormous yuletide beacons, strung from top to bottom with tiny, bright, white lights that always make me cheat – and peek.

Across the road from where the pines stand tall, there’s a big, brutish fence, behind which stands a tragic folly created by a strange woman named Felicia. (We call her Fishy.) On the nights when its colossal, indoor tennis court sets the sky and woods on fire with its jarring, unnatural lights, I hear my father grumble and briefly my eyes for chance to see if, in between the pickets, I can catch a glimpse of this sad, slightly mad, lonely woman, living her sad, slightly mad, lonely life.

Happy to be past it and moments from home. Minutes from bed.

A slight right at the fork and our driveway’s just ahead, on the right. I know exactly when we’ve turned onto it by the sound of gravel crackling like popcorn beneath the wheels of the wagon as it winds its way through the woods and the summer smells of wild onions and Queen Anne’s lace, pungent and sweet.

And familiar.

Bringing me ever nearer to sleep.

Only when I hear the garage door begin its sluggish retreat and the dogs begin to bark, do I open my eyes and end the game, content for having found my way home again.

I close my eyes for one more game. I pretend to be fast asleep, so Dad will carry me the final steps to my bed, and to my dreams.

Within Close Range: The Youngest

We watch the station wagon back out of the driveway. Mom waves through the open window before slowly pulling away. It’s just a few errands, but Mark is inconsolable. Tries to follow her.

Chris sweeps him up, but he squirms with all of his might and wins the fight. Falling to his knees, and then to all fours, the youngest of five laments the loss by slamming his soft head on the hard blacktop.

Shocked by the scene, I race to the street, hoping Mom will see me wave and shift to reverse. But the station wagon turns the corner and disappears from sight.

Back in Chris’s arms, I can see Mark’s forehead is already swollen and bruised. Pockmarked from the pavement. Gravel still clinging to his brow.

Silently, the three of us turn toward the house, motherless and miserable.

Within Close Range: Tiny Terrors

I save every penny I can to buy things for my very first household: a two-story, six room, pale yellow Colonial with black shutters, rose-filled window boxes, and a square footage of about three.

Placing my tiny, new items in their tiny, proper places, house proud and satisfied, I head downstairs to the laundry room for dusting rags. I’m only gone a few minutes, but as I come around the front facade of my beautiful home – thinking of fake-watering my fake flowers – I’m shocked and horrified.

The tiny patriarch of my miniature clan is not where I left him, sitting on the living room sofa with a wee book in his lap.

Daughter is still at the piano where I left her, but slumped over. Arms splayed across the keys.

I find Father directly above, in the four poster bed, pant-less and laying rather indelicately on top of Mother; while in the bathroom, next door, Baby has been stuffed – diapers up – in the porcelain toilet with the long chain pull.


My fearful but transfixed eyes move to Grandmother’s room next door, slightly disappointed to find nothing – no one. Maybe Grandmother’s safe.

But the thought is fleeting when in the kitchen below, I find my sweet, old, grey-haired Grandmother, and her tiny bun I carefully brush with the tip of my finger, has been shoved in the oven of the cast iron stove. The soles of her sensible shoes searing into my memory.

But where’s Son? He’s not in the fridge, under the sofa, in the clawfoot tub. Searching both floors of the colonial, there’s only one place left…

Slowly raising the balsa-shingled roof of my pale yellow, Colonial house with black shutters and rose-filled windows boxes, (which Jim was forced to cut and glue as punishment for his last dollhouse infraction), I can’t see him anywhere.

Then I spy the tiny trunk in the corner…

Oh, the tiny horror.

Within Close Range: The Second Floor Girls’ Bathroom

I think I spend more time in the second floor girls’ bathroom at Lake Forest High School than I do in any one of my senior classes.

We’re there – my best friends and me – every lunch and chance we can to steal away and smoke our Marlboro Lights; one after another, until the bell rings for class and we emerge from the swinging bathroom door in a huge, smelly puff of smoke.

Our tobacco-less friends – and true friends they are – tolerate sitting on a cold, dirty bathroom floor in between old, green stalls with toilets that sound like tornados when flushed through the old pipes of the old school. Energing from the toxic fog looking pale and sickly.

They put up with this dark, plumbed clubhouse, day in and day out, because we also spend a lot of time in the second floor girls’ bathroom forming friendships through smoke rings and stall doors.

The teachers who classrooms are nearest the second floor girls’ bathroom surely know of our lung-blackening infractions, but choose to turn a blind eye – or in this case, nose. Only once does a teacher enter, surprising the group of us who had been chattering and laughing so loudly, we’re disrupting her classroom next door – which is exactly why we hear nothing as she cuts her way through the Marlboro haze and surprises us.

Teen girls scatter in every direction, dousing butts in the nearest basin, uselessly waving arms, and spritzing “Charlie”, so that the teacher now standing in the middle of the still-smoldering mayhem will be none the wiser of the goings-on in the second floor girls’ bathroom.

She stands in the center of the two rows of stalls, as a fog of cigarette smoke still hangs heavy on the high ceiling, and loudly and very firmly bellows, “OUTSIDE!”, which booms against the porcelain-filled room.

Our departure is quick and very quiet. And our return to the 2nd floor girls’ bathroom the very next day, guaranteed.

Within Close Range: The Universe Upstairs

The adult-free upstairs is our universe, our private world of fun and games and funny voices, where Jim’s rolled up socks turn into stink bombs of such infamy that as soon as you see him take off a shoe, you run… as fast as your stockinged feet along a polished wood floor can take you.

It’s also where fuzzy, red carpeting turns to molten lava as chairs and tables become bridges, and the sofa, an island where captives and carpet monsters fight to the death in battle after battle.

In the universe upstairs, sloped-ceiling closets and dark crawlspaces (too-small-for-adults places) become hideaways where we can bring pillows and posters, flashlights and stuffed animals, and write secrets and swear words on the 2 x 4s and plaster board; as we listen to Mom in the kitchen below.

Until the heater switches on and the great metal shafts fill with air and fill our ears with rumbling.

At the very top of the back steps, behind a tiny door (not more than three feet square), Jim spent all day building a spaceship. Fabricated from old outlets and switches and a roll of duct tape.

With Mark as his co-pilot and imagination as his rocket fuel, he rallies us to climb into his crawlspace capsule. I sit back in the darkness, surrounded by boxes of memories – Mom’s heirloomed wedding dress at my elbow and Christmas decorations at my back – anxious for the countdown.

Excited for blast off.

For leaving the earth far behind.

Calling to his co-pilot to flick switches labelled with a big, black magic marker, then moving his hands up and down his own duct-taped controls, I hear the sputters and rumbles of Jim’s vocal-powered rockets.

Hugging my big, Pooh Bear, I watch our fearless pilot, in the beam of a dangling flashlight, lean back and call to his unlikely crew through the cup of his hand, “Hang on! Here we go! Ten… Nine… Eight…”

Jim’s rumbles begin to rise.

“Seven… Six… Five… Four…”

I feel the crawlspace shake and rattle.

“Three… Two… One… BLAST OFF!”

I squeeze that silly, old bear and close my eyes to see the fast-approaching cosmos…

And there I float in the infinite black. In the infinite stars. Until Jim shouts, “Meteors!” and all hell breaks loose in our top-of-the-stairs cockpit.

The hallway light suddenly cuts through the cracks and the dark – and the meteors – and the call of dinner brings us back to earth.

Within Close Range: Inspection

Mom and Dad’s bedroom is on the first floor of the house (at the southern end of everything) allowing them to frequently escape to its sunlit, coziness and away from the five, wild seeds they chose to sow.

This leaves the entire second floor almost entirely adult-free, except for the occasional laundry delivery from Mom and the much less occasional visit from Dad – more ceremonial than social – and usually the result of winter restlessness or weekend thunderstorms keeping him from the golf course.

We only know of his plans when we hear, “INSPECTION in ten minutes!” sound from below, at which point all present scatter from the upstair’s common room to our respective bedrooms, where we begin frenzied attempts to hide all clothing, toys, towels, glasses, plates, books and general shit we’ve left strewn everywhere.

Depending on his level of bother, Dad might only scan the surface of the bedrooms and bathrooms. It’s something each of us quietly prays for as he passes dressers, drawers, desks and closets, cluttered and crammed with quickly concealed crap.

If his heart really isn’t in it, he might demand some dusting and vacuuming, to be inspected later – which will likely not occur – and then disappear below. Knowing this, we’ll half-heartedly obey before returning to reruns, twitching on each other, and littering.

However, if Dad’s disposition is grim, he delves further, looking under beds and behind shower curtains, and, if he’s in a particularly foul mood, sliding open a closet door…

At which point, we’re positively doomed.

Within Close Range: Tornado Watch

The cement-floored, window-welled basement of the house is the biggest indoor space we have to spread out, but it comes at a price. My bare feet are regular magnets for misplaced thumb tacks; while misplaced gerbils, who disappear beneath appliances, leave the already dank underground smelling like fabric softener and tiny, rotting corpse.

It’s also the first place we head every spring when tornado season arrives and the local siren sounds, sending neighborhood kids scattering to their homes, and Mom shuffling everyone down below, where we wait for incoming reports.

With the TV and radio competing and other siblings playing, I stare out the small, ground-level window, half-hoping to see the funnel at the end of the our street, moving down its center, like a spinning top, whirling and powerless.

But I know a tornado isn’t powerless. It’s dangerous and threatening my world.

Comforting is the sight of Mom ironing; while through the grimy glass I wait for the mean, dark sky to lighten, the all-clear to sound, and life in the neighborhood to return to its routine.

Within Close Range: The Pressure of Writing

She moves up and down the rows of desks,

filled with tiny, crouched figures

hovering over lined paper and clutching #2 pencils.

Filling the aisle with her middle-age width and Avon perfume,

I feel the warmth of her body and breath as she leans over me

and sighs.

We’ve been here before.

I’m just not getting this pencil-holding thing.

I thought I was doing it right.

The letters on my paper look pretty much like everyone’s.

Pretty much.

But every time she stops at my desk, she firmly cups her hand over mine and squeezes hard

until she forces my tiny, anxious fingers

to curl around the long, yellow pencil with the well-worn pink eraser.

“A firm grasp is the key to proper penmanship, my dear,” she says, trying to sound patient about my substandard pencil etiquette.

Not wanting to disappoint her

again

I clench that pencil as if my very breathing depends upon it,

until my fingers cramp from it,

and the lead of the pencil presses so hard against the paper

that the letters bulge through the opposite side.

When she asks us to turn our papers over and sit quietly until everyone finishes,

I close my eyes and feel each raised letter with my fingertips.

Wondering whether any one else has to press that hard

work that hard

to squeeze out the letters and words, and sentences,

so very anxious to burst forth.

Within Close Range: The Phone at the End of the Hall

The phone at the end of the hall, right next to my room, comes to life in the middle of the night; its merciless metal bells clanging, resounding off the tall walls of the winding front steps, and down the long, carpet-less hallway.

Startled from my dreams and tormented by its unanswered ring, I crawl over whichever dog or cat is hogging most of the bed and quickly shuffle toward the noise, hoping to get to the phone before another blast of the bell pierces my brain.

Fumbling for the receiver – and words – I already know that the only kind of news that comes in the middle of the night is usually bad. Or at least not very good – and if I’m answering the phone, it means Mom and Dad didn’t, and I’m about to be made the reluctant messenger.

Sleepless in the hours that follow. Anxious to hear the garage door rumble. Hoping the yelling and the lecture happened during the ride home.

And that all the gory details will come over a bowl of cereal in the morning.

Happy everyone is back and in bed. And all is quiet at home again.

Within Close Range: The Nights There Are Fights

My bedroom is at the end of the second floor hallway.
Right above the living room and Mom and Dad’s bedroom suite.
I hear fights my siblings don’t – or at least don’t tell me.
A hard thing to bring to a game of H-O-R-S-E.
On the nights there are fights, I never feel more alone in this full house.
Sinking through the empty blackness of my room.
Drowning in the fury and the screaming and my pillow.
Desperate for it to stop, or for me to find the courage to make him stop.
Picturing the nearest item that will offer the hardest blow.
A cane from the stand, just down the stairs, and through the door below.
… If I hear it once more…
But I never find the courage, just anger and confusion,
and early recognition of a marriage in malfunction.
Making monsters in the madness and words into weapons.
And me into a quivering mess under my blankets in the dark of my room.
Praying for it to stop, or me to sleep.

Within Close Range: The Neighborhood

Just northwest of Chicago, in Deerfield, Illinois, King’s Cove is 1960s, middle-class suburbia, where Good Humor trucks and men in white hats sell Chocolate Eclair bars with the solid chocolate centers, as they jingle past weedless, well-mown lawns and small, tree-filled lots; where neighbors are friends, your best friends are neighbors, and school is the next block over. 

Our house in King’s Cove is an unmistakable yellow, like hard-boiled egg yolk, as is the wood grain panelling on the side of the Grand Safari station wagon after Mark, a paint can, and a brush are left unattended. And even though it’s small for seven, it never feels crowded, except in the one, tiny bathroom we kids share. All tangles and toothpaste.

Our yolky Colonial has all that we need, all that we know: a small front yard with a tiny patch of grass and a newly planted tree, a split rail fence, and a lawn in back. Dad built a treehouse here, where my best friends, Cherie Dusare and Lynn Bubear, and I hoist the ladder, shut the trap door, and nurture our first true friendships, formed by first experiences. 

And I begin to discover the courage to find my own voice among the din of four siblings.  No longer contented by blanket and thumb and going quietly unnoticed in our tiny world of well-worn paths through quiet backyards, which lead to school and monkey bars, and friends the next street over; where each winter, the Jayne’s sloping lawn next door turns to a sledding hill and every summer, the Beak’s back patio and mossy garden pond come alive in the shade of the trees.

I like to sit on the small, stone, vine-covered wall and watch big-eyed frogs, bold chipmunks and bright orange koi go about their business of being beside the small, trickling waterfall, in the dark, green garden of this house on the corner.

Across the street live Amy and Abbey, the dark-haired twins – and my friends – who dress the same and make me wonder what it would be like to see another… be another me?

But my best friends live at the other end of the block where the three of us sneak into the Dusare’s paneled living room, enticed by taboo and a best friend’s promise of seeing a picture of naked men. 

Tip-toeing and giggling as we cross the shag carpeting, socks and static electricity spark already heightened senses. Cherie knows exactly where the album is in the long, low, hi-fi cabinet with the accordion door. She grabs it and holds it to her chest, scanning the scene signs of adults. 

My heart beats through my crocheted vest. This is my apple. I take my first bite.

Thanks to dim, red lighting and well-placed fog machines it’s little more than a nibble. But my curiosity is peaked, and it’s my very first secret to keep with my first best friends from the neighborhood.

Within Close Range: Speech Class

Walking hand in hand through the woods to Sherwood Elementary – just Mom and me – I stay in the playground, hanging by my knees against the cool, metal monkey bars; looking upside down at the grey, September sky, wondering what I’ve done to make Mrs. Paschua, my first grade teacher, want a meeting.

On our way home, Mom explains that they talked about the way I speak and why I might have troubles with certain sounds. Mrs. P. thought Mom might be the reason – perhaps a foreigner (with that foreign-sounding name). I giggle when Mom tells me how surprised my teacher was to discover that Mom – that we – are as alien as apple pie.

But I love the thought of someone thinking I’m different. It makes me feel special – a little exotic.

Sherwood Elementary thinks I’m special too. Enough to take me out of class each week to send me to speech therapy, where they work the entire year to make me sound just like everyone else.

Within Close Range: The Great Chicken Debate

Whether going out or eating in, food either consumes Nonnie’s thoughts or busies her hands for hours each day, managing laborious feats and four-course, Italian feasts – piping hot dishes of handmade manicotti or tender, breaded cutlets, garlicky vegetables, hot rolls, vinegary salads and sweet desserts.

Second helpings are always encouraged at Nonnie’s dinner table and praise for the cook, expected – as well as a little too vehemently rejected.

The three greatest mis-steps at this Italian table?

One: cutting spaghetti. Either twist it or prepare for a gentle cuff on the back of the head from Papa.

Two:  if all diners are not seated at the table while the food is still visibly steaming… Nonnie will burst several blood vessels.

And three:  never…EVER… say you’re not hungry. Utter blasphemy.

We like to rattle her with unexpected visits and ravenous appetites, watching her forage through the refrigerator and freezer, brimming with outwardly unidentifiable, but doubtlessly delicious leftovers, sealed inside ancient Tupperware and old Cool Whip containers. Happy to see us, but perceptibly agitated that she can only offer what she sees as barely acceptable fare, each serving is dished up with a generous dollop of misgiving.

I’ve never known anyone as good at cooking as Nonnie, who complained about it more.

So it’s little wonder that while visiting in Florida, the moment Papa announces we’re having dinner out, a palpable – near frenetic – excitement  electrifies the apartment.

Following the proclamation, Nonnie spends most of the day in her housecoat, in a walk-run, making sure everyone’s dress clothes are pressed precisely, her hair is maintaining its proper “do” beneath a sea-green hair net, snack intake is severely monitored, and her sisters, Camille and Rose, are consulted and updated (via long distance) on EVERYTHING.

For Nonnie, dining out is the equivalent to an audience with the Pope.

For me, such an event proves far more predictable than papal. More “Holy Cow” than Holy Spirit.

And it most definitely means Italian – old school – with its enticing smells and curtained nooks, smartly dressed waiters with thick accents, and an animated maitre d’ who greets everyone like family. It means trompe l’oeil walls of rural Tuscan scenes, rich, red fabrics draping doorways, and rolling dessert carts filled with cannoli and tiramisu.

From well below the mouthwatering chaos, I watch the loaded serving trays — piled high with pastas and soups, roasted chickens and fresh seafood — pass deftly overhead, with a “Scuza, Signorina!”, until a hand on my shoulder gently guides me out of the busy traffic and into a chair in front of a round table covered in linens and complex table settings.

A fast-moving figure from behind casts a well-aimed cascade of ice water into one of the two stemmed glasses set at eye-level before me.

Tempted and tormented by big baskets of breadsticks and freshly baked rolls, my hand’s gently spanked away from a second helping.

“You’ll spoil your dinner,” Nonnie scolds. (When what she secretly has in mind is a bakery heist for tomorrow’s breakfast.)

Excitement rises with the arrival of the menu which ignites imaginations and appetites.

Wherein the problem lies… with inexplicable regularity, when presented with an abundance of choices, Nonnie almost inevitably orders veal.

The choice seems harmless, but it’s enough to make family members cringe and Papa’s blood boil – not because baby cow meat is one of Nonnie’s favorite things to eat, but because every time she orders veal (whether Marsala or Picante, upscale joint or neighborhood favorite), she usually ends up taking only a couple of bites.

One for eternal optimism.

The other, raging cynicism.

Then raising her head from her plate and, wearing utter disappointment as a mourning veil, complains meekly but unmistakably.

“This isn’t veal… This is chicken… I’m sure this veal is chicken.”

And like clockwork, another battle in Nonnie’s tireless crusade to unmask poultry dressed in calves’ clothing begins, prompting children to slip lower in their seats and adults to start commenting about the day’s weather; while Papa bows his head and sighs with exasperated disbelief.

He and his wife then begin a short-lived, but emotionally escalating and frustrating exchange that will end with Papa vowing to never take Nonnie out to a restaurant again, and Nonnie looking self-righteous, misunderstood and miserable, as she rummages through her dinner-roll-filled-handbag looking for a tissue.

The drive home is what I imagine floating in space is like.

Silent. Solitary. Dark.

Except for the lights emanating from the dashboard (most particularly, the green turn signal arrow which Papa habitually leaves blinking) which let me know other life forms still exist.

A few days pass, then Papa announces we were going out to dinner.

Again. (Sigh.)

Nonnie’s excitement rises anew…

Until the waiter approaches her with his pen and pad in hand, and with all eyes anxiously upon her… she orders the veal.

And Papa ends up swearing that it’s the very last time he’ll ever take her out to dinner.

A vow he’ll repeat until the day he dies.

Nonnie, however, will work tirelessly in her quest for veal for decades more.

Within Close Range: The Car Ride

Much of my early views of Florida are seen above a sea of car upholstery, through rolled up windows, where the only things visible are the tops of Palm trees and passing trucks, condos and clouds, and Nonnie and Papa’s heads hovering over a wide expanse of leather stretched across the latest Cadillac’s cavernous front seat.

Here, conversations are muffled, and occasionally in broken Italian, so young ears can’t possibly understand; and elevator music-versions of Rock ’n Roll songs play softly; where Papa’s cautious, half-mile-to-execute lane change regularly causes the turn signal to remain blinking.

It must be an audio-visual black hole, oblivious as he is to both the flashing green light and the constant clicking for miles on end.The sound of it lulls me into a stupor, until Nonnie finally notices the signal of perpetual motion and snaps at Papa to turn it off.

A few miles pass and all is peaceful, until the car begins to fill with a terrible smell.

I turn to my cousin, John, who’s holding the backseat’s cigarette lighter, with a smug yet sorrowful look on his face, as the smell of flaming follicles slowly wafts through the well-sealed compartment.

“What’s burning?!” Nonnie shrieks, “Something’s burning! Jimmy, something’s on fire!”

Papa pitches the lumbering Caddy to an empty parking lot at the side of the road, unrolls the windows, and orders everyone out of the car. Nonnie stands there mumbling and grumbling and shaking her head while he makes absolutely sure nothing else has been set on fire.

Throwing John one, last incredulous look – Papa orders everyone back in the car before signaling his return to the road. Where, for the final miles to the restaurant, I lose myself in the smell of burnt hair and the click of the sedan’s left blinker.

Within Close Range: The Elevator

From the time the youngest of us is moving independently of a parent, Gina, Mary, Mia and I are seen as a small, drifting quartet of cousins at family gatherings. Two distinct gene pools, one common goal: to discover new spaces and unknown places, where no eyes and “No!”s could block our intentions.

Not to sit and behave, but explore the dark closets and dusted cabinets of quiet rooms far from grown-ups, though never far from mischievous brothers.

Gina usually rouses us to expand our adult-free borders; opening doors and waving us through – and when things don’t kill us – boldly stepping past us. Reassuming command.

And we follow.

Just as we do when she leads us out the door of Nonnie and Papa’s apartment and down a long, humdrum hallway of dubious hues, and thick, padded carpet that silences our patent leather footsteps and makes us whisper.

Without any wear on my new, leather soles, I slip and I slip as we pick up the pace of our great escape, past dark, numbered doors behind which come the murmurs of TVs and mumbled voices, and other people’s lives.

Our little flock focuses on the big, brown, metal door at the end of the hall which will lead us to uncharted worlds and unsupervised floors; to a quiet, pristine lobby where unsat-on furniture needs to be sat on, and plants are dusted; and the floor is so highly polished, it glitters and gleams like a magical, marble lake that I want to skate in my stockinged feet.

Mary presses the button with the arrow pointing down. The elevator hums and clicks and begins to move, and the newly learned numbers over the door blink in slow succession, until the lift stops and the door slides open.

In our reluctance to fully accept our independence, we hesitate and the door glides shut. But there’s an unspoken allegiance, so Mary re-presses the button, and back open it slides.

Pushing us into the small, room with dark wood panelling, Gina reaches for the lowest button, and off we go to the little known land of the lobby. I can see its floor before the door is fully open. It shimmers and shines and lures me from the safety of my flock and the moving box.

Gina follows.

Mary follows.

Mia doesn’t.

We watch her tiny body disappear behind the sliding, metal door.

Mary and Gina’s big, brown, Italian eyes go wide and I feel something – panic – suddenly rise. The elevator starts moving, the numbers start lighting, and Mia’s now off on her own adventure – without Captain or crew, or even a clue, as to where she’s going.

At a loss for what to do, we just stare at the door of the moving contraption which slowly ascends to the top floor and stops. Will she get off and try to find her way back to Nonnie and Papa’s? Does she even know what floor they live on?… Wait… Do we?

With this grim realization, the once strong lure of shiny floors and silky chairs is now replaced with powerful thoughts of Mia and Mom and home; of familiar faces, full plates of pasta, filled candy dishes.

And facing consequences.

Worried and wordless, we hear the elevator again click into motion and anxiously watch the numbers descend, kind of hoping when the door slides open, we see a familiar grown-up, or… Mia!

Standing in the exact same spot in center of the elevator where she’d been deserted, looking slightly startled, but happy to see us. Before losing her again, we jump in and watch the elusive lobby disappear behind the sliding door.

Now all we need to figure out is what button will lead us home.

Gina presses all of them.

When the elevator next stops, we hope to recognize something or someone, but nothing and no one is there. The next floor offers a replica of the last and I feel tears bubbling just below the surface. As the door opens to the third floor, it reveals a sight I thought I’d never be happy to see, Jim and John, sent out to search for their sisters and cousins.

“WE FOUND ‘EM!”, Jim hollers, as the boys race back down the brown and beige hall, to the front door of the apartment where Nonnie stands shushing… and waiting… with oven mitt and apron, and a look of consternation.

A scolding is at hand.

Gina smiles at each of us, then turns toward Nonnie.

And we follow.

Within Close Range: The Devil at Lake Forest Cemetery

There’s a grave in the corner of the Potter’s Field at Lake Forest Cemetery.
Rumors tell of devils and demons,
of curses and misfortune;
of strange things happening to graveside visitors.
But I’m curious.
And bored.
Finding two equally bored cohorts, we head out in my convertible.
Autumn whipping our hair.
The heater blasting on our legs as we wind along Sheridan Road,
beneath the red, yellow, orange and brown leaves
silently floating to the ground on the fishy lake breeze;
shrouding the lawns, the sidewalks, the forests, and the last season,
in moist, earthy layers.
Entering the cemetery beneath its great, grey gateway,
we haven’t a clue as to which way to go;
only away from the grand mausoleums and stone angels
that mark the graves of the rich and powerful.
We find the unmarked field down a short, dead-end lane
already twice passed.
A small, unkempt and inconspicuous patch.
No statues, flags, or flowers.
No benches or shade for mourners.
Just a sad stretch of grass, cornered by a chainlink fence,
choked with neglected vines and scraggly branches of struggling pines.
Phil and Betsy step into a small ravine separating us from the forgotten field.
Their feet, ankles and shins sink into a river of yellow and brown leaves
and I’m startled by the thought of them disappearing.
Swallowed by some, strange, autumnal underworld.
Eased only when both climb out on the other side.
Wandering up and down the quiet plot, we find nothing but nameless headstones. Unadorned and unnoticed.
So many stories untold.
Until we happen upon a half-buried cross at the very corner of the lot
where the wealthy suburb’s poor were given their unsung plot.
Barely legible, Damien, is scratched in a crudely made crucifix,
toppled by wandering roots of the towering, lakeside trees.
Smothered by overgrown grass and thick, green moss.
Who cared enough to mark a life among the many lost?
Hovering over the grave, we tell our own tales about death, the damned and Damien,
until the daylight suddenly disappears behind a dark cloud rolling in off the lake,
silent and mountainous, like a great, grey whale.
All at once, wicked gusts of wind turn the sky to twisting, twirling, whirling leaves.
Turning our backs to its unexpected violence, we race to the car,
laughing and swearing and shivering in our meager layers.
As the last roof latch clicks into place, the sky over us turns black and wild,
shaking the convertible.
I clutch the wheel and smile at my friends.
A seasonal storm… or something more sinister?
Best to ask later.
I turn the key, but nothing happens.
After a moment of startled looks and nervous laughter, I try again.
Not a sound, except the pounding rain and my impassioned pleas.
On the third try, the engine fires up and my shaking hands quickly shift the car into gear.
Phil and Betsy urge me forward a little too loudly.
Just as the cemetery gates appear in the rear view mirror, the violent storm ends,
and the sun, as quickly as it had abandoned the scene, reappears
as we hurry away from Damien’s grave
on this strange, but strangely perfect autumn day.

Within Close Range: The Dance

When the station wagon rolls away from the curbside, dark and swarming with youth, I begin hunting for familiar faces or voices amid the chatter and the laughter. Desperate not to be standing alone among the dimly lit clusters huddling on the church lawn, cowering, I weave toward the bright light of an open door where a line of my peers is slowly filing into the basement for the Friday night dance.

Plenty of familiar faces dot the scene, but not a friendly one in sight. Until there, at the bottom of the crowded stairs, flash the comfortable smiles of good friends, as happy as I am at the sighting.

Into the dim and din of the dance, we move in a small, giggling mass to areas of equal un-interest: the drinks table, the snack counter – then, to the sidelines surrounding the dance floor, where tiny gangs of nervous pre-teens and new teens twitch, taunt and tell tales.

A group of boys laugh and push and swat at each other as they glance across the floor at a particular ring of girls. Finally, the boy with red hair and distractingly long limbs plucks enough courage to cross the floor toward the girl he’d been dared to ask to dance.

But just as he’s making his way across the vast, sparsely populated stretch of beige and green-checkered linoleum, a popular song comes on which springs the crowd – and his targeted partner – into action.

The dance floor erupts with awkward motion.

The moment – and momentum – are lost.

But the darkness emboldens, and as the first slow song starts spinning conquests are won, as the line drawn between the opposite sexes begins to blur.

Now the dare proves not only daring, but profoundly stirring.

Alluring.

One song leads to another, and another, and another.

New couples on the dance floor encourage others across the hot and cramped basement.

And the boundaries blur further.

Are any eyes on us? On me?

Retreating to the easy obscurity of a dark corner, I watch the clock on the wall – and my friends – whose eyes now focus across the room.

Across the divide.

Within Close Range: The Being in Basements

Some are reached by steep, wooden steps,
only at the end of which,
is a switch,
and salvation from the dark;
where cold, cement floors sting bare feet
and we search for cousins playing hide and seek
beneath an old, pine table,
and in cupboards stuffed with moth balls and old lives.

Down other stairs, parents send rapidly sprouting offshoots
(and their weedy accomplices)
to remain mostly out of sight, sound and smell.
New worlds explored in sunless rooms of cinderblock;
where mismatched 13-year-olds kiss, and later tell,
and budding musicians, mid black lights and bong hits,
learn to shake and rattle the house;
while in the dark and in a lawn chair, I learn to hang out.

Some sunken spaces are like snapshots
kept on a shelf in an old shoebox.
Still lives of vinyl bars and swivel stools
and down-turned glasses on dusty shelves, long unused.
Moth-eaten scenes of what might have been.
A gathering place for friends and kin
where woes of the week were drowned deep in cocktails
and lost in card games – or a top twenty song – to which most sang along,
as the stereo spun its new-fangled, stereophonic sound.
Curious but comfortless, being long-deserted and people-less.
Apart from the ghosts in the room.

My favorite sunken places are worn, but happy spaces
in which my favorite female faces
grow leaps and bounds beside me,
unconstrained and nearly unimpeded by upstairs edicts.
Sharing cigarettes, dance moves, inside jokes
and cases of beer bought just over the border;
making evenings fuzzy, and hangovers a new, underworld reality.
Playing pool, the juke box, the fool;
while trying to play it cool
when faced with firsts and friends far more in the know
about nearly everything that happens down below.

Within Close Range: Streets of Saltine

It happens every few months or so.

There’s never any warning… except that it can happen at any time.

All it takes is a gathering – a restless mob brought together by the arrival of bags from the grocers, the disappearance of anything mildly amusing on television, and as the most logical response to the endlessly gray, listless, Midwestern days.

All it requires are two essentials: a box of saltine crackers pulled from the aforementioned grocery bags, and the disappearance of the herd boss to the back forty.

The challenge comes forth – hushed but fierce – with the flash of a sneer, a glint in the eye, a furtive glance to the cupboard, the challenger, then the cupboard once more.

The seasoned contestants: Jim (spurred into battle by a thirst for victory and an appetite for salt) and myself (the middle, misunderstood child), roused to competition by the absence of anything even slightly better to do.

With the doors leading out of the kitchen quietly closed, siblings crowd around the kitchen island, anxious for some mastication action.

The challengers sit facing each other across the well-worn, linoleum countertop the color of vanilla ice cream. With the large, rectangular box of Premium Saltines placed between us, brows knit with steely determination, as eyes focus on the cracker skyscraper growing higher and higher before them.

“Water!” Jim calls to his ever-faithful minion, Mark.

“Wimp!” I prod my already over-stimulated sibling.

“Ready when you are,” he whispers through a half-chewed plastic straw dangling from the corner of his smirk.

“Ready as I’ll ever be,” I swallow, feeling the moisture completely evaporate from the tip of my tongue to my tonsils.

The objective: to finish the pile of crackers and be the first to whistle.

The rules: no water during the match and the whistle (as judged by spectators) must be crisp and clear.

At the call of “Go!”, the briny bout begins; hands greedily grabbing cracker after cracker, shoving them into already crammed mouths. Crumb fragments fly across countertops and cupboards, striking innocent bystanders who instantly retreat to all corners of the red brick, kitchen floor.

Teeth are gnashing.

Siblings laughing.

Opponents are trying not to choke, or chuckle.The cardinal rule of the cracker eating contest: He who laughs least has the last laugh.

Sadly, this is my Achille’s heel. Watching my brother spew saltines always brings me to trouble-breathing-can’t-swallow-verge-of-choking-hysterics, rendering me hopeless.

Expelling a final barrage of crumbs, Jim spits forth the first whistle, followed closely by a victory lap around the kitchen, passing the defeated and the disgusted. Arms raised victoriously, he waves to the imaginary crowds and makes cheering noises.

A pain in the ass in victory, and a danger in defeat.

There have been times when I spewed forth the earliest whistle, winning the coveted prize of immunity from all post-competition clean-up, but, for me, the fun has always been in the unfettered indulgence of doing something utterly pointless.

Within Close Range: Stanley

Having had enough of Florida’s winter fun and sun for the. day, I’m sitting in front of the television in Nonnie and Papa’s 18th story living room, when the doorbell rings. Papa’s back at his store in Chicago and Nonnie’s in the kitchen making lunch, so I shuffle across the plush wall to wall, to the large double-doors.

And there, on the other side, stands a tall, slender figure with short, blonde hair and frosted highlights; impeccably dressed in a pastel pink shirt, a flowered, silk kerchief, and crisp, white linen pants.

The stranger asks if Lenore is in.

I turn toward the kitchen and holler, “Nonnie, there’s some lady here to see you!”, before scrambling back to the television.

It’s the first time I’ve met Stanley, Nonnie’s friend (and hairdresser), who also happens to live in the same building with his boyfriend, Roger. I would have felt embarrassed after learning of my gender mistake, but according to Nonnie, he was never more complimented.

Not only is Stanley Nonnie’s most colorful and lively Florida companion – by far – but he can make her giggle more than anyone (besides my great aunts) I’ve ever seen. Even more intriguing is that Nonnie astonishingly and unreservedly gives Stanley center stage. (It’s hard not to.)

In return for stepping back from the preferred spotlight, Stanley showers Nonnie with adulation for her fashion sense, culinary skills, and interior design flare.

It’s a match made in heaven. (Even though Nonnie has to whisper a lot when it comes to talking about her new friend.)

At Stanley’s invitation, we visit their little slice of beach-side paradise two floors up.

It has the same exact layout as Nonnie and Papa’s, in reverse. But that isn’t what disorients me.

It’s the feeling that I’ve just entered another dimension where Nonnie’s alter ego is given free rein. Where, with unimpaired power, her better dressed Doppelgänger has adorned every nook and cranny, every floor and piece of furniture, with textile and tactile expanses of purple.

With chintz and animal prints.

Golden cupids and satin pillows.

Velvet love-seats and silk bed sheets.

And endless yards of draped chiffon.

Where opulent silk flower arrangements sits on every gilded credenza and a colorful porcelain dog, cat, or bird resides around every corner.

As Stanley sweeps from room to room with measured grace and exaggerated ease, Roger – a dark, quiet man (who left a wife and kids, and a lie behind) – stands in the background, smiling contentedly. Proud of his plush and private paradise, where he and Stanley are completely free.

Even though, to me, Stanley seems as free as he can be; floating ahead of us into the newly wall-papered kitchen.

Stepping in behind Nonnie, I first think the effect of the sun streaking through the large bay window overlooking the Atlantic is playing tricks on my eyes, until I realize the walls are choked with make-believe flowers of reds and yellows, oranges, pinks and whites, splattered against a dark purple backdrop – as if the Spring, or perhaps the Easter Bunny, had exploded.

It’s absolutely glorious.

And so is Stanley.

Within Close Range: Sixteen Steps in Three Parts

Part One:

At the end of the front hall is a door leading to steps – sixteen in all – winding one-eighty to the upstairs hall; a four-paneled portal to the children’s domain, keeping first floor parents separate.

And sane.

It’s also vital for a game we play, set into motion by two things:  a large box arriving, and Mom and Dad leaving.

As soon as headlights disappear down the driveway, we begin grabbing every cushion and pillow from every sofa, chair and bedroom; and meeting at the top of the winding staircase, toss one after another over the railing until we’ve created a tottering stack of softness, penned in by the aforementioned door.

Flanked by wild smiles at the top of the stairs, Mark, in a Magic Marker race car (we secretly souped up earlier), is pushed down the steep, carpet-less track. But the dreaded hairpin turn half-way down, quickly ends the Cardboard Box Jockey’s run, just inches from where the ocean of cushions begins.

When the race car gets totaled and tossed aside, there’s still the pile of pillows.

We all agree.

Mark’ll jump first.

To make sure it’s safe.

And when he climbs from the pile unscathed, we each take turns taking the plunge, until failing to recognize Jim’s bored, half-crazed eyes, things take a turn and Mark suddenly finds himself dangling over the railing, as a Swanson’s T.V. Dinner threatens to reappear through fearless, but foolish, upside-down taunts.

Inverted arms defiantly crossed.

Jim slightly loosens his grip around the youngest’s ankles, and smiles like the devil.

But we know he’ll never let go… not intentionally.

Not specifically intentionally.

Part Two:

Changing Malibu Barbie’s outfit for her big date with Ken, I hear Jim making his way along the hallway, moving toward the curving, front staircase next to my bedroom.

As he passes the door and starts down the stairs, I’m suddenly, impulsively, spurred to action. (My future line of defense: Lack of Premeditation.)

Quietly reaching around the corner to the light switch at the top of the staircase, I-

Click.

Thump-bump-bump-HUMPF-thump-bam-thud.

Down Jim goes like an angry sack of potatoes.

“GOD DAMN IT! Who turned off the lights?!”

Tittering nervously, I creep away in the dark, feeling both revenged after years of big brother torment, and remorseful for my utter lack of foresight.

My ad-libbed evildoing results in a broken, big toe. And Jim’s thirst for my blood.

Damn my telltale tittering.

History soon has the gall to repeat itself when a few days later, there in my room – with no thoughts of wrongdoing, whatsoever – I hear familiar footsteps (now favoring one foot) heading down those cursed stairs.

Then something wicked this way come.

I tip-toe to the door, again, and quietly reach for the switch.

Click.
Thump…thump-thump-thump-bump-BAM-thud!

“ANNE! I’m going to kill you!”

With no parents home for refuge, I run for my life. Ducking and covering. Trying to avoid any siblings who might give me away. Which means ALL of them.

Finally hiding in the dark of the sauna, desperate for the familiar footsteps of a returning adult, I can hear Jim hobble and rage, screaming my name and vowing retaliation.

“I’ll plead temporary insanity.”

But un-consoling are the cedar walls surrounding me.

Guessing the worst is over (or a parent has returned) when the house goes quiet, I open the door to the outside world.

“Even if he’s still mad,” I reason aloud and unconvincingly, “he’ll never catch me with a broken toe.”

“Two broken toes!” growls a voice from behind the door.

Part Three:

With my bedroom right next door.

I know the comings and goings of all stairwell travelers.

I hear when Chris is breaking curfew

and Jim is looking for trouble;

when Mia is sleepwalking,

and Mark is shuffling downstairs for comfort.

From the bottom step, Mom’s “Sweet dreams”

gently rise into our bedrooms and into our dreams;

while Dad’s call for Inspection

bursts up the stairwell and down the hall,

like an air raid siren,

sending bodies scattering in all directions.

I listen for Mom and Dad’s footsteps below.

For Dad to toss his keys into the pewter bowl.

I listen for the sound of the staircase door opening.

Pleased to hear Mom’s high-heeled footsteps

slowly ascending the winding staircase,

to give good night kisses all the way down the hall.

Within Close Range: Runaway Days

My appointment card for our dentist, Dr. Van Hoozen showed up, which means getting to visit a really sweet man – who not only cares for people’s teeth, but the entire village of Hebron, Illinois, acting (at some point or another) as their president, fire chief and police chief.

However, it’s what takes place after the appointment that I’m most excited about: spending the day – alone – with Mom, wandering in and out of the small, rural towns at the northernmost tip of Illinois.

Mom always sees doctors’ appointments as day-long affairs away from household chores, homework givers, and other family members.

And I go along gleefully.

Quietly.

Watching her.

As she takes any turn she wants. Without a care as to where it will lead.

And there, between fields of crops, we discover chocolate shops, donuts stands, and greasy spoons, where lingering over plastic-coated menus, we truants smile at each other; then wander the narrow streets of farming towns, past century-old storefronts. Pausing, here and there, at the buildings needing care.

Checking to see that I’m trailing, Mom swiftly strides from one shop to the next, until disappearing through a large door of wood and glass.

And I give chase.

Soon blissfully lost amid rooms piled high with dusty shelves and dilapidated boxes, stacks of tables and towers of chairs – and books, filled with history and mystery and beauty.

Overwhelming my curiosity.

Here, she buys me an antique, tear-shaped compact of brass and rusty brown leather. Still inside, is its powder and flattened pink puff; under which I discover a tiny, brass hatch and remnants of bright, pink rouge.

Every now and then, as we meander home, I open my tear-shaped treasure to look at my reflection through its stained and smudged, tear-shaped mirror and wonder how many more reflections it has seen…

And what those faces might have been?

None happier than mine.

Spending the day running away with Mom.

Within Close Range: Rocky

You came to Dad as a hired thug,
but found a mentor and friend instead.
And a family who adopted you like so many strays –
the scarred, the scared, the castaways.
Giving you shelter and a place at our table,
away from the streets, the violence and struggle.
Into our home and into our hearts,
like each lovable loser, you’re family now.
Showing duty and reverence to Mom and Dad,
you become a different creature with just us kids;
when you shadow box and dance in an imaginary ring,
reciting poems of your strength, your knock-outs, your wins.
Filling our minds with fact and fiction,
which is which hardly matters when told with conviction.
We hang on every word from your kind, but battered face
and marvel when you flex your “guns” and chew on broken glass.
Your prized possession is a gold championship belt –
that you sometimes like to wear when doing work.
Yet something tells me you’d give the belt away
if you could simply sit and draw all day.
Freeing your imagination and your wonderful art;
which colors the brutal truth of your life
and what you did for the sake of the dollar,
for food for your dog and bread for the table.
With a smile ear to ear and a clue in your eyes,
I sense your words are mostly lies
to camouflage the things you’ve seen,
the things you’ve done.
Thrust into this world misaligned and alone.
Third grade over and you were gone.
Fighting to survive, then fighting on demand.
Forced to do that with your gentle heart and creative hands.
While the real you, the sweet, curious and tender you,
would prefer to make art of comfort and meaning.
A good reason for being.
In your white t-shirt and rolled-up jeans
above ankle-high army boots and a head shaved clean.
you lean on a rake, on a break from your chores,
spinning glorious tales to the curious, young horde.

Within Close Range: Racing the Dark

Mia has a complex relationship with the Night. She’s a creature of it – active and creative – and stays awake well into it (later than most in the house), yet also seems determined to shun it with the use of every light available.

And when Night finally acquiesces to Sleep, it does so half-heartedly with Mia, often leaving her restless and wandering between this world and slumber’s.

Rare is the night she goes to bed before me, so lying quietly in our shared bedroom, I’ve listened and become well acquainted with her almost nightly routine.

With the rest of the house long dark and quiet, it begins.

CLICK.

On go the back staircase lights, and then, footsteps – Mia’s – coming up the old, wooden staircase. Her movement, quick and skittish. Around the corner she scurries, to the main hall and –

CLICK.

Her target, two doors down, is illuminated.

Muffled by a thick, carpet runner, I know Mia reaches our door only when she flicks the switch, re-illuminating our brightly patterned wallpaper of orange, green and yellow flowers.

After making as much noise as possible (slamming drawers and sliding closet doors, testing her alarm clock, etc.) does she slip beneath her covers, leaving every light on her path from family room to bedroom, burning bright.

Just as dependable as this, is the dialogue which follows.

“Mia, turn off the lights.”

“You turn them off.”

“You were the last one in bed! AND YOU were the one who turned them on in the first place!”

“So?”

“So? So, it’s only fair that you turn them off.”

“No.”

“Dang it, Mia, you know I can’t sleep with the lights on!”

Well-stashed below her covers, “Too bad,” comes her muffled reply. “I can sleep just fine with them on.”

I always claim I’ll do the same, but in less than a minute, with the lights searing wholes through my eyelids, I climb from bed and shuffle just outside our door.

CLICK. CLICK.

Off the hall and staircase lights go.

CLICK.

Off our bedroom lights go.

“Brat,” I call through the dark, as I feel my way back to my bed at the other end of the room.

It’s gone on like this for years.

But now Chris is off to college and Mia’s been given her own room, and I can’t wait. Not only because I’m anxious to have my independence, but even more, I’m anxious to see how Mia will handle hers.

However, she keeps delaying the move, bringing her things into her new bedroom next door one article at a time – over days, which is now turning into weeks. I offer to help. She gets offended and disappears. Mom finally has to intervene.

Begrudgingly, Mia throws the last of her belongings into the heap already in the center of her new bedroom and, tonight, faces sleeping on her own for the first time in her life.

I lay in my darkened room and wait for the familiar sounds of Mia making her way upstairs, speculating over and over again how she’ll handle the lights with no one in the next bed to do it for her. Will she leave them on all night? Doubtful. Dad has a sixth sense about these things and will be demanding “Lights out!” before long. Will she have the gall to call through the walls for me to do it?

She wouldn’t dare….or would she?…

CLICK.

On go the back staircase lights. Creak, go the steps.

CLICK.

On go the hallway lights.

CLICK.

On go Mia’s bedroom lights.

I listen carefully. Tracking her footsteps. Picturing her every move. Anticipating her thoughts.

CLICK. CLICK.

Off goes the stair and hall lights from below, as Mom calls “Sweet dreams.” and Dad warns “Don’t let the bedbugs bite.”

Minutes later, there’s only one light left on in the entire house.

“Come on, Mia,” I whisper into my pillow. “How’s it gonna be?”

Then it happens.

CLICK.

Off goes the light.

Pitter-patter, pitter-patter—grumpf-creakity-creak-creak-cree.

And that’s the way it will be from this day forward. Night after night.

It’s a sound that never fails to bring a smile to my face.

CLICK.

Pitter-patter, pitter-patter—grumpf-creakity-creak-creak-cree.

Mia running from light switch to bed. Fleeing the unknowns of the night.

Racing the dark.

Within Close Range: Strange Bedfellows

I once woke to find Mia tucked snugly beside me in my twin bed, with most of the covers and most of the space. When I tapped her on the shoulder to point this out, she rolled over (our noses nearly touching), blinked, and groaned, “Anne, what are you doing here?”

“You’re in MY room.”

Looking around briefly, she rolled over again (taking the remainder of the covers with her) and, giving me a swift backward kick, sent me to the floor; where I lay, bewildered, but slightly in awe of her sleep-walking pluck.

We never really know when or what to expect from Mia’s nocturnal wanderings.

And so, returning home late one night, noticing that the light is still on in the den…

“Crap,” I mumble into the open fridge, that must mean Dad’s waiting up.

I begin to formulate one-word responses to his inevitable interrogation. With munchies in hand and alibis at the tip of my tongue, I open the door to the den, only to find Mia on the pumpkin orange sofa, sitting up and staring at the paneled wall ahead.

“Hey.”

No reply.

“Meem, it’s late. Coming up to bed?”

Nothing. Not even a blink. So, I shrug and turn for the stairs.

“Where’s my friend?” I hear from behind.

Turning back around, I ask, ”What friend?”

“My FRIEND!” she replies sharply.

“What friend, Mia? I don’t who you’re talking about.”

“My FRIEND!” she repeats for the third time.

“Look, maybe if I knew what friend you’re talking ab-“

“Shut up, Anne.”

“All-righty, then,” I say as I head toward the stairs and bed.

Passing the boy’s room, I notice that the television is blaring and Mark is still lying on the sofa, face down, with a cat on his shirtless back and a dog at his feet. I turn the T.V. off and gently tap him on the shoulder.

“Kid, you should head to bed,” I whisper, and then start for my own.

Mark raises his head suddenly and calls out, “Anne-Anne-Anne… Would-you, would-you, would-you…open-the-open-the-open-the-open-the-“

Then nothing. He simply collapses back onto his belly and into his dreams.

“Open the WHAT?” I scream from the inside, fearing that if I turn around I’ll likely see Rod Serling, cigarette in hand, furrowing his thick, dark eyebrows as he begins to explain the strange tale of the my sudden plunge into madness.

“I’m way too stoned,” I mumble as I head to the comfort of my room.

Before I get there, however, I notice the lights on in Mia’s bedroom and feel compelled to investigate.

Damn you, Rod Serling.

I find Mia sitting on her bed, doused in light, with a drawing pad in her lap and a peculiar look on her face.

But what I find even more disconcerting is how quickly and stealthily she made her way from the den to her bedroom – up the creaky stairs and down the equally creaky hallway, just feet from where I was in the boys’ room – without my noticing.

I glance up to the mirror above Mia’s desk, where I find instant comfort in seeing both our reflections, and enough cool to ask Mia about her missing friend.

She looks up, but says nothing.

“Your friend,” I’m tortured to press. “The one you were looking for earlier?”

She scrunches her face and tilts her head, slightly.

“Where’s my pink purse?” are the next words out of Mia’s mouth.

I don’t know how to respond. We just glare at one another.

“What?!”

“My pink purse!” she repeats unhappily.

“Okay… now you’re looking for a friend whose name you don’t know AND a purse that’s pink… Am I getting this right?”

“Shut up, Anne.” is all she has to say. And all I can take for one night.

The following morning, both Mia and Mark deny any knowledge of the previous night’s events.

But we know the truth, don’t we, Rod?

Within Close Range: Midnight Swim

The house is quiet.
All are sleeping.
I strip down to nothing
and dive into the dark of the deep-end,
where unabashed, unheard and unseen,
I howl.
For as long as my breath will hold.
Unleashing my teenage discontent and crippling self-doubt.
I howl out the sadness.
I howl out the funk.
I howl until it hurts.
Then I float.
Facing the night sky
and the barely discernible stars
with my rather dysfunctional eyes.
There’s peace in the blur and the sound of my breath
and the occasional call of a neighboring owl
hidden somewhere in the silhouettes
of the tall trees surrounding me.
Shivering, I climb from the water
and into my bed.
The smell of chlorine drifting me into watery dreams.

Within Close Range: The Backyard Ogre

Seeing Dad unreel the hose and stretch it out across the yard from my bedroom window, I throw on my still damp swimsuit crumpled up in the corner and race down the upstairs hall, broadcasting the new development as I pass each bedroom door.

All five of us are soon suited up and scattered along the edges of the backyard lawn, freshly mown and striped like a big, green flag.

Bound by woodlands, lake and home, the Backyard Ogre’s grassy realm is small, but lush and coveted. And crossing it, irresistible.

Standing in the center of his sodded sovereignty, wielding his long, green, garden weapon, the ogre goes about the business of tending his land; well aware of the surrounding interlopers hiding behind large oaks, lawn furniture, and each other.

Taunting him to take aim, we leap and dance and cartwheel across the well-loved lawn, attacking en masse from the front and sneaking up, one by one, from behind. But the Backyard Ogre’s lengthy weapon, and cunning, and speed, make him fearless and formidable.

All are quickly drenched, but delighted by the cool of the spray in the hot summer sun, and by Dad’s massive grin and momentary focus.

Wearing shoes of fresh cut grass, we follow the Ogre, when he deems the backyard fun is over, and heads to the cool of the pool.

Diving in, always slightly aslant, Dad finds his first target, who, giggling and excited, braces themselves for the certain lift that will come from below and hoist them high with his powerful arms, for a glorious, airborne instant before the splash.

Each of us impatiently waiting our turn, of which there are never enough, before the ogre’s off… usually to golf… while we stay behind, water-logged and pruny, but confident the Ogre will soon be back to tend to his kingdom again.

Within Close Range: Laps

I look into Mia’s bloodshot eyes for the challenge.
And off we go.
Stroke for stroke. 
Lap after lap.
Ten, twenty, thirty.
Keeping an even pace.
No sign of the other’s weakness.
Forty, fifty, sixty. 
Tiring, but single-minded.
Who’ll be first to surrender?
Seventy, eighty, ninety.
I can hear, in my non-submerged ear, Mom calling.
But grumbling stomachs and dinner be damned.
Closing in on a hundred laps, Mom calls out again.
“Okay,” Mia gasps, “let’s stop at a hundred and four.”
Rejecting her offer, I push off once more.
And she follows.
Hundred and four. Hundred and five. Hundred and six.
Mark’s now standing poolside.
Tiny hands on tiny hips.
Dinner is getting cold and Dad is getting mad.
I call an immediate draw.
My opponent responds with a nod.
I climb out, expecting her to follow.
Instead, Mia slowly sinks back in the water.
And with an enormous grin,
pushes off the shallow end
for her victory lap.

Within Close Range: Spring

When wildflowers peek

through the damp, leafy, forest floor,

windows are flung wide open

welcoming in the cool, lake breezes

and the strong, long-awaited smells of spring

in the land’s reawakening.

The thawing corral is heavy

with sweet-smelling muck

flung here and there

by high-spirited ponies.

Impatient to walk barefoot

across the newly sprung lawn

still emerging from the cold ground,

I make tracks across the yard

to the edge of the bluff and back,

coating my toes in mud and early grass.

Spreading spring throughout the house.

Within Close Range: Spring Break

My siblings and I burst onto the season like the first, rowdy chorus of Spring Peepers rising from the woodlands and wetlands, from the new growth and leafy debris. Noisily ascending. Anxious and energized after many dormant days, we find instant succor in the newness, in the re-gathering community; bolstered by the constant influx of free-wheeling teens.

Arriving at the house with a brand new,1978 Chevy pick-up truck filled with boys bent on seeing “what this baby can do” Jim quickly talks his best friend, Phil, into letting him behind the wheel. Caught up in the excitement, Chris and I follow, piling into the truck bed with the others and heading to the one place where its off-road ability can be properly tested, the golf course.

Of course.

Entering on the service road, Jim’s exaggerated twists and turns along the winding, gravel road quickly bore him, so veering from the narrow lane, we’re soon bouncing along the edge of the fairways, heading toward the woods and the short, very steep, ravine hills.

Failing to do the science of what might happen when rear tires meet level ground from a near forty-five degree incline is Jim’s biggest mistake that day. As soon as he starts down one of the small, steep hills, we helpless, hapless, truck bed accomplices sense things aren’t going to end well.

They don’t.

As the rear tires hit the ground from practically perpendicular, the truck bounces – hard – sending all bodies in back aloft.

Arms and legs flail.

Looks of surprise, morph into alarm.

Trying to break the fall, my right hand contacts the metal truck bed first, followed painfully by all other parts. When the pick-up finally comes to a standstill, everyone begins righting themselves, rubbing their bruises, and screaming at Jim.

Everyone except me.

I’m looking down at my arm… and my hand… which is no longer at the end of my wrist where I normally find it.

While the others continue to berate the driver, I cradle my arm and speak.

“You guys. I think my wrist is broken.”

No response. So, I say it a little louder and with a lot more conviction.

“You guys, my wrist is broken.”

Still unnoticed amid the verbal thrashing Jim’s receiving, I finally scream as loud as I can, ”YOU GUYS, MY WRIST IS BROKEN!”

All goes quiet and everyone turns my way.

“Anne’s wrist is broken,” Chris suddenly screams, “and she’s bleeding all over the place!”

I’m not.

Jim and Phil leap from the front cab to find those in the back surrounding me, shuddering and exhaling, “Whoa!” and “Holy crap!”

It seems that on impact, the bones attaching my arm to my hand snapped cleanly in two, and my hand – now detached beneath unbroken skin – has been forced from its usual place and lay awkwardly on top of my wrist, like a slab of raw meat in a rubber, flesh-toned glove.

Finding any movement enough to inspire hysteria, no one’s able to convince me to relocate to the cushioned front seat of the pick-up, so a couple of the boys closely flank me as I sit cross-legged, still cradling my unrecognizable arm.

As Jim very slowly and very gently steers a course for home, I try to concentrate on something else – the leaves still unfolding overhead, the gentle, spring sun. Closing my eyes, I take a deep breath. Then another. Immersing, ever briefly, in the wonderful smell of new grass.

And teen boys.

Pulling up to the garage just as Mom happens to be walking by, Chris jumps from the truck and with the subtlety of a crow in a cornfield blurts out, “Anne broke her wrist!”

(So much for Jim easing her into the bad news, as agreed upon moments prior.)

“Oo-oo-oo!” Mom says, jumping in place, and then into action, as only a mother of five can.

Gingerly lifted from the back of the pick-up and placed into the car, I turn to see my off-roading co-horts all sheepishly waving and smiling, except Jim, who’s having a hard time looking at me and looks miserable.

Which makes me feel slightly better.

At the emergency entrance, Mom tries to get me out of the car and to my feet, but I won’t – I can’t – for fear the slightest movement will make the pain unbearable, or even worse, that I’ll lose hold of my arm and have to witness my detached hand dangle.

Approaching the car, a handsome stranger, with a sweet voice and a smile to match, asks Mom if he can help, and before I have a chance to refuse, he lifts me from the car with an effortless swoop and carries me inside, where he gently sets me in a wheelchair, smiles, and disappears.

“That’s Walter Payton of the Chicago Bears,” the nurse smiles, but I know exactly who it is.

Welcomed back again to the emergency room (puberty has not been kind), I’m x-rayed by a sadist, drugged, yanked, drugged again, and eventually yanked back into place by the two attending doctors – the process of which finally becomes too much for Mom, who’s led from the room in a faint.

“I feel jush-fiiiiiiine,” I giggle, all tucked in my bed back at home, as I casually wave the heavy, plaster, arm-length cast (the first of two I’ll be toting for the entire, interminably itchy, sidelined summer), not bothering to notice Mom and Jim’s faces alluding to the pain and discomfort that’s sure to follow once the double dose of painkiller wears off.

“Itsh-okay, Jim,” I slobber with a smile, oblivious to the drool trickling from the side of my mouth, “I’m not mad at you anymore.”

How could I be? Wracked with guilt about badly disfiguring me, he straightened my room, folded down my bed, and picked flowers for my bedside.

Unfortunately, like the pain meds, Jim’s sympathies and “too-injured-to-tease” policy won’t last through the night.

Within Close Range: Mutton Stew

I’m in the middle of the pine-paneled restaurant at Boyne Mountain Resort (somewhere at the top of Michigan’s mitt), sitting in a large, carved pine chair – twice as large as it needs to be. 

Looking around the big, round table, there are siblings to the left and siblings to the right, with Mom and Dad straight ahead; and everyone capable of reading the menu, is. Scanning mine for a third time, my eyes keep returning to the word “stew”, which conjures a mouthwatering picture in my head – big, chunks of tender meat in a rich, dark gravy.

“How different could mutton be from beef?” a voice in my head insists – repeatedly – drowning out all inner arguments and already placed orders.

It’s my turn.

“I’ll have the Mutton Stew, please.”

The waitress looks up from her pad, hesitates, and then looks to Mom and Dad.

“Oh, Annie, you won’t like that,” Mom gently suggests. “It has a very strong flavor.”

But I protest.

“Anne Elizabeth.”

“Please, Dad,” I plead, revving the perpetually high-powered motor that drives most eight-year-olds.

Mom urges, once more, to reconsider, but I remain unflappable. The lady is waiting and “The Troops” are hungry and restless. Dad raises his eyebrows, then nods to the waitress.

“All right then, Mutton Stew for the young lady.”

Triumphant, I can already taste the dark, rich gravy. Minutes seem like hours. The baskets of crackers and breadsticks and the pats of butter on small mountains of ice in the center of the big, round, constantly spinning, Lazy Susan are rapidly disappearing.

Beyond the large, glass windows overlooking the resort’s ski hills, the slopes are ablaze and white and dotted with skiers still eager to slip and slide down the gentle, rolling, Midwestern hills. It’s a wonderful sight, but the hungry voice in my head has recently enlisted my stomach, now rumbling, low and loud. Until the waitress returns with her overburdened tray, all I can think about is stew.

Burgers and fries pass by my eyes. Mom has soup and Dad’s given pasta. It takes two hands to carry the large, shallow bowl heading my way. I’m so excited, I can hardly keep still in my seat. My eyes eagerly follow the large, round bowl to the place setting in front of me and I look down to see…

… a sea of grayish-brownish goo; its foul smell already invading my nostrils.

Pungent.

Powerful.

Horrible.

My hunger instantly retreats, but all eyes at the table are on me. Even the waitress is loitering nearby, which means I can’t possibly back down before the first bite and so, with reluctance, I grab the smallest spoon and in it goes.

Releasing more stink from the bowl of brown-gray gloom.

I scoop up a small, dark morsel; highly doubtful about this dubious-scented mouthful.

It’s instant repulsion. Unbridled revulsion. A funky chunk of grisly meat that my tongue and teeth want to reject and my throat wants to eject into the clean, white napkin in my lap. But it’s swallow it, or my pride. 

The mutton punishes me all the way down.

Without a word, Mom and Dad turn their attention to their own plates. All follow.

While I’m left alone to stew.