Within Close Range: The Devil at Lake Forest Cemetery

There’s a grave in the corner of the Potter’s Field at Lake Forest Cemetery. 

Rumors tell of devils and demons, 

of curses and misfortune; 

of strange things happening to graveside visitors.

But I’m curious. 

And bored.

Finding two equally bored cohorts, we head out in my convertible. 

Autumn whipping our hair. 

The heater blasting on our legs as we wind along Sheridan Road, 

beneath the red, yellow, orange and brown leaves 

silently floating to the ground on the fishy lake breeze; 

shrouding the lawns, 

the sidewalks, 

the forests, 

and the last season, 

in moist, earthy layers. 

Entering the cemetery beneath its great, grey gateway, 

we haven’t a clue as to which way to go; 

only away from the grand mausoleums and stone angels 

that mark the graves of the rich and powerful. 

We find the unmarked field 

down a short, dead-end lane

already twice passed.

A small, unkempt and inconspicuous patch.

No statues, flags, or flowers.

No benches or shade for mourners.

Just a sad stretch of grass, 

cornered by a chainlink fence, 

choked with neglected vines 

and scraggly branches of struggling pines.

Phil and Betsy step into a small ravine separating us from the forgotten field. 

Their feet, ankles and shins sink into a river of yellow and brown leaves  

and I’m startled by the thought of them disappearing.

Swallowed by some, strange, autumnal underworld.

Eased only when both climb out on the other side.

Wandering up and down the quiet plot, 

we find nothing but nameless headstones. 

Unadorned and unnoticed. 

So many stories untold.

Until we happen upon a half-buried cross 

at the very corner of the lot 

where the wealthy suburb’s poor 

were given their unsung plot.

Barely legible, Damien, is scratched on a crudely made crucifix, 

toppled by wandering roots of the towering, lakeside trees.

Smothered by overgrown grass and thick, green moss.  

Who cared enough to mark a life among the many lost?

Hovering over the grave, we tell our own tales about death, 

the damned and Damien,  

until the daylight disappears behind a dark cloud rolling in off the lake, 

silent and mountainous, 

like a great, grey whale.

Wicked gusts of wind suddenly turn the sky to twisting, twirling, whirling leaves. 

Turning our backs to its unexpected violence, we race to the car,

laughing and swearing 

and shivering in our meager layers.

As the last roof latch clicks into place, the sky over us turns black and wild, 

shaking the convertible.

I clutch the wheel and smile at my friends.

A seasonal storm… 

or something more sinister?

Best to ask later. 

I turn the key, but nothing happens.

After a moment of startled looks and nervous laughter, 

I try again.

Not a sound, except the pounding rain and my impassioned pleas.

On the third try, the engine fires up 

and my shaking hands quickly shift the car into gear. 

Phil and Betsy urge me forward a little too loudly. 

Just as the cemetery gates appear in the rear view mirror, 

the violent storm ends,

and the sun, as quickly as it had abandoned the scene, 

reappears

as we hurry away from Damien’s grave 

on this strange, but strangely perfect autumn day.

Within Close Range: Megan’s 1959 Split-level Ranch

In Megan’s bedroom, half a flight up the 1959 Split-level Ranch with pink brick and putty colored paint, I fidget with a funky, multi-colored fiber optic lamp, while she plays records and introduces me to jazz, and we wait for her parents to leave and best friends to descend upon the many leveled house. 

We use the un-parented hours to nurture this hand-picked clan, filled with constantly morphing personalities birthed from overactive glands and imaginations, and recently recognized skills as poets, actors and musicians; as Pig Out Queens and Homecoming Queens, Make Out Queens and Dancing Queens. 

Never enough crowns for all those queens. Never enough time to be all the things, but always enough room on the dance floor. Though all signs point to clumsy and shy, my pelvic-thrusting friends are determined to try to make me Hustle and shake my groove thing in the ground-level living room of metallic gold and green.

Sweating and spinning and dipping. Air Band greats ever in the making. Drinking and joking and choking with laughter. Using voices and faces to find inner traces of people and places. Writing truly foul lyrics to sweet Christmas carols – using every nasty word we can muster to repulse and to fluster.

Years of piano lessons color the scene, mixing Joplin, Pachelbel and Winston into the frenetic hours of being girls, and being teens. Ceasing only long enough to ransack the family’s world of snacks in the very lowest level of Megan’s Split-level Ranch. Like chubby, pubescent picnic-bound ants.

A fairytale kingdom of infinite munchies. Tupperware and tins and tightly sealed snacks of caramels and pretzels and cookies – wafers and Fudge Stripes, shortbreads and sugar. Enough to make teens, with all their snacking needs, merry –  and me, ecstatic for all the food my Mom’s cupboards have never seen.

Megan’s kitchen is where I first try it, but Mom refuses to buy it, so I look for this Chef Boyardee diet on other kitchen shelves. I like my SpaghettiOs straight from the can, finding the same comfort in it as in my friendships and the many hours spent at the 1959 Split-level Ranch – all being terribly saucy, truly effortless, full of crap, and distinctly gratifying.