Some are reached by steep, wooden steps,
only at the end of which,
is a switch,
and salvation from the dark;
where cold, cement floors sting bare feet
and we search for cousins playing hide and seek
beneath an old, pine table,
and in cupboards stuffed with moth balls and old lives.
Down other stairs, parents send rapidly sprouting offshoots
(and their weedy accomplices)
to remain mostly out of sight, sound and smell.
New worlds explored in sunless rooms of cinderblock;
where mismatched 13-year-olds kiss, and later tell,
and budding musicians, mid black lights and bong hits,
learn to shake and rattle the house;
while in the dark and in a lawn chair, I learn to hang out.
Some sunken spaces are like snapshots
kept on a shelf in an old shoebox.
Still lives of vinyl bars and swivel stools
and down-turned glasses on dusty shelves, long unused.
Moth-eaten scenes of what might have been.
A gathering place for friends and kin
where woes of the week were drowned deep in cocktails
and lost in card games – or a top twenty song – to which most sang along,
as the stereo spun its new-fangled, stereophonic sound.
Curious but comfortless, being long-deserted and people-less.
Apart from the ghosts in the room.
My favorite sunken places are worn, but happy spaces
in which my favorite female faces
grow leaps and bounds beside me,
unconstrained and nearly unimpeded by upstairs edicts.
Sharing cigarettes, dance moves, inside jokes
and cases of beer bought just over the border;
making evenings fuzzy, and hangovers a new, underworld reality.
Playing pool, the juke box, the fool;
while trying to play it cool
when faced with firsts and friends far more in the know
about nearly everything that happens down below.
Dog-eared Stories by anne celano frohna 