Within Close Range: Flying

I dream of flying.

Lifting off the edge of the bluff

and rising quickly

toward the fat, lazy clouds

hovering over the great, grey lake.

Circling the nearby harbor

where scattered sailboats bob,

I swoop and dive

like the swallows nearby,

but seek out more familiar forms

hidden back among the trees,

just far enough

from the crumbling bluff

to put Dad’s mind at ease.

To the glowing kitchen window

and the figure of Mom

in her pink, plaid apron.

Ever regal.

Ever busy

in her blue and yellow kitchen.

I hover there,

in the cool lake air,

listening to the happy clinks and clanks

of pots and plates.

And try to imagine what’s cooking

by what’s wafting through the windows.

Until a strong breeze

lifts the aroma

and me

back over the lake.

Past the sunken, old pier

where giant carp spawn

year after year.

Past the rocky harbor walls

standing hard against the waves.

Until the house

and the cottage

and the beach

disappear,

and I begin to really soar

over endless stretches

of dark and deep.

Unhappy to find my bed

and solid ground

beneath me when I wake.

Within Close Range – Florida Days: the teen years

Driving from the airport

to a new winter retreat –

a 20 story high-rise in Pompano Beach –

it’s clear things aren’t as they have been.

Gone are the Mid-Century neighborhoods

with small, tidy bungalows

and pastel-colored apartment complexes.

Gone are the small, neat streets

crammed with big, American cars

and the quiet, inland canals

with their 90 degree curves.

Modern high-rises now loom along the coast,

casting long shadows over these old ghosts.

Smothered by “The Strip”,

a popular stretch of beach –

and the only way to their new place,-

Nonna and Papa are forced to face

nubile, bikini-clad, beer drinking youth

balanced precariously between child and adult

unkempt,

half-naked –

all god-forsaken.

But Gina and I crave this uncharted world,

which we’re slowly cruising past

in the back seat of a tightly sealed Cadillac,

filled with the sounds of Perry Como

and the smell of Jean Nate.

The closer we get to Nonnie and Papa’s,

the older the demographics begin to slant,

until beers and bikinis are soon replaced

by beer bellies and Platex bras.

The upside to the new zip code

is a bigger abode –

and a separate door to the outside world –

or at least to a corridor,

and an unused stairwell.

To Marlboro Lights

and poorly rolled joints,

and late night escapades with girls from New York.

Gone are our grandparents’ halcyon days

of minding their ways.

These are the carefree days of youth.

Of baby oil and B-52s.

Getting stoned in the sauna.

Drinking beers on the beach.

Somehow convincing Nonnie

to hand us the keys.

Of cranking up the radio

and rolling down the windows

to inhale the salty air

and the sweet smell

of being newly licensed.

Of boys on the beach noticing us

and Nonnie –

from high above –

noticing them, noticing us.

These are the Florida days

of pushing boundaries,

especially ones so poorly guarded.

Well past our very strict curfew.

Nonna is waiting and bleak.

She’s worked herself into such a state,

she’s lifted off her bunioned feet.

She cross-examines,

reprimands,

and threatens to send us home;

then leads us in to Papa

in the unlit living room,

Leaden and pacing.

My heart is breaking.

When all is said –

which isn’t much –

he turns his back

and sends us to bed.

The first thing we see in the morning

taped prominently to the fridge

is a newspaper clip with a giant headline,

“Girls Found Charred on Beach”,

and Nonnie,

with her back to us.

Sighing and tsk-ing,

but not saying anything.

Until behind closed bedroom doors,

on an all-day call with her sister, Rose,

we can hear her tell of all her woes;

heralded, at times, in a pitch so high,

dogs throughout the high-rise begin to cry.

This leads to quieter Florida days,

of shorter visits

and solo stays.

Now more observer than the observed;

studying Nonnie and Papa

in their Florida world.

In their well-aged routine of marital malaise.

Wondering if I know what a happy marriage is?

Hours of watching old ladies by the pool;

with their sun hats and cigarettes

and bad romance books;

their games of Canasta,

and over-tanned skin…

wondering if any

were ever really young?

When Papa leaves to tend to the store,

it’s hours of Gin Rummy,

and little more.

Alone with Nonnie,

playing round after round

on the windy, high-rise balcony,

sixteen floors from the ground.

Where 8-track cassettes

of Liberace and Lawrence Welk

teach me tolerance,

and the importance of a wickedly good game face.

Happy to see the rainy skies.

Happy to stay indoors

and in our nightgowns.

The condo is especially quiet.

No washing machine

or television

reminding us of other things.

Other lives.

No dinner out

or big meal in.

We barely move.

Rarely talk.

Occasionally, Nonnie disappears,

returning with something powdery and sweet

or cheesy and crusty

and hot from the oven.

Such deliciously quiet moments

of simply doing nothing.

Oh these my Florida days.

Within Close Range: Florida Days – the early years

It’s a small, but airy, two bedroom

built at the corner of an inland canal;

brightly decorated in yellows, greens, blues and whites,

and perpetually shaded from the Sunshine State.

A peculiar land of tropical scents

and strikingly unfamiliar sights.

Far removed from the only place I know at night,

home.

Put to bed too early,

I lie in the sitting room-turned-my-room,

tossing and turning on the lumpy sofa-bed

for what seems like hours and hours on end.

Listening intensely to the sounds of apartment living

made especially audible by the glass-vented door

opening onto the curved building’s exterior hall.

My slatted portals to an unknown world.

To the sounds of the apartment people

returning from the pool,

the shops,

the grocers,

dinner out.

Of doorbells ringing

and little feet skipping,

and hugs and kisses

and friendly greetings.

Of moist, briny winds

carrying the scents

of jasmine and orange blossoms,

and parking lot asphalt.

And the ladies’ perfumes

as they stroll past my door.

The echo of laughter in the nearby stairwell,

and their happy words

which disappear

with the sudden click of a heavy car door.

Murmurs from the living room TV

add to this strange symphony,

with familiar sounds

and flickering lights

that seep through the bottom of the door,

casting short, cryptic shadows

on the thickly carpeted,

recently vacuumed floor.

Comforting is the knowledge

that Papa is in the room next door.

Feet up,

arms folded high across his belly,

and a large RC Cola at his side.

Grinning at Clem Kadiddlehopper,

or growling at the Chicago Bears.

When Papa finally turns the television off

I lie in the still and unfamiliar dark.

The inland water’s slow, buoyant motion,

lulls me into a deep and scented slumber.

until the morn.

When I linger on the lumpy mattress

and listen to the apartment people

begin their days.

Wooed by the sounds of others stirring,

I stretch toward kitchen utensils clanking

and the smells of breakfast cooking

on the other side of the wall.

Oh these, my Florida days.

Of sand slipping away beneath my tiny feet,

and seashell hunts as the sun dips low;

of Nonnie’s curled and bunioned toes

and skinny, seagull legs

dipping into the foamy waves,

but never past her knees.

These early days of sunset walks

along a stretch of beach

that leads to a lighthouse

and a creaky, tottering wharf

where Papa likes to take a walk.

And I like to walk with him.

Where fishing boats have funny names

and a tiny gift shop,

in a weather-beaten shanty,

sells orange gum-balls

packed in little, wooden crates.

Which Papa buys for his little, Pie-Face.

Of bright, green lizards

skittering across pastel walls,

and pats on the head

by terrycloth clad men

playing cards in the shades of umbrellas.

Where suntanned women

with the giant bosoms

and ever-blooming swim caps

wade in the shallow end,

with big, dentured smiles

for the little one

visiting Lenore.

Oh these, my Florida days.

Within Close Range: Candied Abandon

Something scrumptious always simmering

in an old enamel pot.

Looks to have cooked a million meals

one hopes will never stop.

But as delectable to me as these savory delights,

Nonna and Papa’s home is a sweet-tooth paradise.

A candy-coated, chocolate-covered, fantasyland,

with countless confectionaries ever at hand.

Coffee candy, toffee bits.

Circus peanuts, caramel nips.

Cookie tins with crescents that melt on my tongue,

leaving powdered-sugar fingerprints wherever I’ve gone.

In nightstands, TV stands, and cabinets, wall-to-wall;

in boxes, and pockets, and purses in the hall.

I scan all the shelves for a glimmer of color

through crystal candy dishes in a glass-front cupboard.

On a table right next to the velvety green couch,

I find a lidded coffer that has gone untouched.

Chasing my greedy reflection over the mirrored table top,

I see no misgivings, as I reach for the box.

Those would come later,

when at the dinner table,

Nonna pressed me to eat,

but I simply wasn’t able.

Which is simply

not

done.

Within Close Range: Dinner at the Celanos’

Dinner means waiting.

It means setting the table

with placemats and napkins,

and neatly set silver,

pitchers of water

and plates for your salad;

and waiting and waiting,

as smells from the kitchen,

from sizzling pans and simmering pots,

waft through the house

like intoxicating fog.

Making it hard to concentrate

on anything but the the clock,

and the driveway,

where we turn our attentions

every few minutes,

hoping for headlights.

Stomachs gurgling.

Tempers shortening.

Dad finally showing

and ever so slowly…

shedding his suit.

Un-harried.

Unhurried

to get the meal going.

Though children are moaning.

Haven’t eaten in minutes.

But dinner begins

when Dad’s ready to sit.

And no sooner.

Within Close Range: The Double Date

Home from college,

my dance card empty,

Jean has ignored me

and arranged a double date.

Making my way toward the kitchen

to re-hydrate my bone-dry jitters,

I pass Dad in the den.

He’s sitting in the swivel chair,

with his back to the windows,

pretending he’s reading.

He’s also pretending not to see me.

Isn’t happy about this evening.

With boys ever at the heels of Mia and Chris,

he takes frequent comfort in my constant datelessness.

But really, is the The Garden Journal so utterly absorbing

that my noisy, high-heeled entrance, he’s utterly ignoring?

Not Dad.

Can’t suppress eye roll.

And what about Mom?

Still hovering in the kitchen,

without a purpose in sight.

Both acting like this was my very first date.

Not exactly soothing.

Just need to keep moving.

A difficult task in absurdly high heels

which already feel like burning coals.

Through my water glass,

I watch Dad rotate right

to face the new, oncoming lights

bouncing off the dimly lit walls.

A swivel slowly left,

he’s observing Jean and our dates.

The doorbell’s ringing,

but Dad’s not budging.

Instead, he’s whirled right back around

(that book might as well be upside down).

Can’t suppress eye roll.

I take a deep breath and open the door.

Jean’s smile is enormous.

I look to the floor –

I know she’s trying.

But there’s something she’s hiding –

like he being just about as happy as I am.

Reaching out a limp, wet hand

(What’s this poor guy’s name again?),

I hear swiveling.

Dad’s up and coming.

Then… passing,

without so much as a greeting.

(Eye roll mentally happening.)

And why is he stopping,

simulating a search for something?

Empty-handed, he’s returning.

I can almost hear the growling.

Keeping his fixed glare –

swiveling like the chair –

on both the boys,

until he quietly disappears.

I push my companions out the door,

hoping the night will hide my humiliation

and breath new life into this double date situation.

But I’m not counting on it,

and neither is Dad,

who’s peeking through the curtains,

shaking his head as he calls to the kitchen,

“She won’t be marrying THAT one.”

Can’t suppress eye roll.

Dad

The doctor’s last count was seven.

Each stroke leaving in its wake

a little less Dad.

Less motivation.

Less vision.

Less presence.

Then he lost his license.

So Dad just sat.

Eventually losing sight

of all that made him tick.

Gave him purpose.

He was good at.

I watched the frustration

when things weren’t clicking

in his once playful eyes,

in his quick and clever mind,

and quietly mourned

the lengthening shadow

that would smother such strong light;

turning weaknesses upon himself,

and others.

The shadow strengthened,

as the once powerful figure

could no longer focus.

Spent the days crying.

The nights wandering.

His underpants,

soiling.

Conversations were now repetitions,

driven by a series of questions

he’d ask again and again

and again.

Always about family,

living and dead.

No steering away

from this endless thread.

But it’s all that remained

as he struggled for thoughts.

For words.

For himself.

The bygone body, swaggering and bold,

began to weaken,

and wither,

and fold

from all those years of sitting.

Doing hours and hours of nothing.

While cherished faces,

and times and places,

steadily stepped into the dark.

Rare became the instants

during my brief, long-distance visits,

when I saw that certain twinkle in his eyes.

When he was pleased,

about to be silly –

or incredibly Dad.

But then

alas

it would pass

and entered this man, instead.

The only thing constant

was his wheezy, cartoon laughter

which he easily summoned

to the great relief of everyone

hovering uncomfortably in his small, sad room

scattered with pictures of loved ones –

now mostly strangers.

Rarest was hearing the voice of his past,

which sang in my ear

when he used my pet name.

Summoned forth in fugitive instants.

Clear and compelling.

Making me unexpectedly ache,

and anxious

to hear Dad speak again.

But Dad never did.

Yet in that flash,

in his strong, familiar voice,

he was my beacon,

my banker

my mentor,

my tormentor,

My father.

And everything felt right.

Then it didn’t.

And I cursed myself

for not plucking from the ether

that all-too-brief moment

to stuff deep within my pockets.

and help me remember

his long and strong hugs

of immeasurable comfort.

His powerful presence.

His stubborn dreaming.

His cocky, foolish, bridge-burning scheming.

The maestro of his successes

and Master of his failures.

But grateful for the moments

we spoke about nothing

and I apologized for everything.

Though he wouldn’t remember anything.

But love is in the giving.

In the times he heard,

I love you.

So, I told him different stories

about faraway lives,

and in between the questions

and his uncontrolled emotions,

I‘d try to fill the ether

with soon forgotten memories.

With love and laughter.

And strong hugs

of immeasurable comfort.

Within Close Range: Curfew

Every mile or so,

I glance to the clock.

Hoping time will stop.

Or that it’s not really five o’clock.

The final mile along the road,

I roll down the windows to air out the smell.

The woodland creatures are beginning to shift,

so once in the driveway, I turn the lights off

and roll slowly along, with the engine hushed.

Safe inside, it’s straight to the fridge.

Grabbing cold pasta, I start up to bed.

But a light from the den stops me instead.

And before I can step a tip to a toe,

Dad rumbles from the den,

strong and low.

And I have nowhere else to go.

Perched on his favorite, swivel chair,

he’s flanked by portraits of ungrateful heirs.

Grumbling at the empty driveway

and disappearing night,

he’s been swiveling there for hours

without a child in sight.

Staring at my bloodshot eyes,

he asks if I know the hour,

and things aren’t looking good

for this early morning flower.

“What could you be doing

until five in the morning?”

All at once, the truth pours forth

without a single warning.

I tell Dad how the day was spent

cooking with some friends,

then going to a drive-in

for a zombie marathon;

about the beautiful night

and the shoreline fire,

and the remarkable moonlight

as we waded in the water.

Baffled by my sudden truths,

Dad takes a moment to recompute.

“I’m just waiting for your sister.”

(as the final plot twister)

were the next

and last

words from his mouth.

Equally confounded,

I leave the scene ungrounded.

Looking from an upstairs window,

just above where Dad keeps vigil,

I see the dawn beginning to dance,

and know, poor Mia,

doesn’t stand

a

chance.

Within Close Range: Chief – in three parts

Part One:

Chief is an ornery Appaloosa,

short and fat,

with black spots on the rump of his dirty, white coat.

And the devil in his eyes.

Of little training and no past consequences,

he’s a 9th birthday present from Dad –

whose childhood pets were porcelain cats;

and mostly Mom,

a self-proclaimed Missouri farm girl,

with a steely, stubborn confidence over competence.

From the other side of the pasture fence,

she urges me to remount:

“Make him know who’s boss!”

I struggle to my feet

and limp toward the answer

now grazing on prairie grass and wildflowers.

In between greedy mouthfuls,

Chief raises his wild, blue eyes,

beneath poorly cut bangs –

which I do myself.

(No wonder he’s ornery.)

He’s quietly watching my pained approach

and just as I get within a few feet,

with a flick of his tail, he’s off –

bucking and snorting as he goes.

Mom’s words are unrecognizable

from the far end of the field.

But the tone is clear.

So I move toward my spotted nemesis,

expecting him to bolt at any moment.

But this time, he lets me mount.

It’s all too easy,

a voice inside warns.

But Mom’s is louder.

Barely settled in the saddle,

Chief lifts his head and pins his fuzzy ears

flat against his thick skull.

Grabbing the reins and the horn,

I know what’s coming.

Somehow still in the saddle at the canter,

annoys my little, four-hoofed devil,

who swerves from his path toward a cluster of pines.

Two, in particular.

Which stand a pony’s width apart.

I close my eyes and hold on tight.

Like yarn through an embroidery needle,

Chief threads us between the pines.

Scraped from their stirrups,

my little legs bounce off of the pony’s big rear-end

as we leave the trees for pasture

and gallop toward Mom;

who’s still lobbing impractical words over the fence.

I feel my grasp on the saddle-horn weaken,

as my resolve that I’ll soon be tasting earth,

grows.

And I let go.

Part Two:

Mom thinks a pal might keep Chief calmer.

So early one spring, in comes Billy Gold:

a blue ribbon, well-trained, Palomino,

which we trailered behind the wagon

from his Missouri home.

Chief dislikes the new arrival immediately.

I think he’s dreamy

with his white/blonde mane and ginger coat,

still winter thick and warm to the touch.

Feeding him a carrot,

his hot breath and fuzzy lips

tickle the palm of my cold, red hand.

Mark and Mia remain on the fence.

Watching.

Still unsure of whether Billy Gold –

like Chief –

is tarnished.

In my thickly lined hood,

tied tight against the cold, lake winds,

I don’t understand their warnings

until far too late.

Chief’s powerful teeth clamp down.

The pain in my butt is searing.

I’m howling.

Billy Gold bolts.

But Chief just stands there.

A nose length’s away.

Staring.

As I hop around the half-frozen earth,

swearing.

And rubbing the area already swelling.

My siblings’ shocked silence explodes into laughter,

followed by a closely contested race to the house

to see who’ll be the first to blather.

Meanwhile, a purple-red welt,

banded by marks of Chief’s big, front teeth,

grows and throbs with each step toward the house

where Mom greets me with an ice pack

and an ungoverned smile.

Part Three:

When Chief isn’t trying to shed us,

or eat us,

he’s on the lam.

Devilishly clever.

Expected and regular.

The phone rings.

Mom cringes.

Apologizes.

Then sounds the alarm.

Steering the station wagon straight toward town.

We found him in a graveyard once,

a foggy morning, one fall.

Striking terror in the old caretaker

who thought he’d seen it all.

Until galloping across the graves,

he saw a ghostly, pony-sized sight.

Bad bangs bouncing in the soupy light.

Pursued closely by a tall, beautiful, blonde

in flowing, full length, lime-green chiffon.

His hands still trembling

when we waved from the road,

as we slowly crept toward home

with our pony in tow.

But much of the time, Chief’s antics are close

and off I dash with grain and a rope;

tracking my pony’s sod-ripping route

through the blue-blood, buttoned-up neighborhood,

across disapproving neighbors’ pristine lawns.

From behind their glass houses,

shaking heads frown.

One rainy, spring day, while chasing the brat,

he stopped his bucking and turned in his tracks

to face me.

He pinned his ears, which put me on my guard.

Then that damn pony started to charge!

I was quite sure we were going to collide

When a voice –

loud and fed up –

called from inside.

I dropped the bucket of grain.

I dropped the pony’s halter.

I gathered all my courage.

My universe was itching to alter.

Setting my feet and standing my ground,

I watched him close the gap.

And just as he was an arm’s length away…

I gave him a great, big

SLAP

at the tip of his long, white snout.

Suddenly, all Chief’s piss and vinegar

done

run

OUT!

With a half-hearted snort,

he lowered his poorly banged head,

turning his devilish focus

on the grain bucket instead.

And with noses aligned,

we lingered toward home,

understanding more of each other

than we had ever known.

~from “Within Close Range: short stories of an American childhood”

@dogearedstories.com

Within Close Range: At the Edge of the Bluff

It’s an early spring day in the heartland.

Anemic, damp and miserable.

Clumps of stubborn snow and ice,

grey and grimy,

still dot the sidewalks and lawns.

Faces look pale and anxious for sun.

After the usual sermon of incense and absolution,

followed by stacks of pancakes and sausages,

we know something is up

when Dad drives past our neighborhood,

further and further from home.

by unfamiliar faces and unfamiliar towns,

until backseat boredom’s about to grow horns.

Passing a tiny town,

and a solid white, storybook farm,

Dad finally slows and signals a turn.

“Shoreacres Country Club, Members Only.”,

reads the uninviting sign.

Swallowed by the dark of the woods,

the wide, low wagon drifts silently down the road,

flanked by a small, trickling brook,

winding past towering trees

and long stretches of green.

Everything is covered in a fine, frigid gloom,

including another set of pretty, white buildings

silent and still on this dreary afternoon.

Passing a faded, old, green water tower,

headless and frightening in the fog,

our destination is finally divulged:

a new home.

I sink further into the wagon’s rear seat,

where the unfriendly neighborhood disappears

and I can see nothing but the thick, dark clouds.

The silence is broken only by the sound of gravel

crunching beneath the wheels of the wagon,

now weighted with disappointment.

We twist down a long driveway and stop.

So inching my way back up,

I survey at the house.

It’s dark and sullen.

Like the day.

And my mood.

Dad says, “We’ll just take a peek.”

But even I know what that means.

So, like prisoners into an exercise yard,

we file from the car,

and stand in an unhappy cluster in front of the house –

which isn’t yellow –

like ours.

Which has no sign of neighbors,

a school,

the Good Humor Man,

or a new treehouse –

like ours.

We’re coaxed to a long row of windows

which look through the cold, empty rooms,

and beyond,

where lies a huge expanse of lawn.

And water.

Racing to the rear of the house,

we stand the edge of the bluff,

looking out over the grand, Great Lake

right there at our toes.

The Windy City silhouette, 40 miles south.

Excitement now erupts for this strange, new place.

This decades-long breeder of unsupervised fun.

First beers.

First cigarettes

And, of course, first bongs.

Secret rendezvous for teenage loves.

Havens for fainthearted runaways

who soon long for home just a few feet away.

Follies of youth are such glorious days.

Until this world begins to erode.

To implode.

And all begin to scatter.

But, oh, what fertile earth it was

living life in the woods at the edge of the bluff.

I’m fine.

I’m fine.

That’s what you want to hear.

I’m fine.

I’ll say it loud and clear.

I’m fine.

It’s easier this way.

I’m fine.

Pretending everyday.

I’m fine.

It’s normal to wake in tears.

I’m fine.

Haven’t had a break in years.

I’m fine.

Trying to find that level ground.

I’m fine.

Wondering who I hope will stick around.

I’m fine.

Cause that’s the me you want to see.

I’m fine.

But she’s the she I no longer care to be.

I’m fine.

Losing something which never was.

I’m fine.

Just keep going, cause that’s what one does.

I’m fine.

Trying each day to set things right.

I’m fine.

But waking most days too tired to fight.

I’m fine.

Wondering if death came before dawn.

I’m fine.

And if Mom is alive, how to stay kind.

I’m fine.

Cause every day it’s just the same.

I’m fine.

The same recording on endless play.

I’m fine.

While the rest of the world gets on with its day.

I’m fine.

As hair by hair, my years now show.

As lines overtake my burrowed brow.

As my strength builds, then suddenly goes.

As the walls of my home begin to close.

As each day’s remnants turns to dust.

As I do each day what I know I must.

I’m fine.

I’m fine.

I’m fine.

too bad

you wouldn’t lift my broken heart above your selfish wants

so sad

my anguished words swatted at like tiny, pesky gnats

so sad

the years i gave my all to thee

so glad

extending branches of our tree

so glad

but when my give had given up

so bad

broken and tired i sought your love

so sad

each member of my precious clan

too bad

took the next exit out of town

too sad

leaving this trio to figure it out

not mad

not sad

some times still bad

but glad of the love that’s stuck around

Death, the Kingbird, and I

Death rapped on our window at dawn

so I leapt from bed and out the door

to shoo it away.

But there, below the window,

in the morning shade of the Mulberry tree

a Western Kingbird lay.

Damn it, I cried aloud to death,

I’ve tried to keep you at bay.

How many window decals do I need

to keep them all away?

You silly thing, I said to the bird,

and scooped to pick her up.

Stunned and afraid

she fluttered her wings,

flipping helplessly in the dust.

With soothing words, i tried again.

cupping hands around my little friend.

Who showed little life.

Who looked near the end.

But I was not interested in welcoming death,

so finding a box and trying my best,

I set the bird down in a soft, cotton nest.

A gentle stroke upon her head

and down her narrow bill.

Her wide, black eyes, now closed.

Her gray and yellow feathers, still.

Death, I see, is stopping by.

So I leave the Kingbird,

– and this mourning scene –

to have a good, long cry.

For the bird,

For the world.

For me.

For death hovers over this house.

It simply can’t be helped

with a 90 year old mother about.

Although uninvited, it came for a visit.

Not much to be done

except to face it.

I returned to the box

with the poor, little bird.

And, once again, I cursed aloud.

Reaching down for one final stroke,

suddenly the Kingbird woke,

and flew in a flash

to a neighboring tree,

leaving me

and death

behind today.

The Eyes

You won’t see my eyes

across this divide

that widens

and deepens

each day.

My gaze is turned

downward

into the rift

where much that was

has slipped away.

Into the dark 

of misaimed deeds

selfish wants

always needs.

Not convenient

if I bleed.

So pardon me 

if our eyes don’t meet

the steps are precarious

below these feet.

I need my focus

on footing strong

on solid ground,

and grounded ones.

I know what lurks

behind those eyes

who make believe

with all those lies

that everything will be okay

and once again I’ll

look your way.

But keep your eyes

upon your path

of weblike turns

and sticky tracks.

And let me keep 

my tired eyes

focused ahead

where my truth lies.

Head in the Sand

Of the same womb, but worlds apart.

How in the world did all of this start?

Lend me an ear and I’ll try to explain

why, sadly, all we now share is a name.

That choked by bad choices

you continue to make

in a life that seems filled with less give and more take.

And each time that things don’t work out as you planned

deeper your burrow down the bible – 

your sand.

You say you know its words from begot-ing to end,

but do you understand them,

my brother,

my one-time friend?

Although it’s not my cup of tea,

I get the love they feel for Thee.

What I wonder is what the prophet would say

about the choice you make day after day

to drink that poison,

sip by sip,

handed out by a moron in an ill-fitting suit.

But sip it you do

and little by little

it takes from me what I’d known since I was little.

Lost to false idols and fearing the day

you’ll put those you love-or so you say-

in the middle of the dangerous road, 

Harms Way.

Why?

Do you not see the truth?

Is your ego that frail?

Is it too uncouth?

Please… help me understand.

Or is that poison too near at hand?

Too easy a reach,

such low-hanging fruit,

nurtured by the fear of whatever’s not you.

Is that your testament?

Is that what it teaches?

Never put to practice what, I’m told, the bible preaches?

I’ll stick my to religion –

that of being kind,

of looking after all I meet

with body, heart and mind.

I wish I could halt this destructive path you lead,

knock that toxin from your hand –

show you how you can be free.

But if the love for your mother and Jesus can’t, 

you’ll never

truly

be.

Within Close Range: Within Close Range

It’s early spring and still outnumbered are the days of thawing, when the sun shines through the nearly impermeable grey just long enough to make the corral thick and pliable for the heavily-coated ponies to imprint the half-frozen peaks of ice and manure.  

With little inclination to be out of doors, Mia, Mark, Jim and I, along with cousins Mary, Gina and Bill, are all hanging out in the kid’s room upstairs, twitching and giggling and getting riled by Jim, the regular instigator of such behavior. 

But this time, instead of hanging around to help control the chaos, Jim leaves, leaving his younger siblings and cousins to deal with the consequences – the most important of which is that Mark is wound-up and dangerously near the one thing in the room Jim should have taken with him: his Benjamin Air Rifle.

Jim got the rifle for Christmas and had been target practicing with it that morning. Dad doesn’t like the idea of the eight-pump, .177 caliber pellet gun, but Mom’s Missouri farm roots makes her believe that it’s every boy’s initiation into manhood.

In Jim’s defense, he never shoots at living things – mostly targets, trees and tin cans. However, he does get an enormous amount of satisfaction turning its site on siblings for the sheer satisfaction of watching faces contort; which is likely where Mark got the idea.

Picking up the air rifle, he aims it across the room at Gina, sitting on the sofa. Each of us demands he put the weapon down, but Mark already has that look in his eyes which tells us he’s stopped listening, and before anyone can say another word, Mark presses the trigger and discharges what he thinks is air through an empty chamber.

Gina, already curled into a defensive ball, is hit. The lead pellet rips through her jeans and grazes the skin on the back of her left thigh, already bruising when we gather around to inspect the wound.

Everyone – including Mark – is stunned and silent.

Gina’s eyes grow wide and wild.

“You little fucker! You shot me!”

We all look to Mark for an explanation, but he’s off – like his shot – out of the room, down the back stairs, and out the door.

Having returned to the scene at the sound of Gina’s scream, it takes mere moments for Jim to form an angry mob to go in search of the lone shooter, now taking refuge somewhere in the damp, barren woods surrounding our house. We follow the leader around the backyard and back woods, looking for a spark of tell-tale color among the sullen, gray tree trunks. 

Then something turns… Jim’s allegiance. In an instant, we’re all in his sights and half-heartedly running for our lives. Finding a safe spot from his line of vision, I’m watching from the barn stalls when Jim spots Mark weaving through the trees and across the frozen patches of slippery leaves in the back circle by the cottage. 

He’s trying to make a break for the large stretch of trees just across the driveway. From there, it’s certain he can outmaneuver Jim through the woods to safety. The problem is the twenty foot stretch of open pavement.

But spring is in the air and Mark is feeling a little wild.

We all are.

Jim gives the rifle an extra pump and takes aim at the small figure now bounding across the asphalt. In one very lucky shot… he hits his target, and like a plastic carnival duck floating atop a painted carnival pond, Mark is knocked flat. 

Jim insists it was meant to be a “warning” shot.

As all games are officially over at the first sign of blood, Mark limps toward the house where he pulls down his sock to reveal the day’s second wound on the back of his ankle. Mom’s soon on the scene, shaking her head, calloused by the long history of Jim’s overzealous rough-housing; when Mark ends up with stitches and bruises and we end up with a friendly visit from social services. 

Ordering him into the kitchen (with everyone following close behind), she cleans and examines the wound and declares the pellet must have skimmed the surface of his skin (just like Gina’s had, but we felt best not to mention).

Satisfied with Mom’s answer, the hunter and all those hunted walk – and limp – away.

_______

Forty years later, having just had x-rays taken for an orthopedic shoe insert, Mark’s doctor enters the room and hangs the film on the light box, and with a strange look on his face, points to a light spot behind Mark’s left ankle.

“This is a metal object,” he says, “… and it looks like a bullet.”

Both Mark and the doctor stare at the very clear, small, rounded object appearing on the screen. 

“No, that can’t be right,” Mark insists. “There must be a glitch on your x-ray machine.”

But the doctor assures Mark that the object is no glitch.

“Do you happen to know how it got there?” the doctor asks, now looking a little sideways at his patient.

Mark stares at the small metal object imbedded in his achilles tendon and suddenly it all comes flooding back to him. 

Before leaving the parking lot of the doctor’s office, he sent this out to remind us all of a childhood within close range.

Within Close Range: Whiplash Willie

Barely able to see over the dashboard of the ample sedan, toes stretching to reach the pedals, Nonnie is an Italian force on four wheels navigating the gridlock of suburban Chicago.

Her style is unique – driving with more emotion than convention,

more conversation than paying attention – usually resulting in last-minute lane changes and unpredictable turns, and me sliding (pre-seatbelt laws) from one side of the Cadillac’s bountiful back seat to the other.

When the story she’s spinning is a doozy and Nonnie gets roused – which it usually is, and she usually does – up goes her pitch and its volume, and down goes her tiny, bunion-ed foot on the gas pedal, causing the great, lumbering beast of a car (and all its passengers) to lurch forward.

To compensate for accelerating while accentuating, Nonnie then braces herself against the massive steering wheel and brakes!

Throwing her progeny back against the pristine upholstery.

Repeating this action with each grand inflection.

It’s how she got the nickname, Whiplash Willie.

And why, when I see her begin an earful of a tale to whomever called “Dibs on the front seat!” first, I know what’s coming…

We all do…

Buckling up, I pray the story is short.

And my neck is strong.

Within Close Range: Uncle John’s Burgundy Velvet Tuxedo Jacket

Uncle John has a burgundy, velvet tuxedo jacket. For decades, he’s worn it to every black tie event, and Aunt Ar makes sure there are plenty.

Atop a sea of black and white convention, the tall, dark man moves quietly in his curious, velvet burgundy.

Well-heeled and headstrong, he ever insists, as long as the jacket fits – it fits.

Unswayed by the loud public statement his offbeat fashion statement makes for such a guarded, taciturn, conventional man.

Within Close Range: The Phone at the End of the Hall

The phone at the end of the hall, right next to my room, comes to life in the middle of the night; its merciless metal bells clanging, resounding off the tall walls of the winding front steps, and down the long, carpet-less hallway.

Startled from my dreams and tormented by its unanswered ring, I crawl over whichever dog or cat is hogging most of the bed and quickly shuffle toward the noise, hoping to get to the phone before another blast of the bell pierces my brain.

Fumbling for the receiver – and words – I already know that the only kind of news that comes in the middle of the night is usually bad. Or at least not very good – and if I’m answering the phone, it means Mom and Dad didn’t, and I’m about to be made the reluctant messenger.

Sleepless in the hours that follow. Anxious to hear the garage door rumble. Hoping the yelling and the lecture happened during the ride home.

And that all the gory details will come over a bowl of cereal in the morning.

Happy everyone is back and in bed. And all is quiet at home again.

Within Close Range: The Neighborhood

Just northwest of Chicago, in Deerfield, Illinois, King’s Cove is 1960s, middle-class suburbia, where Good Humor trucks and men in white hats sell Chocolate Eclair bars with the solid chocolate centers, as they jingle past weedless, well-mown lawns and small, tree-filled lots; where neighbors are friends, your best friends are neighbors, and school is the next block over. 

Our house in King’s Cove is an unmistakable yellow, like hard-boiled egg yolk, as is the wood grain panelling on the side of the Grand Safari station wagon after Mark, a paint can, and a brush are left unattended. And even though it’s small for seven, it never feels crowded, except in the one, tiny bathroom we kids share. All tangles and toothpaste.

Our yolky Colonial has all that we need, all that we know: a small front yard with a tiny patch of grass and a newly planted tree, a split rail fence, and a lawn in back. Dad built a treehouse here, where my best friends, Cherie Dusare and Lynn Bubear, and I hoist the ladder, shut the trap door, and nurture our first true friendships, formed by first experiences. 

And I begin to discover the courage to find my own voice among the din of four siblings.  No longer contented by blanket and thumb and going quietly unnoticed in our tiny world of well-worn paths through quiet backyards, which lead to school and monkey bars, and friends the next street over; where each winter, the Jayne’s sloping lawn next door turns to a sledding hill and every summer, the Beak’s back patio and mossy garden pond come alive in the shade of the trees.

I like to sit on the small, stone, vine-covered wall and watch big-eyed frogs, bold chipmunks and bright orange koi go about their business of being beside the small, trickling waterfall, in the dark, green garden of this house on the corner.

Across the street live Amy and Abbey, the dark-haired twins – and my friends – who dress the same and make me wonder what it would be like to see another… be another me?

But my best friends live at the other end of the block where the three of us sneak into the Dusare’s paneled living room, enticed by taboo and a best friend’s promise of seeing a picture of naked men. 

Tip-toeing and giggling as we cross the shag carpeting, socks and static electricity spark already heightened senses. Cherie knows exactly where the album is in the long, low, hi-fi cabinet with the accordion door. She grabs it and holds it to her chest, scanning the scene signs of adults. 

My heart beats through my crocheted vest. This is my apple. I take my first bite.

Thanks to dim, red lighting and well-placed fog machines it’s little more than a nibble. But my curiosity is peaked, and it’s my very first secret to keep with my first best friends from the neighborhood.

Within Close Range: Streets of Saltine

It happens every few months or so.

There’s never any warning… except that it can happen at any time.

All it takes is a gathering – a restless mob brought together by the arrival of bags from the grocers, the disappearance of anything mildly amusing on television, and as the most logical response to the endlessly gray, listless, Midwestern days.

All it requires are two essentials: a box of saltine crackers pulled from the aforementioned grocery bags, and the disappearance of the herd boss to the back forty.

The challenge comes forth – hushed but fierce – with the flash of a sneer, a glint in the eye, a furtive glance to the cupboard, the challenger, then the cupboard once more.

The seasoned contestants: Jim (spurred into battle by a thirst for victory and an appetite for salt) and myself (the middle, misunderstood child), roused to competition by the absence of anything even slightly better to do.

With the doors leading out of the kitchen quietly closed, siblings crowd around the kitchen island, anxious for some mastication action.

The challengers sit facing each other across the well-worn, linoleum countertop the color of vanilla ice cream. With the large, rectangular box of Premium Saltines placed between us, brows knit with steely determination, as eyes focus on the cracker skyscraper growing higher and higher before them.

“Water!” Jim calls to his ever-faithful minion, Mark.

“Wimp!” I prod my already over-stimulated sibling.

“Ready when you are,” he whispers through a half-chewed plastic straw dangling from the corner of his smirk.

“Ready as I’ll ever be,” I swallow, feeling the moisture completely evaporate from the tip of my tongue to my tonsils.

The objective: to finish the pile of crackers and be the first to whistle.

The rules: no water during the match and the whistle (as judged by spectators) must be crisp and clear.

At the call of “Go!”, the briny bout begins; hands greedily grabbing cracker after cracker, shoving them into already crammed mouths. Crumb fragments fly across countertops and cupboards, striking innocent bystanders who instantly retreat to all corners of the red brick, kitchen floor.

Teeth are gnashing.

Siblings laughing.

Opponents are trying not to choke, or chuckle.The cardinal rule of the cracker eating contest: He who laughs least has the last laugh.

Sadly, this is my Achille’s heel. Watching my brother spew saltines always brings me to trouble-breathing-can’t-swallow-verge-of-choking-hysterics, rendering me hopeless.

Expelling a final barrage of crumbs, Jim spits forth the first whistle, followed closely by a victory lap around the kitchen, passing the defeated and the disgusted. Arms raised victoriously, he waves to the imaginary crowds and makes cheering noises.

A pain in the ass in victory, and a danger in defeat.

There have been times when I spewed forth the earliest whistle, winning the coveted prize of immunity from all post-competition clean-up, but, for me, the fun has always been in the unfettered indulgence of doing something utterly pointless.

Within Close Range: Sixteen Steps in Three Parts

Part One:

At the end of the front hall is a door leading to steps – sixteen in all – winding one-eighty to the upstairs hall; a four-paneled portal to the children’s domain, keeping first floor parents separate.

And sane.

It’s also vital for a game we play, set into motion by two things:  a large box arriving, and Mom and Dad leaving.

As soon as headlights disappear down the driveway, we begin grabbing every cushion and pillow from every sofa, chair and bedroom; and meeting at the top of the winding staircase, toss one after another over the railing until we’ve created a tottering stack of softness, penned in by the aforementioned door.

Flanked by wild smiles at the top of the stairs, Mark, in a Magic Marker race car (we secretly souped up earlier), is pushed down the steep, carpet-less track. But the dreaded hairpin turn half-way down, quickly ends the Cardboard Box Jockey’s run, just inches from where the ocean of cushions begins.

When the race car gets totaled and tossed aside, there’s still the pile of pillows.

We all agree.

Mark’ll jump first.

To make sure it’s safe.

And when he climbs from the pile unscathed, we each take turns taking the plunge, until failing to recognize Jim’s bored, half-crazed eyes, things take a turn and Mark suddenly finds himself dangling over the railing, as a Swanson’s T.V. Dinner threatens to reappear through fearless, but foolish, upside-down taunts.

Inverted arms defiantly crossed.

Jim slightly loosens his grip around the youngest’s ankles, and smiles like the devil.

But we know he’ll never let go… not intentionally.

Not specifically intentionally.

Part Two:

Changing Malibu Barbie’s outfit for her big date with Ken, I hear Jim making his way along the hallway, moving toward the curving, front staircase next to my bedroom.

As he passes the door and starts down the stairs, I’m suddenly, impulsively, spurred to action. (My future line of defense: Lack of Premeditation.)

Quietly reaching around the corner to the light switch at the top of the staircase, I-

Click.

Thump-bump-bump-HUMPF-thump-bam-thud.

Down Jim goes like an angry sack of potatoes.

“GOD DAMN IT! Who turned off the lights?!”

Tittering nervously, I creep away in the dark, feeling both revenged after years of big brother torment, and remorseful for my utter lack of foresight.

My ad-libbed evildoing results in a broken, big toe. And Jim’s thirst for my blood.

Damn my telltale tittering.

History soon has the gall to repeat itself when a few days later, there in my room – with no thoughts of wrongdoing, whatsoever – I hear familiar footsteps (now favoring one foot) heading down those cursed stairs.

Then something wicked this way come.

I tip-toe to the door, again, and quietly reach for the switch.

Click.
Thump…thump-thump-thump-bump-BAM-thud!

“ANNE! I’m going to kill you!”

With no parents home for refuge, I run for my life. Ducking and covering. Trying to avoid any siblings who might give me away. Which means ALL of them.

Finally hiding in the dark of the sauna, desperate for the familiar footsteps of a returning adult, I can hear Jim hobble and rage, screaming my name and vowing retaliation.

“I’ll plead temporary insanity.”

But un-consoling are the cedar walls surrounding me.

Guessing the worst is over (or a parent has returned) when the house goes quiet, I open the door to the outside world.

“Even if he’s still mad,” I reason aloud and unconvincingly, “he’ll never catch me with a broken toe.”

“Two broken toes!” growls a voice from behind the door.

Part Three:

With my bedroom right next door.

I know the comings and goings of all stairwell travelers.

I hear when Chris is breaking curfew

and Jim is looking for trouble;

when Mia is sleepwalking,

and Mark is shuffling downstairs for comfort.

From the bottom step, Mom’s “Sweet dreams”

gently rise into our bedrooms and into our dreams;

while Dad’s call for Inspection

bursts up the stairwell and down the hall,

like an air raid siren,

sending bodies scattering in all directions.

I listen for Mom and Dad’s footsteps below.

For Dad to toss his keys into the pewter bowl.

I listen for the sound of the staircase door opening.

Pleased to hear Mom’s high-heeled footsteps

slowly ascending the winding staircase,

to give good night kisses all the way down the hall.

Within Close Range: Runaway Days

My appointment card for our dentist, Dr. Van Hoozen showed up, which means getting to visit a really sweet man – who not only cares for people’s teeth, but the entire village of Hebron, Illinois, acting (at some point or another) as their president, fire chief and police chief.

However, it’s what takes place after the appointment that I’m most excited about: spending the day – alone – with Mom, wandering in and out of the small, rural towns at the northernmost tip of Illinois.

Mom always sees doctors’ appointments as day-long affairs away from household chores, homework givers, and other family members.

And I go along gleefully.

Quietly.

Watching her.

As she takes any turn she wants. Without a care as to where it will lead.

And there, between fields of crops, we discover chocolate shops, donuts stands, and greasy spoons, where lingering over plastic-coated menus, we truants smile at each other; then wander the narrow streets of farming towns, past century-old storefronts. Pausing, here and there, at the buildings needing care.

Checking to see that I’m trailing, Mom swiftly strides from one shop to the next, until disappearing through a large door of wood and glass.

And I give chase.

Soon blissfully lost amid rooms piled high with dusty shelves and dilapidated boxes, stacks of tables and towers of chairs – and books, filled with history and mystery and beauty.

Overwhelming my curiosity.

Here, she buys me an antique, tear-shaped compact of brass and rusty brown leather. Still inside, is its powder and flattened pink puff; under which I discover a tiny, brass hatch and remnants of bright, pink rouge.

Every now and then, as we meander home, I open my tear-shaped treasure to look at my reflection through its stained and smudged, tear-shaped mirror and wonder how many more reflections it has seen…

And what those faces might have been?

None happier than mine.

Spending the day running away with Mom.

Within Close Range: Racing the Dark

Mia has a complex relationship with the Night. She’s a creature of it – active and creative – and stays awake well into it (later than most in the house), yet also seems determined to shun it with the use of every light available.

And when Night finally acquiesces to Sleep, it does so half-heartedly with Mia, often leaving her restless and wandering between this world and slumber’s.

Rare is the night she goes to bed before me, so lying quietly in our shared bedroom, I’ve listened and become well acquainted with her almost nightly routine.

With the rest of the house long dark and quiet, it begins.

CLICK.

On go the back staircase lights, and then, footsteps – Mia’s – coming up the old, wooden staircase. Her movement, quick and skittish. Around the corner she scurries, to the main hall and –

CLICK.

Her target, two doors down, is illuminated.

Muffled by a thick, carpet runner, I know Mia reaches our door only when she flicks the switch, re-illuminating our brightly patterned wallpaper of orange, green and yellow flowers.

After making as much noise as possible (slamming drawers and sliding closet doors, testing her alarm clock, etc.) does she slip beneath her covers, leaving every light on her path from family room to bedroom, burning bright.

Just as dependable as this, is the dialogue which follows.

“Mia, turn off the lights.”

“You turn them off.”

“You were the last one in bed! AND YOU were the one who turned them on in the first place!”

“So?”

“So? So, it’s only fair that you turn them off.”

“No.”

“Dang it, Mia, you know I can’t sleep with the lights on!”

Well-stashed below her covers, “Too bad,” comes her muffled reply. “I can sleep just fine with them on.”

I always claim I’ll do the same, but in less than a minute, with the lights searing wholes through my eyelids, I climb from bed and shuffle just outside our door.

CLICK. CLICK.

Off the hall and staircase lights go.

CLICK.

Off our bedroom lights go.

“Brat,” I call through the dark, as I feel my way back to my bed at the other end of the room.

It’s gone on like this for years.

But now Chris is off to college and Mia’s been given her own room, and I can’t wait. Not only because I’m anxious to have my independence, but even more, I’m anxious to see how Mia will handle hers.

However, she keeps delaying the move, bringing her things into her new bedroom next door one article at a time – over days, which is now turning into weeks. I offer to help. She gets offended and disappears. Mom finally has to intervene.

Begrudgingly, Mia throws the last of her belongings into the heap already in the center of her new bedroom and, tonight, faces sleeping on her own for the first time in her life.

I lay in my darkened room and wait for the familiar sounds of Mia making her way upstairs, speculating over and over again how she’ll handle the lights with no one in the next bed to do it for her. Will she leave them on all night? Doubtful. Dad has a sixth sense about these things and will be demanding “Lights out!” before long. Will she have the gall to call through the walls for me to do it?

She wouldn’t dare….or would she?…

CLICK.

On go the back staircase lights. Creak, go the steps.

CLICK.

On go the hallway lights.

CLICK.

On go Mia’s bedroom lights.

I listen carefully. Tracking her footsteps. Picturing her every move. Anticipating her thoughts.

CLICK. CLICK.

Off goes the stair and hall lights from below, as Mom calls “Sweet dreams.” and Dad warns “Don’t let the bedbugs bite.”

Minutes later, there’s only one light left on in the entire house.

“Come on, Mia,” I whisper into my pillow. “How’s it gonna be?”

Then it happens.

CLICK.

Off goes the light.

Pitter-patter, pitter-patter—grumpf-creakity-creak-creak-cree.

And that’s the way it will be from this day forward. Night after night.

It’s a sound that never fails to bring a smile to my face.

CLICK.

Pitter-patter, pitter-patter—grumpf-creakity-creak-creak-cree.

Mia running from light switch to bed. Fleeing the unknowns of the night.

Racing the dark.

Within Close Range: Strange Bedfellows

I once woke to find Mia tucked snugly beside me in my twin bed, with most of the covers and most of the space. When I tapped her on the shoulder to point this out, she rolled over (our noses nearly touching), blinked, and groaned, “Anne, what are you doing here?”

“You’re in MY room.”

Looking around briefly, she rolled over again (taking the remainder of the covers with her) and, giving me a swift backward kick, sent me to the floor; where I lay, bewildered, but slightly in awe of her sleep-walking pluck.

We never really know when or what to expect from Mia’s nocturnal wanderings.

And so, returning home late one night, noticing that the light is still on in the den…

“Crap,” I mumble into the open fridge, that must mean Dad’s waiting up.

I begin to formulate one-word responses to his inevitable interrogation. With munchies in hand and alibis at the tip of my tongue, I open the door to the den, only to find Mia on the pumpkin orange sofa, sitting up and staring at the paneled wall ahead.

“Hey.”

No reply.

“Meem, it’s late. Coming up to bed?”

Nothing. Not even a blink. So, I shrug and turn for the stairs.

“Where’s my friend?” I hear from behind.

Turning back around, I ask, ”What friend?”

“My FRIEND!” she replies sharply.

“What friend, Mia? I don’t who you’re talking about.”

“My FRIEND!” she repeats for the third time.

“Look, maybe if I knew what friend you’re talking ab-“

“Shut up, Anne.”

“All-righty, then,” I say as I head toward the stairs and bed.

Passing the boy’s room, I notice that the television is blaring and Mark is still lying on the sofa, face down, with a cat on his shirtless back and a dog at his feet. I turn the T.V. off and gently tap him on the shoulder.

“Kid, you should head to bed,” I whisper, and then start for my own.

Mark raises his head suddenly and calls out, “Anne-Anne-Anne… Would-you, would-you, would-you…open-the-open-the-open-the-open-the-“

Then nothing. He simply collapses back onto his belly and into his dreams.

“Open the WHAT?” I scream from the inside, fearing that if I turn around I’ll likely see Rod Serling, cigarette in hand, furrowing his thick, dark eyebrows as he begins to explain the strange tale of the my sudden plunge into madness.

“I’m way too stoned,” I mumble as I head to the comfort of my room.

Before I get there, however, I notice the lights on in Mia’s bedroom and feel compelled to investigate.

Damn you, Rod Serling.

I find Mia sitting on her bed, doused in light, with a drawing pad in her lap and a peculiar look on her face.

But what I find even more disconcerting is how quickly and stealthily she made her way from the den to her bedroom – up the creaky stairs and down the equally creaky hallway, just feet from where I was in the boys’ room – without my noticing.

I glance up to the mirror above Mia’s desk, where I find instant comfort in seeing both our reflections, and enough cool to ask Mia about her missing friend.

She looks up, but says nothing.

“Your friend,” I’m tortured to press. “The one you were looking for earlier?”

She scrunches her face and tilts her head, slightly.

“Where’s my pink purse?” are the next words out of Mia’s mouth.

I don’t know how to respond. We just glare at one another.

“What?!”

“My pink purse!” she repeats unhappily.

“Okay… now you’re looking for a friend whose name you don’t know AND a purse that’s pink… Am I getting this right?”

“Shut up, Anne.” is all she has to say. And all I can take for one night.

The following morning, both Mia and Mark deny any knowledge of the previous night’s events.

But we know the truth, don’t we, Rod?

Within Close Range: The Backyard Ogre

Seeing Dad unreel the hose and stretch it out across the yard from my bedroom window, I throw on my still damp swimsuit crumpled up in the corner and race down the upstairs hall, broadcasting the new development as I pass each bedroom door.

All five of us are soon suited up and scattered along the edges of the backyard lawn, freshly mown and striped like a big, green flag.

Bound by woodlands, lake and home, the Backyard Ogre’s grassy realm is small, but lush and coveted. And crossing it, irresistible.

Standing in the center of his sodded sovereignty, wielding his long, green, garden weapon, the ogre goes about the business of tending his land; well aware of the surrounding interlopers hiding behind large oaks, lawn furniture, and each other.

Taunting him to take aim, we leap and dance and cartwheel across the well-loved lawn, attacking en masse from the front and sneaking up, one by one, from behind. But the Backyard Ogre’s lengthy weapon, and cunning, and speed, make him fearless and formidable.

All are quickly drenched, but delighted by the cool of the spray in the hot summer sun, and by Dad’s massive grin and momentary focus.

Wearing shoes of fresh cut grass, we follow the Ogre, when he deems the backyard fun is over, and heads to the cool of the pool.

Diving in, always slightly aslant, Dad finds his first target, who, giggling and excited, braces themselves for the certain lift that will come from below and hoist them high with his powerful arms, for a glorious, airborne instant before the splash.

Each of us impatiently waiting our turn, of which there are never enough, before the ogre’s off… usually to golf… while we stay behind, water-logged and pruny, but confident the Ogre will soon be back to tend to his kingdom again.

Within Close Range: Spring

When wildflowers peek

through the damp, leafy, forest floor,

windows are flung wide open

welcoming in the cool, lake breezes

and the strong, long-awaited smells of spring

in the land’s reawakening.

The thawing corral is heavy

with sweet-smelling muck

flung here and there

by high-spirited ponies.

Impatient to walk barefoot

across the newly sprung lawn

still emerging from the cold ground,

I make tracks across the yard

to the edge of the bluff and back,

coating my toes in mud and early grass.

Spreading spring throughout the house.

Within Close Range: Spring Break

My siblings and I burst onto the season like the first, rowdy chorus of Spring Peepers rising from the woodlands and wetlands, from the new growth and leafy debris. Noisily ascending. Anxious and energized after many dormant days, we find instant succor in the newness, in the re-gathering community; bolstered by the constant influx of free-wheeling teens.

Arriving at the house with a brand new,1978 Chevy pick-up truck filled with boys bent on seeing “what this baby can do” Jim quickly talks his best friend, Phil, into letting him behind the wheel. Caught up in the excitement, Chris and I follow, piling into the truck bed with the others and heading to the one place where its off-road ability can be properly tested, the golf course.

Of course.

Entering on the service road, Jim’s exaggerated twists and turns along the winding, gravel road quickly bore him, so veering from the narrow lane, we’re soon bouncing along the edge of the fairways, heading toward the woods and the short, very steep, ravine hills.

Failing to do the science of what might happen when rear tires meet level ground from a near forty-five degree incline is Jim’s biggest mistake that day. As soon as he starts down one of the small, steep hills, we helpless, hapless, truck bed accomplices sense things aren’t going to end well.

They don’t.

As the rear tires hit the ground from practically perpendicular, the truck bounces – hard – sending all bodies in back aloft.

Arms and legs flail.

Looks of surprise, morph into alarm.

Trying to break the fall, my right hand contacts the metal truck bed first, followed painfully by all other parts. When the pick-up finally comes to a standstill, everyone begins righting themselves, rubbing their bruises, and screaming at Jim.

Everyone except me.

I’m looking down at my arm… and my hand… which is no longer at the end of my wrist where I normally find it.

While the others continue to berate the driver, I cradle my arm and speak.

“You guys. I think my wrist is broken.”

No response. So, I say it a little louder and with a lot more conviction.

“You guys, my wrist is broken.”

Still unnoticed amid the verbal thrashing Jim’s receiving, I finally scream as loud as I can, ”YOU GUYS, MY WRIST IS BROKEN!”

All goes quiet and everyone turns my way.

“Anne’s wrist is broken,” Chris suddenly screams, “and she’s bleeding all over the place!”

I’m not.

Jim and Phil leap from the front cab to find those in the back surrounding me, shuddering and exhaling, “Whoa!” and “Holy crap!”

It seems that on impact, the bones attaching my arm to my hand snapped cleanly in two, and my hand – now detached beneath unbroken skin – has been forced from its usual place and lay awkwardly on top of my wrist, like a slab of raw meat in a rubber, flesh-toned glove.

Finding any movement enough to inspire hysteria, no one’s able to convince me to relocate to the cushioned front seat of the pick-up, so a couple of the boys closely flank me as I sit cross-legged, still cradling my unrecognizable arm.

As Jim very slowly and very gently steers a course for home, I try to concentrate on something else – the leaves still unfolding overhead, the gentle, spring sun. Closing my eyes, I take a deep breath. Then another. Immersing, ever briefly, in the wonderful smell of new grass.

And teen boys.

Pulling up to the garage just as Mom happens to be walking by, Chris jumps from the truck and with the subtlety of a crow in a cornfield blurts out, “Anne broke her wrist!”

(So much for Jim easing her into the bad news, as agreed upon moments prior.)

“Oo-oo-oo!” Mom says, jumping in place, and then into action, as only a mother of five can.

Gingerly lifted from the back of the pick-up and placed into the car, I turn to see my off-roading co-horts all sheepishly waving and smiling, except Jim, who’s having a hard time looking at me and looks miserable.

Which makes me feel slightly better.

At the emergency entrance, Mom tries to get me out of the car and to my feet, but I won’t – I can’t – for fear the slightest movement will make the pain unbearable, or even worse, that I’ll lose hold of my arm and have to witness my detached hand dangle.

Approaching the car, a handsome stranger, with a sweet voice and a smile to match, asks Mom if he can help, and before I have a chance to refuse, he lifts me from the car with an effortless swoop and carries me inside, where he gently sets me in a wheelchair, smiles, and disappears.

“That’s Walter Payton of the Chicago Bears,” the nurse smiles, but I know exactly who it is.

Welcomed back again to the emergency room (puberty has not been kind), I’m x-rayed by a sadist, drugged, yanked, drugged again, and eventually yanked back into place by the two attending doctors – the process of which finally becomes too much for Mom, who’s led from the room in a faint.

“I feel jush-fiiiiiiine,” I giggle, all tucked in my bed back at home, as I casually wave the heavy, plaster, arm-length cast (the first of two I’ll be toting for the entire, interminably itchy, sidelined summer), not bothering to notice Mom and Jim’s faces alluding to the pain and discomfort that’s sure to follow once the double dose of painkiller wears off.

“Itsh-okay, Jim,” I slobber with a smile, oblivious to the drool trickling from the side of my mouth, “I’m not mad at you anymore.”

How could I be? Wracked with guilt about badly disfiguring me, he straightened my room, folded down my bed, and picked flowers for my bedside.

Unfortunately, like the pain meds, Jim’s sympathies and “too-injured-to-tease” policy won’t last through the night.

Within Close Range: Mutton Stew

I’m in the middle of the pine-paneled restaurant at Boyne Mountain Resort (somewhere at the top of Michigan’s mitt), sitting in a large, carved pine chair – twice as large as it needs to be. 

Looking around the big, round table, there are siblings to the left and siblings to the right, with Mom and Dad straight ahead; and everyone capable of reading the menu, is. Scanning mine for a third time, my eyes keep returning to the word “stew”, which conjures a mouthwatering picture in my head – big, chunks of tender meat in a rich, dark gravy.

“How different could mutton be from beef?” a voice in my head insists – repeatedly – drowning out all inner arguments and already placed orders.

It’s my turn.

“I’ll have the Mutton Stew, please.”

The waitress looks up from her pad, hesitates, and then looks to Mom and Dad.

“Oh, Annie, you won’t like that,” Mom gently suggests. “It has a very strong flavor.”

But I protest.

“Anne Elizabeth.”

“Please, Dad,” I plead, revving the perpetually high-powered motor that drives most eight-year-olds.

Mom urges, once more, to reconsider, but I remain unflappable. The lady is waiting and “The Troops” are hungry and restless. Dad raises his eyebrows, then nods to the waitress.

“All right then, Mutton Stew for the young lady.”

Triumphant, I can already taste the dark, rich gravy. Minutes seem like hours. The baskets of crackers and breadsticks and the pats of butter on small mountains of ice in the center of the big, round, constantly spinning, Lazy Susan are rapidly disappearing.

Beyond the large, glass windows overlooking the resort’s ski hills, the slopes are ablaze and white and dotted with skiers still eager to slip and slide down the gentle, rolling, Midwestern hills. It’s a wonderful sight, but the hungry voice in my head has recently enlisted my stomach, now rumbling, low and loud. Until the waitress returns with her overburdened tray, all I can think about is stew.

Burgers and fries pass by my eyes. Mom has soup and Dad’s given pasta. It takes two hands to carry the large, shallow bowl heading my way. I’m so excited, I can hardly keep still in my seat. My eyes eagerly follow the large, round bowl to the place setting in front of me and I look down to see…

… a sea of grayish-brownish goo; its foul smell already invading my nostrils.

Pungent.

Powerful.

Horrible.

My hunger instantly retreats, but all eyes at the table are on me. Even the waitress is loitering nearby, which means I can’t possibly back down before the first bite and so, with reluctance, I grab the smallest spoon and in it goes.

Releasing more stink from the bowl of brown-gray gloom.

I scoop up a small, dark morsel; highly doubtful about this dubious-scented mouthful.

It’s instant repulsion. Unbridled revulsion. A funky chunk of grisly meat that my tongue and teeth want to reject and my throat wants to eject into the clean, white napkin in my lap. But it’s swallow it, or my pride. 

The mutton punishes me all the way down.

Without a word, Mom and Dad turn their attention to their own plates. All follow.

While I’m left alone to stew.

Within Close Range: Family Vacation in Ten Small Helpings

In the early 1970s, Mom and Dad take us on a Christmas ski holiday to Park City, Utah.

 Airplanes

Seven eager faces.

Shiny new snow suits. 

Plane bound for Utah.

Minor complications.

 Airplane sickness.

Brothers’ twitchiness.

Three hour restlessness.

Homicidal stewardess.

Snow Bound?

Five anxious, young passengers 

press noses against windows 

as we climb the mountain in the rental sedan.

Looking for that wonderful white fluff. 

But all we see is brown and green stuff.

Dad keeps saying, “Just give it time.

The more snow you’ll see, the higher we climb.”

We have little reason to doubt him. 

Bloody Mess

Quietly miserable, swabbing her bruised, stitched and swollen gums, and wanting no part of the fight over first-night bedroom rights, Chris waits for things to settle, then drags a blanket, grabs a pillow, and collapses in tears on the sofa til morning.

Raising myself from a battle lost and the living room floor, I’m at the ready with my couch-envy unpleasantries as soon as I open my eyes. But my intentions are met by Chris’s very pale face pressed against her blood-soaked pillow and all that comes out is “MOOOOOOOOOOOOM!”

Arriving at the grisly scene, Mom keeps repeating the same strange thing:  “She’s hemorrhaging!” she screams, hopping in place, “She’s hemorrhaging!” But Chris insists she’s doing okay – with trembling words, blood-encrusted lips, and a heartbreaking smile – better everyday.

Insensitive commentary and contorting faces are nudged toward the kitchen, before she has a chance to think differently upon seeing her reflection.

10-point Dismount

“Ka-tonk, ka-tonk” echo the steps of our rigid boots off the neighboring condominiums and mountainside. Though the surrounding snow looks old and icy, the skies are cloudy and promising and our spirits are high. Even Chris (who barely has enough blood to raise color in her cheeks) manages to perk up. 

She and I board the first ski lift together, admiring the birds’ eye view of our alpine surroundings, paying little mind to the conditions below until we reach the top of the run, where we see attendants shoveling meager remnants of old snow onto the chairlift landing. 

Clearly groggy from blood loss, Chris readies herself by putting her hand firmly on my left leg, then pushing off my thigh, shakily slides forward at the designated mark, leaving me involuntarily planted in the seat and quickly heading toward the 180 degree turn that will take me back down the mountain. With lightning reaction, one of the attendants yanks my arm and whisks me off the chair and onto the ramp they’ve been trying to repack with snow. 

“Scraaaaaaaaaap-p-pe,” go my brand-new skis over the exposed gravel, and down I go, into a pile of hard, dirty, grey ice. 

Lifted from the ground by the fellow who launched me there, humiliated and bruised, I grimace and sidestep over to Chris, who smiles weakly, revealing her black and blue gums and blood-stained teeth.

“Sorry.” 

I want to kill her, but her oral surgeon seems to be doing the job for me.

Albeit very… very… slowly. 

Oh Christmas Tree

Snow-barren slopes concede to an afternoon of hot crepes, holiday displays, a Scotch Pine and rekindled spirits. 

But the yuletide log is soon doused by the grunts and frustrated grumblings

of father and eldest son unsuccessfully attempting to level and stand a 10 foot pine without the aid of a saw – or a tree stand. 

Trying bowls and buckets, waste baskets and garbage bins, tempers are fraying.

Shying away from the ill-fated scene, Mark heads to the television. Click – OUR PRICES ARE INSANE!! – Click – and the lord said unto Mos – Click – BLAH – click – RAH – click – click – click –

“LEAVE IT!”, Dad ROARs. (Had there been any snow on the mountain, we’d likely have just been buried by it.)

This startles Jim, who lets go of the tree, which crashes to the ground, mere inches from Dad, who suddenly decides to take a long, walk, where he’ll cool off, giving Mom time to devise a tree-standing plan, leaning but triumphant.

Out of Order

We all stare wildly at the television, newly kaput. 

Jim and Dad fiddle futilely with its back.

Mom turns on the radio hoping to lighten the mood.

But the only thing she can find is static. 

No music.

No television.

No snow. 

No skiing.  

No reason to go on, really. 

If Walls Could Talk

“Eeeek!!,” comes a scream from the downstairs bathroom. 

With absolutely nothing else to occupy the hours, everyone runs to where Mia is standing, wrapped in a towel, dripping with soap. 

“Who’s using the hot water?” she cries out, shampoo stinging her eyes. 

But all who can be blamed stand before her. 

“Mom, are you running the dishwasher?” 

“I would be IF it was working!” she snaps, finally showing signs of strain. 

With the news of no hot water for days, the cursed family lets out a collective sigh – as if the condo sprung a leak.

Which, at this point, seems entirely possible. 

From Here On Out

After three hours in the car, searching unsuccessfully for snowier resorts, the mood has dipped so low it’s nearly impossible to think of what else could go wrong.

It isn’t long before we have the answer.

Pulling up to the condo, the rental car begins to sputter and choke, and then… it dies. 

We remain still and silent in the back seat, exchanging frightened side glances, waiting for the explosion. 

Dad and Mom sit staring straight ahead through the frosty front windshield.

Neither moving. 

Or speaking.

Then, as if a sweet, tropical breeze blew in through the now dormant air vents, they turn to one another… and start laughing.

Loud. 

And hard. 

Causing a chain reaction.

Drop Kick to Victory

At the suggestion of Charades, family members begin frantically looking for ways out – fiddling with the dead TV and staticky radio, pretending to read, or to die, suddenly. 

And even though total indifference finally sits itself down for the game, it isn’t long before everyone – including Dad (who rarely participates in such things) is wise-cracking and happily taking their turn. 

Teammates are syncing like well-oiled, mind-reading machines. Pantomimes are performed with dexterity and artistry. Guesses are made with certainty.

I’m up. My clue: “Cat on a Hot Tin Roof.” 

I begin by acting out the hand-cranked camera. 

“Movie!”, my partner, Mia, calls out. 

I tip one finger to my nose, then swiftly thrust forward a number of fingers.

“Six words!” she fires in succession.

I tap my nose and squeal with delight. My brain is reeling. 

Catching a glimpse of Dad out of the corner of my eye, his infamous intolerance and abhorrence for the family cats suddenly flashes before me. 

Meeting Mia’s eyes, I drop kick an invisible object, then point to Dad. 

“Cat on a Hot Tin Roof!” she screams, leaping from her seat to join me in a victory jig around the living room. 

Stunned by the veiled clue and breakneck victory, everyone is laughing. 

Everyone but Dad. He just looks confused.  

As One

Snowless.

TV-less.

Auto-less. 

No hot water or dishwasher.

No music or phone.

No one restless for change.

Just contented days together

in a world we,shape and shift 

with our individuality,

our familiarity,

our imaginations.

Within Close Range: Sledding

The toboggan’s scarred and battered prow, with its narrow strips of varnished wood, scratched, warped and dinged, attests to its long history of snowy campaigns.

Trees and rocks eternal foes.

Its red, vinyl pad, cracked and beaten. Its plastic rope ties ever-untying.

It takes little prodding to initiate sledding on the golf course near our home. After a few phone calls, friends from town gather at our back door with a variety of apparatus, ranging from plastic school lunch trays to super-duper downhill racers.

Like a procession of well laden ants, we head down Shoreacres Road and into the heart of winter with spirits high. During the mile or so journey to the ravines, the boys can’t wait for the final destination before throwing themselves and their sleds at slopes of snow – even the dingy, frozen piles left by the plows.

Cheeks crimson, noses dripping, devilish smiles rising, and big boots trudging heavily, they jettison themselves, scraping briefly atop the icy, roadside heap.

Undeterred, the flatter, frozen road ahead spawns another attempt, and the unsuspecting walking there find themselves not indirectly in the path of another misguided trajectory.

Leaving victims strewn in the wake, shouting obscenities, in between fits of laughter.

Crossing thigh-high snowdrifts, pushing against the penetrating Lake Michigan winds, we know there’s reward in the shelter of the woods. In the rise and fall of the ravines just ahead.

By the time the last of the stragglers arrive, bodies are already hurtling down the small, steep hills – feet first and head first – as untouched, uncharted snow is quickly trampled smooth and slick.

So the boys and their sleds can go fast and faster toward the woods below, laughing like hyena, until the next sound is cracking plastic. Followed by moans, grunts, more laughter… and a few more well chosen profanities.

More than slightly apprehensive to sled in tandem with these boy rocketeers, I also know I’ll never gain the speed I crave when sledding solo. So I climb aboard, wrap my arms around their thick, damp, denim layers and look below, to a hand-packed jump designed to make you fly.

Pleading for caution, I know full well that caution is about to be damned.

Down we go, straight toward the jump and into the air. But the moment is fleeting before losing my hold, my pilot, a boot, and a glove. Yet gaining a face full of snow and a smile from ear to ear.

From a resting spot at the top of the hill, I watch the boys with their boundless bravado, attempt daredevil moves of surfing and spinning and bumper sleds. Determined to create one more spectacular crash before the snowy adventure can be considered a success.

By the time the sun begins its early descent, the dampness has sunk deep into our layers and it’s time to stumble home, iced-over and exhausted. The older boys taking turns pulling along the little ones with nothing left to give.

Each step energized by the thought of the warmth that will embrace us when we open the back door. Fueled by the knowledge that a crackling fire and hot chocolates wait at the other end.

Within Close Range – Papa’s Store

As buildings begin to replace trees along the Edens Expressway, I watch for familiar signs that we’re getting nearer Papa’s store.

Up ahead, on the right, stands Nickey (with a backward k), a giant, winking, smokestack of a man urging motorists to take the next exit for their very own, souped-up Chevrolet. The first downtown-bound sentry means twenty minutes more.

Further along the constantly changing horizon, the magnificent, cherry red, neon lips of Magikist – 80 ft. high and puckering up for passersby for years – appears on the left, dazzling and hypnotic. Garishly separating the suburbs from the city; the quiet and conventional, from the wonder and the chaos.

Fifteen more minutes.

At the very edge of the highway, around the next bend, looms the monster of a Morton Salt building and a great expanse of roof (almost level with the highway) painted with it’s iconic logo. I like to count how many seconds its takes to pass this massive, salt-filled warehouse.

And the girl in the yellow dress, with her big umbrella and box of Morton’s.

One-one-thousand, two-one-thousand, three-one-thousand…

… until it disappears from the smudged rear window.

Ten minutes more.

Taking the next exit, we’re no longer speeding past the inner-city scenery. No longer isolated from the purposeful sprawl, but entering the industrial grime of Ohio Street’s massive warehouse district, desolate and dingy; where faded ads cling to crumbling brick walls and vast stretches of soot-stained windows lay dark and broken along shadowed streets, gray, cracked and worn from the Windy City’s daily grind.

I sink in my seat and cautiously scan the familiar but frightening streets for signs of trouble. My uneasiness arising from the barely discernible (except for the simultaneous “click” ), but habitual practice Mom has of locking the doors before the first red light.

Only after old brownstones and young professionals replace storehouses and seedy-looking characters, do I straighten up and welcome the city outside the window.

The constant beep of car horns trying to hurry along traffic below the tall buildings and shadowed streets. The constant movement of people of all types – not just well-off and white.

The dingy beads of water from the elevated tracks and platforms that plop, trickle and disappear down the window of the station wagon and tell me we’re very near.

Dressed in our Sunday best, fermenting with the pent up energy forty-five minutes in close quarters guarantees, our restless tribe is led in a disorderly row, through the perennially cold, dark, parking structure and onto the city streets.

One block down and around the corner, to Michigan Avenue, I know to look for the red and gold awning (between the fancy shoe store and even fancier department store). As soon as I spot it, I pick up my pace until reaching the revolving door of Papa’s store, Celano Custom Tailors.

Squeezing my way into the pie-shaped divisions and forced to spin a circle and a half – by a sibling pushing the rotating door too fast – I stumble onto a sea of cardinal red carpet.

Impeccably clean. Incredibly lush.

At the end of the long, narrow showroom, past smartly dressed salesmen and bolts of rich fabric, stands Papa.

Smiling quietly.

Waiting to give his warm, well-pressed, fragrant hugs to each of his progeny.

After which, he gently, but hastily, scoots all five of us to the back of the store. Away from the immaculate glass cabinet displays of silk ties, colorful ascots and men’s colognes. Away from the meticulously stacked cashmere sweaters, and roll after roll of expensive Italian wools, French cottons and Irish linens. Keeping us well clear of the handsome, silk robes neatly hung on racks with red, wood hangers, custom-stamped in gold.

Most of all, we are whisked away from his well-to-do clientele in their very expensive, custom suits, custom shirts and spit shine shoes.

But my interest lies down a narrow set of stairs, in the windowless world below; where little men, with measuring tapes hung around their necks and giant scissors in their hands, bend over large, long work tables, spread with dark wools and shimmering silks.

They always stop and smile, exclaiming how much we’ve all grown, but my attention is on what’s behind the glass partition where Papa’s bookkeeper works, and in the bottom drawer, at the side of her desk, piled high with ledgers.

As soon as I reach her side, she bends toward the drawer with her piled-high hair.

Casting a shadow over her bookkeeping.

And from it she takes out a full box of Turtles – chocolate and caramel and pecans in a gooey, luscious mound.

Papa’s favorite. And mine.

In our silent ritual, I smile and thank the bee-hived bookkeeper and choose a turtle from the box, before being pushed by an impatient sibling next in line.

Permitted back upstairs only after all hands have been inspected, we’re led to Papa’s office, where Jim plays boss with the many-buttoned telephone on the large, leather- topped desk. Until he dials the storefront and annoys the staff and Papa appears with playing cards and store stationary, and a gentle warning.

Stop fidgeting.

With Mom and Dad still shopping, we begin to take turns spying on the front of the store, watching the elegant dance of silent footsteps, hushed tones and controlled smiles in full-length mirrors. Making me feel as if I’m witnessing something sacred in the tending of well-to-do gentleman.

As if an ascension.

Until Jim discovers the stereo and starts pushing buttons.

Shattering the sober storefront with an unexpected symphony.

Instantly paroled from our conference room confinement, we race along the heavily padded, red carpeting, past the quiet clerks and perfect displays, and bolts and bolts, of dark, rich fabric.

Past Papa, who flinches when our many-footed exit shakes the cabinets.

And ruffles his clients.

Michigan Avenue is an eruption of motion and commotion, of which we’re swept up in, until we find ourselves among the tourists and the toilers at the base of the very new John Hancock Center.

Pressing my hands and body against its cool, black steel, I look skyward, trying to see the skyscraper’s top. Struggling to keeping my balance.

It makes me dizzy and suddenly anxious to see the red and gold awning.

And the thick, red carpeting.

And Papa’s outstretched arms, for one last hug, before returning north.

Past the giant girl in the yellow dress.

Past the giant, neon lips, now lighting the early evening skies with its rosy red glow.

Past the smokestack man disappearing in the dusk.

To the quiet woods.

To the dark skies.

To home.

Within Close Range – Shattered

It’s a new found freedom, riding a bike through my cousins’ neighborhood, unattended by an adult, or an older sibling.

The streets are busier and much bigger than what our secluded, little subdivision has to offer and Gina, Mary and I are headed, unattended, to Nonnie and Papa’s apartment a few miles away.

The furthest I’ve ever ridden my bike is two blocks over.

Hopped up on sweets (following multiple raids of Nonnie’s unrivaled candy stash) and the even sweeter taste of pedal-powered independence, it’s little wonder why, when Nonnie tells me she has something to give me for my birthday and shows me a beautiful, porcelain doll, I want to take possession of it.

Immediately.

Nonnie refuses, at first, insisting that she bring it to Aunt Ar and Uncle John’s when she and Papa come later.

But as an obvious and well-chosen favorite, my sugar-induced swagger wins her over and she wraps the doll in an old towel, puts it in a thick, white plastic bag.

Hesitating before handing it over.

With a frown.

She follows me out the apartment door. Her tiny, slippered feet shuffling at my heels all the way to the elevator. As the automatic door glides shut, I hug the plastic bag and lower my eyes, avoiding Nonnie’s last pleading look.

Seeing her watching from her living room window three stories up, I carefully place the reluctantly released gift into the metal basket of the bike I borrowed from John, grab the handlebar and, with an air of overplayed nonchalance, attempt to kick my leg OVER the center bar that boy’s have on their bikes for no apparent reason.

I fall short.

Brutally kicking the bike to its side.

Launching the fragile contents out of the basket and onto the cement sidewalk.

Mary and Gina, both straddling their bar-less bikes, each with a foot on a pedal and a look of fleeing in their eyes, are slack-jawed. Stunned silent. Like they’ve seen a terrible accident at the side of the road.

Neither can look away from the body in the bag.

Even though the sight of it is truly dreadful.

Yet nothing compared to what my eyes are about to search out: Nonnie, three floors up, bearing witness to it all.

Witness to my fall.

My failure.

Her eyes never once leaving me, refusing to budge from the window of her velvety world of gild and glass, of lacy figurines, candy-filled cabinets, and porcelain dolls.

Less one.

Of obvious favorites and grave disappointments.

Of which I’m now the latter.

With my sugar-buzz busted and my confidence shattered like the small, doll’s head, the procession home is silent and somber.

Nonnie never utters a word about it to me that evening.

(Helped by the fact that I avoid her like a tiny, Italian Plague.)

But her silence is deafening.

Within Close Range: Shoreacres

Everyone we know is growing up across the street, around the corner, or the next block over from each other. Daily building a collective experience which connects friends, parents of friends, neighbors and neighborhoods.

Where we live, nothing and no one we know is a couple blocks over, or right around the corner.

Edged with acres of Oak and Maple, Birchwood and Beechwood rooted at the edge of the bluff, our quiet road hides a scattering of courtly houses where forests make good fences and privately schooled children are seldom seen.

And never heard.

A lovely, but lonely, dead end road that winds a mile past manicured grass and unflappably white, club buildings; where quiet, unflappably, white club members and their very quiet staff, raise their heads at our regular din.

We’ve shaken up Shoreacres in seven different ways. A constant breach in its buttoned-up ways.

Directly to our east, rolling onto the beach at the bottom of the bluff eighty feet below, is Lake Michigan.

Dark and deep. Dependably cold and unfriendly.

Built at the turn of the century beside this vast and often brutal body of water, Naval Station Great Lakes, a recruit training camp, sits on over 1,500 acres due north. We can see its harbor from our backyard.

Right next door to this is North Chicago – whose ambitious name reflects more ambitious days, before the lifeblood of the city fed on the flesh of young sailors far from home.

Sailors, sex, booze and Abbott Labs.

That’s North Chicago, just to our north.

To the south, in between us and everyone we know, is Arden Shore, a longstanding fixture in helping troubled kids amid troubled homes.

Here and there, we’ll meet a stray wandering away from its classrooms and confines. Drifting along the edge of the waves, on the ever-shifting sand, or beneath the trees, wandering through the dark and the green and the silence.

We’ll smile and wave and he’ll smile back – kind of – then disappear behind sunken shoulders.

Back into the woods.

And his troubled thoughts.

And us to our troublemaking.

Past Arden Shore, stand two large, lakeside estates of meatpacking magnates and old money, and privileged lives – one defunct, the other very much alive.

Just south of here is where the village streets begin; where lives criss-cross and meet at corners.

And nearness compels strangers to become neighbors.

But north of here is where we live.

Along a lonely, lovely, dead-end road. Among the quiet privileged. Where forests make good fences.

Within Close Range: The Greenhouse

Defying the somber shades of dead in a Midwestern Winter,

hidden beneath thick, mean layers of snow and ice.

green was something you could see, smell and touch

in Mom’s greenhouse.

Stepping down into its steamy realm was like discovering a distant jungle.

Moist.

Pungent.

Earthy.

Exotic.

I’d sit on the cement stairs,

arms hanging over the metal railing moist from the humidity.

Galoshes and socks dangling precariously.

Watching Mom dig her hands into a soily concoction.

Inhaling strange, sweet smells of bone meal and blood meal.

Manure and lime.

And life.

Nurtured with the same intensity Mom tended her flock.

Passionate and determined all should flourish.

Cultivating her offspring with a unique and fertile mix of love and cynicism,

melancholy, curiosity and eccentricity.

Within Close Range: The Checkered Beacon

At the corner of Sheridan Road and Sheridan Place, right across from East Elementary and Lake Bluff Junior High School sits Artesian Park, two blocks of village green where every Fourth of July the grassy field turns to festival and carnival and fun and every winter, the sunken baseball diamond is flooded to make an ice-skating rink.

As soon as the temperature dips and the rink freezes solid, villagers swarm to the park, packing the small patch of ice with skaters of all ages, sizes and skills; with races of speed and games of Crack-the-Whip, hockey sticks slapping and half-hearted “Hamill Camels” spinning.

Huge smiles crowding pink cheeks.

The park’s field house is also opened, where a giant crackling fire in a giant stone hearth, hot drinks, long rubber mats and long, wooden benches, welcome skaters looking for secure footing and a temporary reprieve from the nippy wonders of winter.

Such happiness in hot cocoa and crackling fires.

In being a part of village life, instead of apart from it.

Layered, bundled, skated and packed into the station wagon, anxious to get to the rink and our friends, we watch Dad re-shovel the shoveled path by the garage. When Mom finally steps through the back door, all heads swivel toward the flash of candy apple red which has newly invaded the icy, grey scenery.

There stands Mom in an outfit the likes of which Lake Bluff villagers have never – nor will likely ever see again – a red and white checkered snow suit, with its belted jacket and matching knickers (Yes, that’s right, I said knickers.), red cable knit stockings, white knit gloves, and a matching, white knit, helmet-shaped cap with ear flaps and a large, snowball-sized pom-pom on top.

It’s something to be seen… and near impossible to miss.

She’s something to be seen.

But that’s usually Mom: statuesque, blonde, beautiful, incomparable. Ever the model. Not afraid to be individual, and always, always fashionable – even when that fashion might be questionable.

… at least from the viewpoint of her five, young impressionables.

But Mom is glowing.

Excited for the family outing. Eager to put her weatherproof, yet fashion savvy snow suit to the test.

But Mom is GLOWING.

Like a giant, checkered barber pole.

And everyone from Dad (whose briefly raised eyebrows are a dead giveaway) to Mark (who strains his tiny, bundled body to turn and stare wide-eyed at the walking tablecloth) – are stunned silent by the new outfit that speaks volumes.

As Dad winds the wagon toward town, whispers around the rear seats are exchanged. It’s agreed that the best course of action is evasive. A rapid, rear door exit will surely guarantee reaching the rink quickly and losing ourselves in the nameless, motherless crowd in moments.

As luck would have it, a parking space – one actually big enough to accommodate our Grand Safari station wagon – opens up right in front and above the bustling rink. There’s no more delaying the inevitable fashion statement that’s about to be thrust upon the unsuspecting citizens of Lake Bluff.

As soon as Dad docks the wagon and shifts into park, Jim and Chris leap from the center seat and never look back. In the very rear of the wagon, however,  Mia and I are at the mercy of Dad who needs to open our escape hatch from the outside (a major miscalculation), and who is leisurely lacing his own skates; while Mom struggles to wriggle a wiggly four-year-old into a pair of hand-me-down, oversized skates.

Dad finally releases us, and leaving Mia to fend for herself, I make fast, teetering tracks to the ice, losing myself in a swarm of bladed, unbounded activity.

From the anonymity of the crowd below I watch, – mortified – as Mom’s checkered ensemble appears around the rear of our wagon, moving very, very slowly over ice and snow toward the rink. Giving everyone within a three mile radius ample time to take it all in.

Radiating red against the endless, ashen clouds.

Unembarrassed. Unaffected. Unbelievable.

Forcing me deeper into the throng of villagers, into the sea of somber, Midwestern winter gear. Commonsensical clothes in practical colors blending together like the dark waters of a deep, churning lake.

Unsteadying me.

Disorienting me.

Drowning me in denim and down; in unfamiliar faces and forms, swirling and twirling and lawless.

I feel panic rise and tears swell and wish everyone would just… STOP!

Until a beautiful beacon appears.

A sudden flash of something dazzlingly bright shining through the drab-colored chaos.

The most wonderful sight I’ve ever seen. Giving instant comfort. Guiding me home.

To the arms of Mom.

To the warmth of her hug.

Wrapped tight in all her red and white checkered glory.

The Gentle Push

The open road before you.

The gentle push I’ll give you.

Toward those who have much more to teach you.

So sure you know its direction.

Blind curves hidden from your youthful attention.

But that’s okay.

It’s fumbling.

It’s humbling.

It’s finding your own way.

You’re done listening.

Because the whole world is calling.

And my long heard words are falling on deaf ears.

But that’s okay.

Cause it’s fumbling.

It’s humbling.

It’s finding your own way.

That will gently push you back to me some day.