The Train

Staring at the corner of his small, shaded, shared room which smells of disinfectant, death and old wool, all that’s left of Jake’s life stands on the shelf before him: dusty, unframed photos (faded images of lost faces, youth and health) on a teetering pile of once comforting books, earmarked and yellowed, barely held together by their cracked and broken bindings.

Lifting them from their place would reveal a thick outline of their long neglect.

The books are now just painful reminders of his last stroke and the words are un-consoling strangers among the unclear images that come, and mostly go, of what’s come and all but gone in Jake’s long, lonely life of merely living long.

Yet there’s something on that meager shelf the old man will treasure forever.

It came to him one summer from his only uncle, Joe, a large, quiet man with the strength of a bull, who worked his whole life in the northern logging camps bringing down trees and building other men’s wealth.

Their meeting was brief (but the moment still strong) in a desperate childhood filled with hunger and want.

He’d come down from the highland forests the summer Jake turned six.

The air was stifling – thick – as was Joe’s large frame filling the door of the derelict cabin where the boy and his mom scratched out their living mending shirts, washing laundry, running errands.

Whatever work to be found up and down the great, green mountain.

The unexpected visit surprised Jake’s mom, who hadn’t seen her brother since they were young; sent off as soon as they could earn a living on their own.

She embraced the waist of the burly, bearded man, who returned the hug with one, massive, tree-trunk-of-an-arm, then turning to his only nephew with a wide, toothy grin, Joe revealed his hidden arm where two objects lay in his giant, calloused palm.

With fingers big as branches, using bits of paper, bark and wire, the woodsman had turned simple scraps he’d found around the camp into a logging train, with a smokestack engine coupled to a car fully loaded with tiny, timbered logs tied up with string.

“Ain’t much.”

But it was absolutely everything.

Sitting at the large, well-worn work table together, Jake’s uncle and mother searched for words to close the gap of so many years; while the boy rested his chin against his sinewy, tanned arms crossed atop the hard-scrubbed pine.

Staring eye-level at the train.

Hesitant to touch it for fear it would, like a fidgety spirit, fade away.

Or worse – break in his young, but hardened hands.

Just studying it – knowing it was his – was more than enough for the boy.

The brief visit would be the first and last time he would see his Uncle Joe, whose large, lumberjack’s frame had barely left the shadow of the shack before the grind of what would be Jake’s life had begun again.

Having that train in his sight each day – the one made just for him a lifetime away – made even the strangest places left behind and those ahead, endurable.

And Jake feel fairly human.

The Girl in the Red Velvet Hat

I saw a girl in a red velvet hat with feathers to one side.
Meeting her eyes, I smiled.
She grinned, but shyly turned her gaze.
So I studied her young silhouette
and thought of long past days.
Of ladies in fabulous hats and fitted suits,
with cigarettes and smart comebacks
for men in Fedoras, white shirts and ties
who secretly longed for the sassy, young ladies
in red, velvet hats with feathers to one side.

The Gift Inside

The tuk-tuk spins around the corner of the centuries-old church, just missing a mother standing in the middle of the busy road, trying to get her miserable-looking teenagers to stand within spitting distance of each other, their father, and the stain-glassed building they walked three tension-laced miles to see.

Maria doesn’t flinch.

Her long, brown hair sails behind her as the little, red tuk-tuk jerks momentarily left, then hugs the turn and hums up the narrow street to a shady spot below a gnarly, old tree growing through a courtyard wall.

Daily spirited by the desire to pay off the money she borrowed to buy the three-wheeler she’d been driving for someone else long enough, Maria is out looking for fares each morning as soon as the day’s first voices rise to her third floor window from the narrow streets, cramped with crumbling, pastel-colored buildings.

And in a couple of hours, eager tourists.

“Such a hard worker,” the old ladies on the streets call to her each morning from different stoops and stories, where they hang their gossip and their laundry, and look to the cloudy skies with defiance.

“Such a lovely girl,” they laugh and shout down the narrow streets, good and loud, so Maria (already around the block) can still hear, “but too much putt-puttering and not any kissing!”

Setting off a chain reaction of neighboring howls coming from behind damp sheets and dangling undergarments.

Even the young men from the neighborhood stop what they were doing to watch her pass, as she doggedly criss-crosses the city in her shiny, red tuk-tuk.

And if they catch her eye and she smiles their way…

But Maria just sees her city.

And curious faces – of all shapes and sizes – in her tuk-tuk’s rear view mirror, swaying and smiling at each twist and turn, as she putt-putters up and down the city’s rolling hills; laying bare the love of her birthplace, with its pocked and weathered walls and bustling river banks.

The city’s recent reawakening fills Maria with such joy that she wears her smile like her old, lace-up sneakers – daily and for the same reason – from the moment she uncovers her bright red partner, until the deep dark of a new day drags weary sightseers indoors to rest their blistered feet, and Maria up the stairs.

Each exhausted, but eager for the morning.

Quieting in the wake of the high season, the young guide with the easy smile, decides to linger longer than usual in the shade of the churchyard tree and the stillness of the dead end.

Taking a rag from below her seat, she circles her tuk-tuk.

Inspecting.

Polishing.

Proud of it – and herself.

But the tuk-tuk already sparkles in the filtered light of the autumn tree. So, she puts the rag beneath her seat and reaches into a striped, canvas bag next to it, lifting out an oval box with thick metal molding, pointed and curved, and crownlike.

Sitting with her feet on the dashboard and the box on her knees, Maria carefully examines it – the cold of its molding and warmth of its wood; its tiny lock, with its tiny key hanging from a string tied to the handle.

Which, as she’d promised on the day she received it, still hadn’t been used in the lock.

Nuno, the young man Maria knew from the bodega around the corner from where she parked the tuk-tuk, surprised her with it one day, coming out from behind the wide, low wooden counter.

She had never seen the dark-haired, dark-eyed, somber young man anywhere but behind the cash register, and he hadn’t spoken a word to her in two years, just a smile-less nod each day he handed her change.

His dark eyes looking straight into hers, but his face still and unrevealing, he walked straight at her with what looked like a small treasure chest in his hands.

The box she now held in her hands.

He thrust the it toward Maria with great urgency, causing her to stumble back and nearly topple a tower of tourist magnets. With barely a moment to right herself, Nuno was unapologetically upon her, with the box still clutched in his outstretched arms.

“I made this for you,” his words tumbled out.

Maria had just found her balance, when his words made her knees give way.

Bracing herself, she searched for something to say.

“That’s very sweet, Nuno, but I couldn’t take such a treasure from you.”

As she said it, the young clerk’s face dropped, as did his arms holding the handmade gift.

Maria lunged forward to save it from hitting the old, stone floor – catching the box by its thick, wire handle, finally leaning against the well-worn counter, finding her only comfort in its steadfast timbers.

“I’m so sorry, Nuno,” she smiled as she held the box up and began to admire its strength, warmth, uniqueness. “It is a lovely box, but why would you make me such a thing?”

“The gift is not the box,” he said, surprising Maria again. “The gift is inside.”

Maria turned the handsome, oval box.

If it held something inside, she said smiling and embarrassed as she gently shook it near her ear, it felt rather light.

“You’re teasing me,” she giggled, feeling her cheeks turned red.

“I promise,” Nuno insisted with such gravity that Maria’s heart jumped, “I am doing no such thing.”

Setting the gift on the counter, Maria reached for the key and slipped it into the tiny lock, but before she turned it, she found Nuno’s hand gently, but firmly, on top of hers.

“Please promise me you won’t open it… not yet.”

Maria removed her hands from his and looking into the eyes of the serious, young shopkeeper (even though the promise and its many unanswered questions made her uneasy), she accepted the gift.

Picking the box back up, she briefly hugged it to her chest with the promise, and thanked him.

“You’ll let me know when it’s time?” she smiled, as she turned toward the stain-glassed shop door, glowing red and blue in the waning sun.

“You’ll know,” replied Nuno, meeting her eyes for a moment, then disappearing to the back of the shop, behind the large wall of warped shelves, thick with as many layers of paint as the generations who piled them high with boxes of goods not paid for with promises.

Lost in thoughts of this very recent event, Maria didn’t notice the elderly American couple until they were at her side, holding hands and umbrellas, with tired feet and hopeful smiles below ever darkening skies.

Putting Nuno’s gift into its bag and grabbing her plastic-coated maps, the tuk-tuk is soon trailing behind the city tram, rattling along well-trodden tracks, passing wondrous, worn buildings covered in ceramics, still bold and bright and remarkable.

Uneasy thoughts of Nuno and his gift are replaced with the familiar smells and sights of her beloved city, its bustling centers filled with buses and tour guides and taxis, and tourists wanting to see it all in two and a half days.

Its ancient walls built upon ancient layers, held upright and together by scaffolding, hope and netting.

Like the graffiti cast over the city.

Powerful and profoundly beautiful.

Angry, ugly and rueful.

Telltale scars of its 20th century life.

Yet her city survives.

Battered, but proud.

Heart beating strong.

Maria senses it around every corner, in the stacks of salted cod on the shelves and fresh meats hanging from the windows; in the terraced, cobbled steps heavy with the scent of citrus trees; where residents sip dark amber wine and listen for the Fado singers to begin.

She hears it in the sounds of children laughing and screaming from the school’s rooftop garden and sees it in the dark, narrow shops piled high with dusty, unwanted goods; where crumpled, old shopkeepers (long past keeping shop), hover at the entrance, searching more for conversation than customers.

Parked in front of one of these old stores, Maria waits while the American couple explores the ruins of a Roman arena. Her thoughts again wander back to the box, to Nuno, and her promise – all of which had begun to weigh on her.

People in the neighborhood had even taken notice.

“She hasn’t smiled since she got that box from Nuno,” they’d whisper down the alleys as she slowly puttered past, wearing a distracted look like a pair of sunglasses.

“What has he done to our happy girl,” they’d moan like the start of a sad folk song. “He must let her see what’s in the box before it drives her mad.”

And that’s just how Maria was beginning to feel.

Each time she lifted it from its canvas bag to examine it and question it – which she did again and again and again – the box felt heavier.

And the heavier it got, the more compelled she was to carry it with her.

Before long, Maria could be seen toting the burden down the long, narrow stairs and alleys, straining and frowning, but keeping her promise of keeping it locked, until one day the box became almost too heavy for even her faithful, old, three-wheeled friend to carry up and down the hills of her treasured city.

She could take it no longer, and leaving the onerous box and the American couple in the tuk-tuk, she stomps toward Nuno’s shop, practicing aloud all of the questions that had been troubling her nights and her days.

Nuno sees her enter the shop out of the corner of his eye as he helps a young boy count his change to buy the very last pastry of the day. Only when the boy is out the door with a mouthful of custard and the tart half-eaten, does the young storeowner look toward Maria and nod.

“You must come and take your gift back,” she says loudly and abruptly.

The young man stands frozen and silent behind the counter.

“Please, Nuno,” she begs with tears already falling from her tired eyes, “It does not belong to me.”

The young man stares at her until she begins to question her decision.

Without a word, Nuno walks out of the store, passing so close to Maria she can smell his disappointment.

But not looking at her.

Maria follows him out onto the cobbled street, jogging to keep up with his long, determined strides.

Approaching the shiny, red tuk-tuk, riding even lower with the weight of its mysterious gift, Nuno searches for the familiar canvas bag and reaches inside, hesitating far too long before lifting the box out.

His head sunk low.

“Inside is my everything,” he groans and shakes, as he strains to lift his cumbersome gift.

Maria wants to reach out, but she can already feel the lightness the further away Nuno and the locked box get.

It’s days before she can drive past Nuno’s shop and is shocked to see the shudders on its windows and a sale sign hanging from the stained glass door.

Maria brings the tuk-tuk to a sudden stop in front of the shop and jumps out, looking both ways for nosy neighbors before peaking through a small pane of clear glass on the door.

Everything is gone.

The once, well-tended floors are now littered with newspaper and the shelves are barren and beaten. Maria’s eyes quickly find the only thing that remains – the box – sitting in the middle of the low, wooden counter at the back of the shop.

Maria’s insides twinge.

The box is closed, but the lock has been opened and is still latched, though its tiny key is no where to be seen.

She leans her head heavily against the door and sighs.

Reaching for the handle, but stops herself as soon as her fingers touch the cold brass.Stuffing her hands in the pockets of her jeans, Maria turns away from the shop with a sad smile, climbs into her shiny, red tuk-tuk, and put-putters away.

The Water Jug

There once sat a giant water jug in the corner of the plaza

of a tiny, wind-beaten, anywhere town.

The brown and green mottled jar

well over two meters in height

had been there for as long as anyone could remember;

and no matter the day, time, year, or generation,

the jug was always filled with water,

ever fresh and cool within its thick, clay walls.

A clean, wooden sipping ladle, soft to hold and handle,

tied to a braided rope of gem-colored ribbons,

always hung about the shiny brass spigot

found one-third the way up the vessel, at a height for all to reach.

Below this, sat a large stone trough,

which caught each precious drop,

and where all the town’s creatures came to sit and sip.

No one ever dared lay claim to be the one who filled the giant jar,

for all knew that to keep it thus, meant miles of travel

and toting to and from the nearest well.

“Such a blessing, indeed,” they would remark to each other as they drew from the tap,

“to have such a friend – or friends – as these!”

Some curious folk tried, here and there, to lift the jug

to see if its source was, perhaps, not a person, but a spring, or pipe.

But the jug wouldn’t budge.

And, once more, attentions would turn elsewhere –

away from the shiny, earthen jar that watered their gardens and helped make their broth;

cleansed and nourished them.

Its mysterious origin would fever the imaginations of the town’s newcomers,

but soon they too, would, without much thought,

take from its bounty as one takes a breath.

The years passed.

The town got bigger.

And the jug continued to give… as best it could.

No one noticed when the braided silk ribbon holding the ladle frayed and finally fell,

splitting the old, weatherbeaten, wood scoop in two.

The faded, unravelling rope blew away with the winds,

and the ladle pieces were soon buried in the dirt kicked up by another,

and another, and another at the spigot.

So it should come as no surprise that no one noticed the first crack –

a hairline near the top, by the lid (now missing its knob).

Or the second, at its base in the back.

And how could anyone have known

without ever lifting the high, heavy lid – long devoid of its handle –

that the jug was now only able to half-way fill?

More years passed and more people came to settle near

and depend upon the water jug in the corner of the old plaza,

not paying much mind that the spigot was getting harder to turn

and the water came in troubled spurts.

Because came it did,.

So, on they went with their lives.

While the cracks in the vessel grew long, and dark, and moist.

One afternoon, an elder from the town

(a sweet and gentle fellow with a crooked grin and wicked humor),

sat upon the old stone trough, scratching a scraggly, stray dog behind its ears,

filling his modest kettle,

when he felt a drop on his head.

He looked hopefully to the sky, but saw not a cloud,

when down came another.

Wiping the tear-sized drip from his eye, he stood atop the trough for a closer look

and there he discovered the crack,

now beginning to seep.

His old heart raced, as he began a thorough examination of the giant earthen jug,

soon discovering,

much to his own surprise,

not only dangerous weaknesses everywhere;

but its sad state of neglect.

“What has happened to thee, Old Friend?” sighed the elder

as he grabbed his kettle and turned toward home,

laden with dark thoughts of how the town would fare without it.

Early the next morning, as the sky began to brag,

the old man was already at the water jug with his bucket, trowel, and cement.

After mixing a small batch, he began the patchwork at the bottom,

and worked his way up.

At first, no one in the town took much notice,

but the old man didn’t mind. He was enjoying the work.

He felt useful, helpful – important for the first time in years.

But his work came to a halt as he struggled for some time

to reach some of the biggest cracks at the top of the great jug.

“May I?” a tall lady with bright blue hair finally asked,

setting down her cats, and picking up the trowel.

Before long, other folk began to gather at the water jug in the corner of the old town plaza,

bringing brushes and brass polish, flower pots and benches

– even a new knob for its lid.

It was when the lid was lifted for repair by two of the town’s strongest,

that the water was discovered to be a scant distance from dropping below the spigot,

instantly turning the spontaneous, happy gathering into a very different moment.

Folks began pointing fingers at each other for taking more than their share.

Everyone finding blame everywhere but home.

All the while,

the elder, who sat carving on the giant, bent trunk of an enormous Cottonwood tree,

remained silent…

until he wasn’t anymore.

“It seems to me,” he said a little louder each time,

until by the forth, fed up, he filled his old lungs and croaked

“IT SEEMS TO ME!…”

Someone in the crowd finally noticed and a slow hush came over the townsfolk.

“It seems to me,” repeated the elder, as he very slowly and deliberately closed his knife,

took up the newly carved ladle, shoved it in his pocket, and shuffled toward the jar,

“that each and every one of us has benefitted from what this precious jug has given.”

Nary a sole could disagree, but what could they do?

What control had they over its mysterious bounty?

“Each of us has to give,” said the old man sternly, “for this vessel needs filling.

Give what you can, if only a drop.

Give what you must, for the cracking to stop.

Give what you will for the water to rise.

For the jug to replenish.

For the jar to provide.”

But the townsfolk felt they had done quite enough

with the mending and flowers, and paint, and stuff,

so off they went, back to their shops and their homes and their lives,

having convinced themselves that the jug would continue to supply their needs.

The next morning, the town’s Postmaster went to the jar

to soak her stamp sponge

and turned the handle of the spigot to find not a single…

droplet…

dropped.

She turned the handle harder.

Still nothing.

She got down on her hands and knees

and crouching under the old, brass faucet, stuck her long, thin finger up the pipe

with the hopes of dislodging the obvious offender.

The scene couldn’t help but attract attention from the folks going about their business in the plaza,

and in just a few minutes a small crowd was once again gathered at the giant water jug.

The Postmaster rose with what dignity she could,

and without bothering to wipe the dirt from her hands or knees,

said to the many familiar faces before her, “It has nothing left to give.”

The crowd refused to believe her

and grabbing the nearest ladder, the two same strongest, once again climbed to its top,

removed its lid,

and looked within.

There was water.

The crowd collectively exhaled.

“But only at the very bottom of the jug!” heralded the powerful duo from above.

Panic began simmering.

The greedy began plotting.

And the air became electrified with fear.

Now the elder,

who had been calmly watching the scene from the very same spot as the day before,

shuffled toward the center of the crowd, which quieted quickly.

“Give what you can, if only a drop,”

he repeated from the day before.

“Give what you must, for the cracking to stop.

Give what you will, for the water to rise.

For the jug to replenish.

For the jar to provide.”

“Go to your homes and go to your hearts,”

he said looking into each and every set of eyes that would meet his gaze.

“Fill your cups, your buckets, your glasses, your tubs.

For it’s time to give back to this watering jug.”

The crowd hesitated at first,

scratching their heads,

milling about,

kicking at the dirt and the dust,

causing a small group nearby to begin coughing.

Seeing his mother having more and more trouble breathing, a young man ran to the jug,

and with no thought but of that very moment,

cupped his hand and turned the spigot.

The crowd moved toward the jar with a great thirst.

But,

as the Postmaster had stated previously,

the water jug had nothing left to give.

Coughing gave way to sighs amid silence.

“Give what you can,”

whispered the elder as he wandered through the crowd,

placing his hands gently upon the shoulders of his friends, neighbors and kin,

“if only a drop.

Give what you must, for the cracking to stop.

Give what you will, for the water to rise.

For the jug to replenish.

For the jar to provide.”

And with that the crowd scattered about,

then slowly filtering back

– some with only thimblefuls –

others with great, overflowing basins and bowls.

While still others disappeared from the town completely.

One by one,

each offering was poured into the old, patched jug,

eventually filling it to its brim.

With the heavy lid placed back on top, the remaining townsfolk watched silently

as the elder pulled from his pocket the beautiful new ladle he had carved.

Stepping to the shiny, brass spigot, the old man’s crooked fingers turned the handle with ease.

and he filled the large, wooden scoop with water.

Turning to the crowd with a grand and crooked grin,

he took a refreshing gulp

the passed it to the person closest him,

and on it went.

As the ladle, soft to handle and hold,

was passed to young and old,

rich and poor,

newcomers and natives,

it continued to fill with cool, clear water

for the next and the next and the next.

Until all in the town had sipped from it and then,

without a word,

quietly returned to their homes.

Now one would have thought the story ended here.

That the townspeople had learned their lesson

and the water jug would be tended to from then on.

But folks, like the elder, passed away,

or moved on,

and newcomers settled in around the great, brown and green mottled water jug

in the corner of the old plaza,

having never heard the cautionary tale.

And those who were there,

as most tend to do,

forgot.

So the cracks reappeared

and the water level dropped.

Until one kind soul felt a teardrop on their head,

and looked up.

The Light of Day

The following short story was inspired by the hauntingly beautiful winter scene pictured. I found this small, 4 x 6, unsigned, pen and ink on paper at a barn sale in Wisconsin many years ago. It remains one of my very favorite pieces. 

Katie keeps the meager fire burning in the small cottage at the edge of the woods, watching her mother twist and turn. Hearing her quietly moan.

Looking around the cabin, she’s desperate for something to do – some way to be useful. But all’s been done in the last two days since the contractions began. So all there is to do is be there when her mother calls, and wait.

Motionless at the kitchen window, she watches the rising sun slowly define the intricate silhouettes of the barren trees behind the barn.

What will the new light bring?

But she’s exhausted and the light is dim. Wiping away the frost and the fog with the apron she’s been wringing in her small hands, Katie watches her father through the kitchen window as he prepares the wagon to fetch the midwife from town. Hitching the horses in the pale light of the lantern, she marvels at his ease and compassion. Patting each of theirs rumps and their necks, and rubbing their broad, long noses, he gently rouses his team to their unexpected task.

Clouds of breath rise from their nostrils and disappear into the cold and still of the mid-winter’s morning as he moves swiftly around the massive beasts, laying the harness as he has hunderds of times before. With bridles slung over each shoulder, he warms both metal bits beneath his thick coat before putting it in their mouths; and for his daily thoughtfulness, each horse lowers his high, heavy head toward him when he holds out their bridle.

Katie smiles.

Until another moan comes from behind and she’s at the side of the bed before the contraction ends and her mom can see again. Gently wiping her brow with the apron, she squeezes tight when her mother grabs hold of her hand and clutches it to her chest.

Smiling again when her mother turns toward her.

Opening her eyes to her daughter, no pain can blur the struggle she sees in her young heart and old hands. She wants to hold her, to hug her tight and tell her everything will be well, but another bolt of pain seizes her thoughts and intents, and she releases her daughter’s hand, clutching the bedsheets instead.

Twice the dawn has come and gone and still the little one is all turned around and stubborn to leave. But I’m stubborn too, she repeats as she squeezes. And the midwife will be here soon.

Pacing the room, Katie hears a horse whinny and looks through the glass and the ice to see the foggy figure of her father climb to his seat, lift his collar against the cold, and call to his team. Running out the door to the edge of the yard, she watches her father disappear into the expanding light.

The horses’ hooves and wagon wheels crush the thin, icy layer that’s formed on top of yesterday’s heavy, wet snowfall, and the sounds of the departing wagon cut through the silence, the winter and the morning, like a tear in the universe.

His universe.

His happy home.

“Click-click,” he urges his horses, while urging himself to peace; to steady his breathing and steady their pace.

All will be fine. She’s a strong woman. Far stronger than me.

“And what would she say of this mood beyond hope?” he calls to his team, resting his eyes on the road up ahead, as the dim and grey of the dawning, winter day becomes brighter and whiter with the strengthening light.

Just West of the Midwest Chapter 13: A Very Short Story Loosely Based on the Truth

With a book that held no interest sitting open in her lap, she sat on the train bound for Shintomi-cho, quietly taking in the faces of the passengers surrounding her.

The conflicting smells of bento [box lunches] and local chicken farms filled the air, creating vastly different sensations that ranged from cravings to queasiness.

The idle train, which had been stopped for quite some time at Kawaminami Station waiting for a freighter to pass, sporadically shuddered and rattled. The taunting motion made her more and more anxious to be moving.

It had been a long and exhausting weekend and the only exercise her mind would allow was staring out the window at the Japanese countryside with the same glazed intensity of a mannequin in a store window.

Acutely focused.

Seeing nothing.

Until, from the murky depths of her gaze, she saw something strange in the woods just fifty feet from the train’s window. At first, all reason told her that what she saw was simply a pile of garbage. After all, just a short while ago, as the train rattled down the tracks toward home, she had mistaken ugly, metal silos for primitive grass shacks, attributing the error to her tired eyes and all but drained mental faculty.

Still… she stared at the object beneath the tree for quite some time.

She wiped her glasses.

Then looked again.

There, lying against an old, gnarly tree was an old man, dressed in the traditional, ancient attire of a Japanese farmer, sleeping.

His face was blackened and worn from the years of working all day in the fields. His rough, bony hands held tightly to a walking stick, as knobbly as the tree itself.

Squinting in an attempt to refocus, she waited for the scene to change.

Or, for the old man’s eyes to blink, his nose to twitch, his body to jerk – even slightly – in order to give life to this strange vision.

Or was it an illusion?

But there he slept.

Motionless.

Turning her attention back to the truth of the train car, where she hoped her mind would find a tangible distraction, she found nothing and no one which held the same interest than what she was sure she was imagining on the other side of the window.

She turned back to the object beneath the tree, expecting to see her ancient farmer replaced by a tarp or some fallen branches.

She shuddered as she focused again on the old man as he slept.

“This can’t be,” she laughed quietly and whispered to no one, becoming more and more uneasy at the sight of it.

Sliding to the edge of her seat, she looked around the train car for a friendly face who would lay this apparition to waste, but hesitated.

“Exactly what would I say?” she thought to herself. “Excuse me, but do you see that ghost beneath the tree?”

So, she remained silent and turned, once again, toward the window, intent on dispelling the strange manifestation once and forever.

Just as she turned, the train began to pull away.

Her heart began to beat faster, as she pressed her nose against the pane. She watched her one last chance to dispel the vivid vision fade into the distance.

The old farmer licked his lips and rubbed his tired eyes.

He stretched, long and slow, then rose from the shade of the tree.

As he righted his ragged straw hat and steadied himself with his walking stick, he cocked his head to hear a strange sound.

A steadily accelerating drumbeat.

The old man looked all around for the source of the sound, but it soon faded into the day.

And the day was fading away.

So on he went.

Down the road.

Toward home.

The Ant and Other Farm Stories: Noble’s Deeds, illustrated by Jodi Maas

3. Noble

Noble, a Labrador black as the night
oversees all life on the farm.
With the sun, he bounds across the land.
With the moon, he makes sure none see harm.

With great pride, he meanders across the old farm
sniffing out every scent to be found.
With a wag of his tail and a bark here and there,
he covers each inch of the ground.

His name is quite apt, as you will see.
For his kindness and courage he’s known.
From the time he was only a wee, little pup,
a goodness he’s gallantly shown.

His coat is as shiny as silver and gold
His tongue is as pink as a rose.
His big, brown eyes watch with great care
all that goes past the tip of his nose.

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Now and again, there’s a rabbit to tease
or a chicken to chase ‘round the barn.
But then there’s a time to be sober and staid
when Noble must guard the old farm.

A few summers back, great trouble arose
when some children were playing with matches.
A bale of hay caught fire in the barn.
And we all know how quickly hay catches.

Now Noble, whose nose is as keen as they come
was the first to smell trouble nearby.
He raced to the barn and saw the great flames
and barked out a loud warning cry.

The children had found their way out of the barn,
but still left were two cows and a horse.
By now the thick smoke billowed out the barn doors
and the flames of the fire raged full force.

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From the field Farmer Jim had run to the scene
and called for all hands that could aid.
He knew that he’d have to go into that barn
if those animals were to be saved.

The smoke was too thick to be able to see
and the farmhands were set to resign,
when into the barn ran the farmer, called Jim
with Noble, his dog, close behind.

With wondrous speed, Noble found the poor beasts
all huddled in fright in one section.
He “Woofed!” and he “Woofed!” as loud as he could,
thus guiding the farmer’s direction.

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All were saved in the end, but the barn was destroyed.
All that’s left now are three walls of stone.
Yet oddly enough, it’s a functional spot
where Noble likes burying bones.

Like the barn, it’s most certain that things come and go
and sometimes the change is alarming.
In fact, on the day little Lauren arrived,
Noble watched his folk buzzing and swarming.

At first, Noble found this small creature a pest
as he sat there and watched her make faces.
But as the seasons gradually passed,
Lauren managed to earn Noble’s graces.

Now anytime little Lauren’s at play,
you’re sure to find Noble around –
giving wet doggy kisses on each rosy cheek
as they run, and they romp, and they bound.

Noble discovered change wasn’t so bad.
It adds more to the life that he tends.
Not only is Lauren a change that he loves,
she’s also his very best friend.

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